Style and self‐making: String bag production in the Papua New Guinea Highlands

The looped netbag or bilum is one the most culturally significant of everyday objects in Papua New Guinea (PNG). Made exclusively by women, bilum are also iconic of female productive and reproductive labour. In this article, I analyze how growing social stratification is expressed through the types of bilums young women produce and wear. I argue that the choices that young women make about what kinds of designs, shapes, colours, and fashions to incorporate into their bilums can tell us a great deal about their desires, experiences, and imaginings. While previous analyses have focused on the bilum as an ambiguously gendered object expressing complex ideas about sexual difference, I argue that bilum style increasingly indexes complex ideas about geography and social location, materializing contemporary Papua New Guinean ‘imaginaries’ of space.     

Production technology and knowledge transfer of calcite-tempered grey ware bowls from 2nd- to 5th-century ce Noricum (Austria)

Aspects of 2nd- to 5th-century ce Roman production technology and knowledge transfer in southern Austria (known as Noricum) were examined. With no evidence for workshops identified in the study area, 44 grey ware bowls from two sites at Aguntum and Lavant were studied macroscopically, and combined with optical microscopy, X-ray powder diffraction, prompt gamma activation, neutron activation and scanning electron microscopy, in order to understand whether one (large) workshop supplied these bowls, or whether the bowls were produced by several (small) workshops nearby. Combined with information from the geological background, the results were used to tentatively indicate the production location. The results indicate that the grey ware bowls from Aguntum and Lavant were produced by local workshops nearby. The bowls were manufactured with similar clay sources, tempered with crushed calcite-marble rocks from the Tauern Window, their surface smoothed and burnished, and fired between 800 and 850°C in a reducing atmosphere of an open fire. This is taken to suggest that Roman potters, who were located at Aguntum and Lavant, shared strategies of raw materials selection, paste preparation, finishing and firing, and transferred technological knowledge through time.