Bringing Metaphysics Back In?

Summary

Ian Hunter has made a name for himself as a critic of German university metaphysics, finding its progeny at work in places where many of us would not even think of looking, for example in the late twentieth-century celebration of theory in the humanities. Some of his recent work has focused on a rather different issue: the methodological task of making intellectual history empirical. Here he builds on Quentin Skinner's rationale for the Cambridge School's efforts to make the history of political thought more properly historical. Skinner's argument draws on the work of R. G. Collingwood, at least in its earlier versions, and on neo-Kantian tendencies in mid-twentieth century Oxford philosophy. Thus, in aligning his methodological programme with Skinner's argument, Hunter may risk bringing elements of university metaphysics back in another form.     

Conversion,Autobiography and Richard Baxter’s Reliquiae Baxterianae (1696)

This article juxtaposes two of Richard Baxter’s autobiographical accounts written 5 years apart but along very different lines. In the final chapter of A Holy Commonwealth (1659), Baxter confidently asserted the rightness of Parliament’s cause in the civil wars; for Baxter, it is a strikingly optimistic, triumphalist and providentialist account. In the Reliquiae Baxterianae, which he began to write in 1664, he explicitly distanced himself from any such claims about the wars and he wrote in a more chastened fashion. The former account, and the kind of autobiography it intimates, brings Baxter’s purposes in writing the Reliquiae more clearly into focus. The article advances on recent scholarship by Kathleen Lynch while investigating the nature of autobiography. The iterations of Baxter’s autobiography demonstrate that such accounts are first a story that the author tells himself or herself. If events negate that story, it is never told.     

Tracing Medieval and Renaissance Alabaster Works of Art Back to Quarries: A Multi‐Isotope (Sr,S, O) Approach

Multi‐isotope fingerprinting (sulphur, oxygen and strontium isotopes) has been tested to study the provenances of medieval and Renaissance French and Swedish alabaster works of art. Isotope signatures of historical English, French and Spanish alabaster source quarries or areas are revealed to be highly specific, with a strong intra‐group homogeneity and strong inter‐group contrasts, especially for Sr and S isotopes. The chosen combination of isotope tracers is a good basis for forensic work on alabaster provenance, allowing verification of hypotheses about historical trade routes as well as identification of fakes and their origin. The applied analytical techniques of continuous flow isotope ratio mass spectrometry (CF–IRMS) and thermal ionization mass spectrometry (TIMS) only require micro‐samples in the low‐milligram range, thus minimizing the impact on the works of art.     

The Organisation and Practice of Metal Smithing in Later Bronze Age Europe

Journal of World Prehistory - During the later Bronze Age in Europe (c. 1500–800 BC), the archaeological visibility of the production and consumption of bronze increases substantially. Yet...     

Kaparlgoo Blue: On the Adoption of Laundry Blue Pigment into the Visual Culture of Western Arnhem Land,Australia

International Journal of Historical Archaeology - It has been argued that laundry blue (whitener) was introduced into western Arnhem Land in the second half of the 1920s by missionaries, where it...     

Bringing the Prisoner into View: English and Welsh Census Data and the Victorian Prison Population

The 1881 England and Wales census is now available as a fully-searchable electronic file. What can this source of big data tell us about the shape of the late-Victorian prison population? This article explores how the 1881 census compares to other sources of prison population data, and examines how the census can be analysed to reveal the demographic structure of the prison population in England and Wales. We argue that the census enables us to bring breadth of information about incarcerated individuals, identifying the ‘typical’ and ‘atypical’ prisoner, to a depth of information already available through small-scale qualitative research. In doing so, census data provides both quantitative and qualitative data essential for bringing context and scale to social and personal histories of crime.     

Remembering the Sea: Personal and Communal Recollections of Maritime Life in Jizan and the Farasan Islands,Saudi Arabia

People create narratives of their maritime past through the remembering and forgetting of seafaring experiences, and through the retention and disposal of maritime artefacts that function mnemonically to evoke or suppress those experiences. The sustenance and reproduction of the resulting narratives depends further on effective media of intergenerational transmission; otherwise, they are lost. Rapid socio-economic transformation across Saudi Arabia in the age of oil has disrupted longstanding seafaring economies in the Red Sea archipelago of the Farasan Islands, and the nearby mainland port of Jizan. Vestiges of wooden boatbuilding activity are few; long-distance dhow trade with South Asia, the Arabian-Persian Gulf and East Africa has ceased; and a once substantial pearling and nacre (mother of pearl) collection industry has dwindled to a tiny group of hobbyists: no youth dive today. This widespread withdrawal from seafaring activity among many people in these formerly maritime-oriented communities has diminished the salience of such activity in cultural memory, and has set in motion narrative creation processes, through which memories are filtered and selected, and objects preserved, discarded, or lost. This paper is a product of the encounter of the authors with keepers of maritime memories and objects in the Farasan Islands and Jizan. An older generation of men recall memories of their experiences as boat builders, captains, seafarers, pearl divers and fishermen. Their recounted memories are inscribed, and Arabic seafaring terms recorded. The extent of the retention of maritime material cultural items as memorials is also assessed, and the rôle of individual, communal and state actors in that retention is considered. Through this reflection, it becomes clear that the extra-biological memory and archive of the region’s maritime past is sparse; that intergenerational transmission is failing; that the participation of state agencies in maritime heritage creation is highly limited; and that, as a result, memories current among the older generation have limited prospect of survival. These memories, recorded and interpreted here, identify the Farasan Islands as a former centre of the pearling industry in the Red Sea, and identify them and Jizan as open to far-reaching maritime-mediated cultural influences in an era before the imposition of the attributes of the modern nation-state.