The governance of national cultural organisations: comparative study of performance contracts with the main cultural organisations in England,France and Catalonia (Spain)

In some European countries, performance contracts have become an instrument for the governance and control of major cultural organisations by the public administration. The negotiation and signing of a performance contract are mainly aimed at developing the goals of cultural policies by means of large organisations in order to achieve the traditional objectives of cultural democratisation and other instrumental objectives (economic development, urban regeneration or social inclusion). Nevertheless, the development level of performance contracts varies when we compare England, France and Catalonia (Spain). Each particular level of development is conditioned by the overall administrative and institutional context and the development level of results-based management and an accountability culture. The level of public funding and the degree of autonomy of management within each organisation can also explain why in some cases governance has been contractualised whereas in other cases either progress is more rhetorical than real.     

Wild Cattle: Red Deer in the Religious Texts,Iconography, and Archaeology of Early Medieval Ireland

Humans use animals as a means of creating and manipulating relationships with other human beings. This process occurs both through the use of animals for food or raw materials and through the use of animals as literary and artistic symbols. Cervus elaphus is Irelands only indigenous deer species. It is also unique in being the only native Irish, wild animal to appear frequently in medieval texts, iconography, and archaeological deposits. This paper brings together diversesources of information to illuminate how early medieval monasteries used reddeer to establish an identity for themselves and to conceptualize socioeconomic relationships with others.     

A Mona effect: How place discourse constitutes culture‐led change

The arrival of the Museum and Old and New Art (Mona) in the disadvantaged municipality of Glenorchy was heralded as the beginning of significant social change in Australia's island state of Tasmania. These expectations were premised on a local place discourse known as the “Tasmanian gothic,” and, in this article, our aim is to illustrate the importance of place specifications in culture‐led change, including in relation to how place discourse constitutes such change. To do this work, we illustrate a Mona effect that comprises a critical account of the Tasmanian gothic informed by an empiric of tourist movement to and from Mona. We demonstrate that tourist movements follow existing socio‐spatial patterns, with tourists from higher socio‐economic backgrounds bypassing Glenorchy and those from lower socio‐economic backgrounds more likely to stop in this disadvantaged municipality. This socio‐spatial account unsettles the characterisation of Tasmania and Tasmanians provided by the Tasmanian gothic and we conclude by observing (1) a lack of significant social change resulting from Mona, in part explained by well‐established socio‐economic patterns; (2) signs of more subtle change that warrant further investigation; and (3) how local place discourse can act to curtail culture‐led change by reinforcing existing socio‐economic patterns.     

Geographical Analysis: Reflections of a Recovering Editor

This paper considers the past and future of the journal Geographical Analysis (GA), as well as the broader field of spatial analysis. From my experiences as a former editor of GA, I first identify three external trends that I feel will provide the backdrop for the future evolution of spatial analysis. These surround the rise of artificial intelligence, machine learning, and data science as disciplines. The paper also considers the structural changes that are occurring in the organization of science, and the trend toward democratization of spatial analysis and spatial data. I identify critical areas for methodological advances along with some opportunities for the rebranding of GA in the new era of data science.     

Rock Art Between Preservation,Research and Sustainable Development—a Perspective from Southern Ethiopia

This paper focuses on southern Ethiopia, along the outer rim of the Rift Valley and not far from the Kenyan border, in an area forming part of a larger region known as a cradle of humankind. However, it also hosts a diverse Holocene rock art heritage, which is still underestimated and underdocumented. Paintings and engravings are widespread in the region, both in rock shelters and open-air sites, often located in remote areas currently inhabited by communities belonging to different ethnic groups. The aim of this paper is to present the first results of a new project in the area around Yabelo, within the broader framework of rock art research in East Africa, integrating archaeological research, preservation and heritage management with a relevant involvement of local communities. The outstanding cultural importance of these contexts offers new prospects for both scholarly research and sustainable development. The recording and study of the artworks is underway, using digital technologies that guarantee a high standard of accuracy of the documentation and non-invasive recording methods. This provides important insights for reconstructing cultural dynamics in the area between the final Pleistocene and onset of the Holocene. Moreover, the focus on rock art makes it possible to enhance local knowledge, increasing the awareness of local communities, with a significant impact on the preservation of this fragile heritage and the development of local, sustainable tourism projects. Differently from other archaeological features, rock art can have a more immediate attractiveness for contemporary observers, in terms of the apparent immediacy of the images and their emotional impact, raising awareness of cultural heritage and fostering major involvement in its preservation.     

