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This paper presents results of recent research in Kenya and Uganda on ceramics from the first and early to mid second millennia ad. Whereas previous research has tended to emphasise the role of ceramics as chronological tools, or as an index of past ethno-linguistic identity, this paper will emphasise the role of ceramics as functioning tools. Combining archive and published data with new results from fieldwork, the evidence presented here demonstrates continuity of settlement in the Victoria Nyanza region between first millennium Urewe users and second millennium Transitional Urewe and Entebbe ceramics, and the emergence of specialist lacustrine communities. The changing nature of ceramics over this time span is compared with evidence from historical linguistics to suggest a shift in social authority from the family home to the wider community in the second millennium, and the growing influence of economic wealth or individual leadership.  相似文献   
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This paper is a response to recent critiques of the World Archaeological Congress (WAC), including its Global Libraries Program. WAC should take greater leadership in addressing the current unequal state of international scholarly publication. Scholars from the global south disproportionately have more difficulty obtaining published works and fewer venues to publish their own research. This paper calls WAC to encourage and support local and non-English publications, open access works and journals, commons-based licensing, and e-repositories.  相似文献   
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This research addresses the strength of the homeland security policy regime that was constructed after the terrorist attacks of September 2001. We argue that homeland security provides a preeminent example of the challenges of developing policy regimes that focus policymaking on a common goal across diverse subsystems. All the ingredients for fashioning a powerful regime were in place after the terrorist attacks of September 2001—a common purpose, engaged stakeholders, and institutional redesign. But for a variety of reasons that we discuss, the results are far from cohesive. The lessons we draw are more general ones regarding factors that influence the strength of boundary‐spanning policy regimes.  相似文献   
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Journal of Archaeological Method and Theory - Throughout much of the pre-Hispanic Andes, bioarchaeological and iconographic evidence shows that the decapitation, dismemberment, and display of human...  相似文献   
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Recent excavations at FLK North (Olduvai Gorge, Tanzania) have produced new information on the orientation of archaeological materials at various levels of the site. This information includes the uniform distribution of material azimuths, which contrasts with previous inferences of highly patterned orientations of materials in the Bed I archaeological sites. Those previous inferences of patterned material orientations are based on Mary Leakey's 50-year-old drawings of artifact and fossil bone distribution, but are not verified by our precise measurements of archaeological objects made in situ. Nor do those previous results agree with the general lack of geological, geomorphological, and/or taphonomic data that would indicate significant post-depositional movement of archaeological materials in the sites. We argue here that Leakey's drawings are incomplete (only portions of each assemblage were drawn) and inaccurate in their representation of the original locations, shapes and orientations of most archaeological specimens. This argument is supported by several important mismatches in object representations between a photograph taken of a small portion of the FLK 22 Zinjanthropus site floor before the removal of the archaeological items, and the sketch of the same area drawn by Leakey. Thus, we conclude that primary orientation data of excavations (i.e., direct measurements taken from items) generated prior to object removal are the only valid indicators of the relative isotropy or anisotropy of these important paleoanthropological assemblages.  相似文献   
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This article establishes that the suffering of the other represents a serious philosophical and ethical problem in Beauvoir's first post–World War II novel. In fact, the other's suffering poses such a complex problem in Le sang des autres particularly because Beauvoir depicts her characters’ world as a kind of Mitsein, which is Heidegger's word to describe how our lives necessarily intertwine with and envelop the lives of others while still allowing for the existential experience of separation. In the novel, the main characters’ potential responses to the other's suffering—quietism, indifference, charity, and empathy—fail according to the novel's existentialist ethical framework because of the ways these responses deny the fundamental ambiguity of Beauvoirian Mitsein. Only in accepting separation and connection as codependent ethical values do the characters find an ethically palatable response to the other's suffering at the end of the novel.  相似文献   
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Fans seeking engagement with Jane Austen and her fictional creations seek out heritage locations linked both temporally and geographically to her life and works. This article adopts a multidisciplinary framework that triangulates fan studies, literary criticism, and heritage studies to analyse three Austen-linked fan spaces: Chawton Cottage (Austen’s former home and now a museum), Lyme Park (‘Pemberley’ in B.B.C.’s 1995 adaptation of Pride and Prejudice), and two Austen-themed literary walks. I argue that the fan’s desire for connection is by no means an organic or natural quality of the heritage site itself. Rather, creating connections between the revered object (Austen) and the physical spaces that purport to contain her necessitates imaginative work on the part of the literary tourist. That such performative work is necessary in both the ‘real’ (Chawton) and ‘fictional’ (Lyme Park) locations demonstrates the problematic nature of previous critical emphases on the authenticity – or lack thereof – of such spaces. The significance of the fan’s pilgrimage to Austen-linked heritage sites lies not in the author to be ‘found’ there but in how the tourist actively constructs ‘their’ Jane by inscribing her presence – and those of her characters – onto these spaces.  相似文献   
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