Probability and certainty in seventeenth-century england. a study of the relationships between natural science,religion, history. law,and literature

Enlightenment optimism over mankind's progress was often voiced in terms of botanical growth by key figures such as John Millar; the mind's cultivation marked the beginning of this process. For agriculturists such as Arthur Young cultivation meant an advancement towards virtue and civilization; the cultivation of the mind can similarly be seen as an enlightenment concept which extols the human potential for improvable reason. In the course of this essay I aim to explore the relationship between ‘culture’ and ‘cultivation’ through botanical metaphor. By using the recurring motif of the mind's cultivation as a site from which to explore enlightenment views on female understanding, I investigate how far concerns with human progress extended to the female mind.

I examine the language of botany and cultivation in texts by authors such as Mary Wollstonecraft and Anna Laetitia Barbauld alongside that of Rousseau and Millar. Wollstonecraft's appropriation and subsequent inversion of the conventional cultivation metaphor, for example, demonstrates her desire to draw attention to society's neglect of women's educational potential by substituting images of enlightened growth with those of luxuriant decay. By pushing this analogy further she indicates how society has cultivated women rearing them like exotic flowering plants or ‘luxuriants’ where ‘strength of body and mind are sacrificed to libertine notions of beauty’. I discuss the antipastoral rationalism which enables her to unmask the false sentiment behind this traditional metaphoric association between women and flowers arguing that such familiar tropes are the language of male desire and are indicative of women's problematic relationship to culture.     

The enchanted garden

In his beautiful and haunting novel The Garden of the Finzi‐Continis, Giorgio Bassani, the well known Jewish Italian writer, records the calm, happy life of the Jewish community of Ferrara, in north Italy, in the 1920s and 1930s, the growth of Fascism and the response of the Jewish and non‐Jewish Italians to it. The main characters are the wealthy, aristocratic family of the Finzi‐Continis and their friends and their response to the changing political climate in their town. It is also the unhappy love‐story of Giorgio and Micòl Finzi‐Continis. The novel ends with the deportation of all the family and the whole Jewish community to the concentration camps in Germany and their certain death.