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Bernard Lauriol 《The Canadian geographer》1990,34(4):347-351
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The archaeological record of prehistoric Cyprus is rich, diverse, well-published, and frequently enigmatic. Regarded by many as a bridge between western Asia and the Aegean, Cyprus and its past are frequently seen from scholarly perspectives prevalent in one of those two cultural areas. Its material culture, however, differs radically from that of either area. Apart from the early colonization episodes on the island (perhaps three during the pre-Neolithic and Neolithic), evidence of foreign contact remains limited until the Bronze Age (post-2500 B. C.). This study seeks to present the prehistory of Cyprus from an indigenous perspective, and to examine a series of archaeological problems that foreground Cyprus within its eastern Mediterranean context. The study begins with an overview of time, place, and the nature of fieldwork on the island, continues with a presentation and discussion of several significant issues in Cypriot prehistory (e.g., insularity, colonization, subsistence, regionalism, interaction, social complexity, economic diversity), and concludes with a brief discussion of prospects for the archaeology of Cyprus up to and beyond 2000. 相似文献
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Jean-Marc Drouin Patrick Gautier Dalché Fabien Chareix Charles Lenay Monique Cottret Bernard Vandewalle François Laplanche Françoise Waquet Agnès Spiquel Ariane Poulantzas Olivier Martin Sophie Roux Ilana Löwy Françoise Waquet Isabelle Brian Michel Cassan Jean-Marc Rohrbasser Jean-Michel Vienne Marc Renneville Bernard Lahire Mikhaäl Xifaras Bertrand Binoche Stéphane Haber Jean-François Pradeau Noël Bonneuil Marie Jaisson 《Revue de synthèse / Centre international de synthèse》1997,118(4):551-613
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Romanesque sculpture can be profitably studied by trying to create the thought processes of those responsible for designing the programs. In particular, the thought pattern of associating various biblical stories which contain the same or similar words can be applied to the program of the little church of Neuilly-en-Donjon (Allier). It is clear that the various stories depicted are related to one another by sound - for example the Adoration of the Magi and the fall of Simon Magus and Mary Magdalen at the house of Simon the Pharisee. However, just as the genius of a monastic author such as Bernard of Clairvaux was the thematic unity he could use to organize these aural associations, so does the importance of the program at Neuilly derive from the sophisticated thematic unity of the program around the theological virtue of faith. From this study, we can learn not only to appreciate the genius of the designer of the program at Neuilly but also to attempt to unlock other secrets of Romanesque sculpure by applying this or other elements of contemporary thought processes to the parts of a program. 相似文献