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971.
Pierre Marie was a prominent member of the French neurological world of the early twentieth century. Having been trained by the celebrated physician, J-M Charcot, Marie remained influenced by his teacher throughout his career. Because of this influence, his career can be logically divided into three phases: first, the early years under the direct mentorship of Charcot (1878-1893); secondly, the aftermath of Charcot’s death when Marie left his teacher’s institution, the Salpêtrière hospital and established himself at the Bicêtre hospital in southern Paris (1893-1918); and finally, Marie’s return to the Salpêtrière to assume the original Charcot chaired professorship, albeit as an aged man (1918-1925). This essay examines Marie’s career with an emphasis on documentation of the combined attributes of a gifted intellect as well as a heated emotionality. In the context of his time, these elements prompted Marie to enter into controversies and medico-political battles that advanced neurological knowledge, but likely disadvantaged him in his career successes.  相似文献   
972.
This paper is dedicated to one of the outstanding scientists of the twentieth century—Ivane Beritashvili. He was a Georgian physiologist who graduated from St. Petersburg University and worked under the supervision of N. Wedensky. He founded the Department of Physiology and the Institute of Physiology at the University of Tbilisi, Georgia. Among his numerous contributions was the discovery of the rhythmical course of reciprocal inhibition in spinal reflexes, the first demonstration of the excitatory and inhibitory reactions in the brain stem neuropil. But Beritashvili's most significant contribution was the discovery of the mediation of animal psychoneural behavior by image-driven memory.  相似文献   
973.
974.
975.
Abstract

Although the wall-paintings in the three first floor bedrooms and the connecting passage at Ellys Manor House, Great Ponton (SK 927 304), have been known to exist for a considerable time and are amongst the most extensive and important of their period in the country, very little has been written about them and no attempt has been made to co-ordinate the information that is available.  相似文献   
976.
Abstract

Until 1965 Holy Trinity parish church, Much Wenlock (Shropshire), was believed to be wholly Norman and later. In that year it was proposed that the south chancel chapel and south nave aisle were Anglo-Saxon. Two vertical strips of squared stones, built into the upper part (a later heightening) of the aisle's south wall, were interpreted as Anglo-Saxon pilaster strips of the type later classified by Dr H. M. Taylor as ‘long-and-short’. If the upper part of that wall was Anglo-Saxon, the lower part must have been earlier Anglo-Saxon, and so must the chapel south wall, which is integral with the lower part of the aisle wall. The Norman nave and chancel must have been added to an-existing Anglo-Saxon structure.

We believe, however, that the aisle and chapel must have been added to an existing Norman structure, for the Norman nave had originally a south-east external clasping buttress. Structural and documentary evidence shows that the strips are probably of the later thirteenth or earlier fourteenth century. Moreover similar strips occur in another part of the church that is probably of that date or later. ‘Pilaster strips’ of ‘long-and-short’ appearance may evidently be looked for elsewhere in twelfth-century or later contexts, especially in the heightened parts of unsupported rubble walls.  相似文献   
977.
978.
Abstract

In the Lady chapel at the east end of the north aisle of the church at Pucklechurch (Gloucestershire) are two effigial monuments, which have received little scholarly attention. The monuments are attributed to William de Cheltenham (d. between 1371 and 1374) and his wife Eleanor, and were set up in his lifetime within the chantry chapel dedicated to St Mary which William received licence to establish at Pucklechurch in 1337. Little remains of the chapel except an exquisite altar frontal. During the 19th century the two effigies were transposed. Various aspects of the conception and design of the Pucklechurch monuments reflect developments in monumental sculpture in Herefordshire.  相似文献   
979.
980.
Abstract

Early illustrations of Ledsham church do not show carvings around the Anglo-Saxon doorway into the tower, and examination of the physical condition of the stonework suggests that it is unlikely that the carvings could have survived from the Anglo-Saxon period. The peculiar features of the doorway and its carvings are best explained by the work being a nineteenth-century replacement by the Victorian architect, Henry Curzon.  相似文献   
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