The Chemical Composition and Production Area of Early Western Zhou Proto‐Porcelain Unearthed from Yejiashan Cemetery,Suizhou, China

The bodies and glazes of 27 early Western Zhou proto‐porcelain samples from Yejiashan cemetery, Hubei Province, were analysed using LA‐ICP–AES, SEM, XRD, a thermal expansion instrument and other analytical methods. The results indicated that the bodies of all samples were characterized by high silicon and low aluminium, and were made with porcelain stone raw materials found in the south of China. The glazes are typical of high‐temperature calcium glazes of the CaO (MgO) – K₂O (Na₂O) – Al₂O₃ – SiO₂ series, with relatively high Mn and P content, which was probably caused by the addition of plant ashes. The physical properties and phase compositions of Yejiashan proto‐porcelain show that firing processes were still in the early stages of development in ancient China. Multivariate statistical analyses indicated that Yejiashan proto‐porcelain might have come from the Deqing area, in Zhejiang Province. These results provide new archaeological evidence for research on issues related to material flow in the Western Zhou dynasty.     

An Approach to the Diagnosis of Craniofacial Fibrous Dysplasia from the 2500‐Year‐Old Remains of a Skull from Ancient China

A human skull, buried about 2500 years ago in a Bronze Age cemetery at Jinggouzi, a site of an important ethnic group in ancient China, appeared to have characteristics of fibrous dysplasia. The CT images indicated a reduction in bone density and relatively homogeneous lesions. More features were revealed using CT reconstruction techniques. Lesions seen in low‐magnification images using a 3D deep‐field microscope had an irregular honeycomb‐like structure. At higher magnification, the trabeculae morphology and the gaps between the trabeculae were irregular and varied in size and shape. Paraffin‐embedded specimens stained with HE showed trabeculae with tortuous irregular arrangements varying in shape and width. The irregular trabeculae of woven bone has been described as having fibrous dysplasia. Molecular analysis of the GNAS gene indicated no mutation. This provides a non‐invasive approach for us to make more comprehensive diagnoses and to assist research into ancient human diseases.     

The Moorehead Phase Occupation at the Emerald Acropolis

The Emerald site, also known as the Emerald Acropolis, was an early Mississippian pilgrimage center key to Cahokia’s development. This paper presents the hitherto unpublished results of two archaeological projects conducted at the site, one led by Howard Winters and Stuart Struever in 1961 and the other by Robert Hall in 1964. These investigations produced the most comprehensive information on Emerald’s Moorehead phase (1200–1300 CE) occupation, during which two of its mounds were capped, a secondary mound was constructed on the central mound, and a mound-top structure was erected on this secondary mound. Similar activities took place throughout the region during the thirteenth century, a time marked by dramatic social, political, and religious change in Greater Cahokia. Based on these data, we argue that people returned to Emerald to memorialize or draw on the powers inherent there and thus reincorporate this place into the newly imagined thirteenth century Cahokian world.     

Developments in Rural Life on the Eastern African Coast,a.d. 700–1500

The eastern African coast is known for its Swahili “stonetowns.” Archaeological study of stonetowns has overshadowed that of Swahili rural life, and how it reformulated in the context of urban transformations after a.d. 1000. To help redress that imbalance, we focus here on village research carried out in a Swahili heartland—Pemba Island, Tanzania—in the context of two archaeological projects. We feature four settlements: later 1st millennium Kimimba village and its large, trading village neighbor, Tumbe; and 2nd millennium Kaliwa village, neighbor to Chwaka stonetown. Their archaeology, contextualized within a regional landscape, allows us to say new things about the changing nature of rural life on Pemba, and to make a case for the potential of village complexity elsewhere on the Swahili coast.     

“But He Could Not Warm Himself”: Sexual Innuendo and the Place of 1 Kgs 1,1-4

Springing off recent articles by Richard Hess and Russell Meek, this essay argues for the collaboration of vv. 1b and 4 to suggest that 1 Kgs 1,1-4 is concerned with discussing David’s impotency. In light of this physiological development, David’s attendants embarked on a search for a virgin. The Sumerian folktale “The Old Man and the Young Girl” may provide illumination for such an endeavor as it testifies to a perception that young women could rejuvenate impotent men. As for Adonijah’s pursuit of the throne, one can interpret a causative, albeit it implicit, relationship between 1,1-4 and vv. 5ff. David’s impotence rendered him unable to fulfill certain diplomatic duties, which had been a hallmark of his reign and rise to power. Such a development cast a shadow over the future of the administration, and ultimately, these four verses establish a sense of irony that will be revisited periodically throughout the history.     

Becoming ‘enchanted’ in agro-food spaces: engaging relational frameworks and photo elicitation with farm tour experiences

Abstract

Ecofeminists maintain that seemingly diverse and naturalized socio-ecological issues are in fact rooted within a particular cultural framework that perpetuates inequality and severs relationships among human and more-than-human communities. This important yet perhaps abstract understanding can be made tangible via examination of the ‘conventional’ food system, in which human and more-than-human communities are simultaneously otherized, marginalized, and exploited, realities largely hidden in a global industrial food system that disconnects production from consumption and obscures embedded relationships. Yet as consumer awareness rises, more people wish to know and move closer to the sources of their food, fueling community-based agro-food alternatives. When endowed with an ethic of care, such alternatives can be transformative for individuals and communities across scales.

This article situates conventional and alternative agro-food systems within relational frameworks of ecofeminism and care ethics and uses participant-driven photo elicitation (PDPE) to engage with experiences of consumers participating in a community farm tour. Findings suggest that such ‘enchanting’ experiences can begin to (re)embed food ‘products’ within contexts of place, people, and process, contributing to a relational consciousness that is central to an ethic of care. Findings also illustrate that PDPE can serve as a valuable window into experiences of reconnection, particularly useful for feminist researchers interested in learning more about enchantment and the transformational potential it holds.     

Towards a molecular agenda for the Left

In his talk, communications scholar and cultural critic Alejandro Kaufman analyses some of the contradictions in which the Latin American progressive projects became entangled in a context dominated by the ‘happy totalitarianism’ of consumption and the spectacle as a seemingly irreducible contemporary order of being on a global scale. The great challenge for the Left, he suggests, is to move away from a representationalist paradigm of the struggle for power and towards a politics of molecular interventions on the level of lived experience.     

The autonomous world reversed: comparing liberal policy and autonomy in the performing arts

Comparative studies of cultural policy commonly emphasize the way in which states treat the autonomy of the arts. Such studies often claim that liberal states promote autonomy, while social democratic states promote more external, instrumental values, such as solidarity, universalism and equality. This article challenges this conception by claiming that in actual cultural policy-making it is in fact the other way around. Based on a comparative study of theater policy in England, Norway and the Netherlands, I find that the focus on artistic autonomy is surprisingly absent in the liberal state of England, compared to what it is in the social democratic state of Norway. Conversely, English theaters are more obliged to work for, and with, the citizens and the community than theaters in Norway are. In the Netherlands, where recent development in general policy has headed in a liberal direction, artistic autonomy actually appears to be increasingly challenged.