Underwater archaeological parks: a new perspective and a challenge for conservation—the Italian panorama

The conservation in situ of underwater archaeological heritage is a highly stimulating subject for both archaeologist and conservator as it permits planning and experimentation of new treatment methods opening up new possibilities for conservation, protection and scientific research. This paper offers some remarks on this subject and shows the experience of some Italian underwater archaeological parks.     

Absence of premolar teeth from ruminant mandibles found at archaeological sites

Three bovine and three ovine mandibles are described in each of which the second permanent premolar tooth was absent. In one of the bovine jaws an absence of the fifth cusp of the third molar was also noted. A review of tooth absence in wild and domestic bovidae is presented and suggestions are made as to the reason for absence.     

The Bonifacian mission and female religious in Wessex

With only two Kentish exceptions, the West Saxon identity of the English female correspondents of Boniface and Lull can be affirmed. Together with other evidence, the letters imply a considerable number of female religious in Wessex in the late seventh and eighth centuries, but with a distribution confined to the western parts of the kingdom. The foundation of these religious communities appears to belong to a particular phase of West Saxon conversion and political expansion.     

Reflections on the Identities and Roles of the Artists in European Paleolithic Societies

In an attempt to introduce concerns with social identities into the discussion and understanding of the making of what we call Paleolithic art, this article considers issues of gender, skill, apprenticeship, and tradition. We note that, as in every period of history, Paleolithic art can be seen as embedded in the society that studies it. Over the last 20 years, the research attention given to women in Paleolithic societies has grown considerably, leading us to ask what could have been the roles of women in Paleolithic art. On what criteria could we base a determination of those roles or of other social identities that were likely part of the making and viewing of Paleolithic art?Thanks to our microscopic analysis of engravings, it is possible to identify the skill level and expertise of the artists and thus to address the question of apprenticeship and how these techniques were transmitted. We observe many similarities that allow us to group together various works of art, sometimes from very distant sites, which indicate a movement of ideas, objects, and people. Are we talking about “imitation”? How can we define an “invention” within a social context strongly bound by traditions?