Living in an Egyptian Oasis: Reconstruction of the Holocene Archaeological Sequence in Kharga

Within the Egyptian Western Desert, the Kharga Oasis was a particularly favourable and highly frequented area during the Holocene thanks to a permanent ground water supply. The high concentration and accessibility of archaeological sites here allows the cultural and economic changes to be documented at a local scale, when northeastern Africa was experiencing strong climatic variations and the transition to a food production economy. An expansive program led by the Institut français d’archéologie orientale (IFAO) which included systematic survey, sampling collections, tests and stratigraphic excavations has dramatically increased the amount of data available concerning the prehistory of the Kharga Oasis. Typo-technological analyses focusing on the lithic industries, and other aspects of material culture, plus a series of ¹⁴C dates have led to the definition of four main successive cultural phases: Kharga A, B, C and D. This paper describes this proposal of a new archaeological sequence for human occupation in the Kharga Oasis and discusses its integration in the wider frame of Egypt and the Eastern Sahara.     

The Style of Blugzeimat and the “Masks” of the Prehistoric Rock Art of the Western Sahara: New Evidence for Long-Distance Contacts

Blugzeimat is a prehistoric rock-art site in the Tiris region (southern Western Sahara), with more than 100 engraved slabs. The major portion of these engravings represents zoomorphs, anthropomorphs and non-figurative signs. Based on the absence of protohistoric texts, chariots or horse riders, and the probable depiction of a halberd, the age of these engravings may correspond to the first half of the second millennium BCE. The stylistic attributes of the engraved bovines, which are the most commonly represented subject, allow us to relate Blugzeimat to several sites with pecked engravings located in the Tiris (Western Sahara) and Adrar (north-western Mauritania) regions. In addition to this first stylistic and geographic delimitation, we have also been able to identify signs, traditionally designated as “masks” in the literature, which relate Blugzeimat to several sites with incised engravings located in the northern Saguia el Hamra basin. As incised and pecked engraving techniques have been regularly considered examples of unrelated rupestrian traditions in the Western Sahara, the engraving of these highly specific signs using both techniques allows us to question that paradigm. Finally, the long-distance thematic coincidence represented by the presence of such signs, in regions far from one another, provides additional evidence to refute the common idea of an absence or scarcity of cultural contacts between the north and south of the Western Sahara before the adoption of the horse and camel.     

In Praise of Vagueness: Uncertainty,Ambiguity and Archaeological Methodology

This article stipulates that vagueness is a socially important yet academically largely overlooked aspect of human interaction with the world. Vagueness and vague experiences can structure material categorisations of the world; it can contribute to the shaping of social relations and nurture the appreciation of difficult experiences. However, the recent archaeological (re)turn to science as the main provider of knowledge of the past renders vagueness futile as an empirical occurrence through its exorcism of elusiveness and ambiguity in the notorious pursuit of absolute, exact and quantifiable facts. This article challenges the pursuit and use of exact data in archaeological science and the consequential implications of the omission of vague occurrences, discussing the problem that ambiguous and absent evidence become neglected in subsequent conclusion. Second, it is demonstrated that vagueness and ambiguity can be integral to certain social and material phenomena. Third, the article examines recent archaeological analyses of burial practices in South Scandinavian passage graves from the Middle Neolithic in order to discuss the pursuit of certitude in archaeological observations and interpretations. Finally, it is argued that the idealisation of certitude in archaeological analysis needs to be complemented by an interpretative framework making it possible to recognise vagueness as a social phenomenon.     

The Power of Infrastructures: a Counternarrative and a Speculation

“Infrastructural power” refers to how states “penetrate” their societies and also how local organizations resist such attempts. This essay explores the latter sense of infrastructural power. First, it notes aspects of local power in ancient Mesopotamia, tracing the existence of councils and assemblies over about 3000 years and establishing the concept of a “heterarchy of power” in Mesopotamia, which is a counternarrative to assertions of totalitarian power by kings and central governments. There follows a cross-cultural review of selected other ancient cities and states in order to assess comparable and contrasting local organizations and degrees of infrastructural power. Finally, resistance to state power is explored, and a speculation about the qualities of stability and fragility of political power in early cities and states is advanced.     

From Environment to Landscape. Reconstructing Environment Perception Using Numerical Data

The paper introduces a method that links environment to landscape. The environment-landscape divide appears because of epistemological differences: since studying the landscape involves describing the world as it was perceived by humans, it is difficult to access this dimension through the numerical data that we employ when studying the environment. We approach the issue of non-correspondence between environment and landscape knowledge using fuzzy logic. The numerical data describing two geomorphometric parameters, slope and modified topographic index, are split each into three classes with overlapping borders. The classes are then fused into four qualitative categories: flat wet, steep dry, flat dry, and gradual moist. These four categories have direct correspondence in the real world and can be observed by people through simple perception. The correspondence of such categories to peoples’ perception is checked against evidence of past human settlement in three areas coming from Turkey, Serbia, and Syria. The identified qualitative categories resemble the way people categorized their landscape in all but the second case study. Humans were able to perceive and choose areas which correspond to gradual moist in Turkey and broadly to flat wet in Syria. However, for the Serbian example, the results are inconclusive.