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The importance of studying human–animal relationships and animal subjectivity is increasingly recognised by social and cultural geographers, particularly in agricultural pursuits. Little research, however, has been undertaken on animals in sport, resulting in a limited understanding of the perceptions and treatment of animals in society. To address this concern, we interrogate print media coverage of the construction and positioning of horses and humans in the controversial activity of jumps racing (National Hunt) in Australia between February 2008 and December 2009. We highlight the importance of seemingly contradictory human–animal relationships involving close frequent contact of some jumps racing advocates in contrast to the distanced, mediated relationships of jumps racing opponents. This paper highlights how the particular activity of jumps racing generates specific human–animal relationships and emphasises the need to reflect on the attitudes that shape and constrain human–animal relationships in varying contexts, including how these attitudes are mediated and the potential consequences for humans and other animals. These findings form the basis for a suggested research agenda that recognises the importance and articulation of proximity and mediation in human–animal relationships, particularly those focused on activities labelled ‘sport’.  相似文献   
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This article considers both the racialised and the gendered nature of citizenship in France, combining a reading of the construction of French citizenship and its exclusive nature with a discussion of the implications of the parity debate for other social categories besides gender. A historicised consideration of the French concept of citizenship is followed by a brief account of the place of the French Caribbean and its population in the Republic, emphasising the role played by the republican tradition in the exclusion of both French West Indians and French women. The article argues that gender parity leads to the discussion of other categories of difference, such as 'race', and demonstrates the need for more engaged debate of this issue.  相似文献   
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Singapore, a leading country in the Asia‐Pacific region, is currently attempting to transform its cultural industry into creative economy. Creative economies capitalise on how knowledge can be marketed by merging arts, technology and business. They ensure a nation's competitiveness within an integrated global economy. This paper critically examines Singapore's recent cultural policy developments in tourism, broadcasting and new media. It argues that new creative industries have produced new consumption patterns and identities that harness the place‐branding of “New Asia” as a form of cultural capital and a strategy of regional dominance. Cybernetics is proposed as an approach to frame creative cultural governance and consumption in Singapore.  相似文献   
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