The Maritime Cultural Landscape of Northern Patagonia

This article is a contribution to the study of the indigenous navigation and its boats in the region of northern Patagonia. This article also aims to contribute to the understanding of indigenous navigation practices and technologies and their origins from prehistoric times to the mid-twentieth century. It presents and discusses the concept of Westerdahl’s Maritime Cultural Landscape in relation to other landscape concepts. This model is applied to northern Patagonia in order to discuss if it is possible to speak of a true maritime culture in the region. For this purpose, archaeological, historical and ethnographic data are presented in an integrative and innovative methodology for the discipline. Finally, the Maritime Cultural Landscape model will allow the integration of aquatic and terrestrial landscapes as routes traveled by native inhabitants of northern Patagonia and southern Chile, and propose an important and diversified maritime, river and lake tradition.     

Solidarity within limits: Interkit and the evolution of the Soviet Bloc’s Indochina policy, 1967–1985

This article examines how Interkit, the Soviet-controlled ‘anti-China International’, evaluated the development of Sino-Indochinese relations, and which contribution the Vietnamese and Laotian delegations made to the forum’s meetings. It investigates how the various shifts in Sino-Soviet and Soviet-US relations enhanced or reduced Vietnam’s relative importance in Soviet strategy. It describes how the Kremlin sought to dissuade its East European satellites from responding to Beijing’s overtures by presenting the Sino-Vietnamese conflict as evidence of China’s belligerence, and examines the ideological linkage between Soviet superpower hegemony over Eastern Europe and Vietnamese regional hegemony over Indochina.     

Altamira 1937: <Emphasis Type="Italic">Grotta Aperta—</Emphasis>Conflict Archaeology of a World Heritage Cave

This article addresses the dark and barely known side of one of the most iconic symbols of Spanish heritage: the Palaeolithic cave of Altamira (region of Cantabria). The cave is a benchmark of European rock art and was declared a World Heritage Site by UNESCO in 1985. Access to the cave’s guestbook (inaugurated on 18 August 1928 with King Alfonso XIII’s signature) has granted us the opportunity to deconstruct the hegemonic discourse therein, and to approach a time, the Spanish Civil War (1936–1939), which had been left almost without discussion in historical literature on the archaeological site. Conflict Archaeology can cast light on this unknown reality and raise controversial and contentious issues about the Altamira cave and its role as a wartime cultural asset during the war.     

First record of a fossil selenariid bryozoan in South America

López-Gappa, J., Pérez, L.M. & Griffin, M. February 2017. First record of a fossil selenariid bryozoan in South America. Alcheringa XX, xxx-xxx. ISSN 0311-5518.

Selenariidae Busk 1854 (Bryozoa) is considered endemic to Australia and New Zealand. Here we describe a new species of Selenaria Busk 1854 from the lower Miocene Monte León Formation (Patagonia, Argentina). Selenaria lyrulata sp. nov. is characterized by autozooids with a lyrula-like, anvil-shaped cryptocystal denticle, opesiular indentations and lateral condyles, as well as avicularia with a shield of fused costae. This is the first record of a selenariid bryozoan in South America.

Juan López-Gappa [lgappa@macn.gov.ar] CONICET—Museo Argentino de Ciencias Naturales. Av. Ángel Gallardo 470, C1405DJR, Ciudad Autónoma de Buenos Aires, Argentina; Leandro Martín Pérez [pilosaperez@gmail.com] and Miguel Griffin [patagonianoyster@gmail.com], CONICET—División Paleozoología Invertebrados, Museo de La Plata. Paseo del Bosque s/n, B1900FWA, La Plata, Argentina.     

The quest for a traditional style: architecture and heritage processes in a Pyrenean valley

In this article, I focus on the construction and restoration of houses in the Catalan Pyrenees, on their materiality, and specifically on the relationship between architectural and heritage processes that shapes them. I provide an analysis of how architectural forms, norms and regulations, as well as building aesthetics and materials, were transformed in the past decades following a parallel process of changes in the region. The aim is to explore the relationship between the built environment and the cultural and economic shift of the area in recent times. Drawing on extensive ethnographic research conducted in a valley of the Catalan Pyrenees, I show how the material culture, architecture and built environment evolved in close relationship to the spread of heritage discourses leading to a mutually constituting association that helped shape the elements of the new social realities.     

Modern roads as UNESCO World Heritage sites: framework and proposals

There has been noticeable development in the protection of linear infrastructure by UNESCO, whether on its cultural, technological or historical merits. However, with the exception of other means of transport incorporated within the field of industrial archaeology or recognised by the CIIC under the category of cultural routes, little or no consideration has been given to roads built from the mid-eighteenth century to the early part of the twentieth century. In view of this situation, this paper has the following aims. Firstly, to define the concept of ‘modern road’ and provide a brief analysis of the historical development and current situation of the same. Secondly, to assess the main contributions made to date regarding the heritage dimension of modern roads. Thirdly, to reconstruct the process of defining linear cultural landscapes, historic transportation corridors, cultural routes and heritage canals, railways and roads, in accordance with the considerations raised by ICOMOS and UNESCO. Finally, to contribute to the debate on the definition, characterisation and assessment of modern roads as world heritage assets, both intrinsically and in relation to established heritage categories.     

Writing on the edge: the poet,the printer,and the colonial frontier in Ercilla’s La Araucana (1569–1590)

It took Alonso de Ercilla (1533–1594) thirty years to finish La Araucana, a first-person narrative epic poem about the brutal war of Arauco, in southern Chile, and one of the most canonical texts of colonial Latin America. By focusing on a crucial episode of Ercilla's eyewitness account, this essay revisits a number of scholarly discussions that have been central for our understanding of the text. First, it takes into consideration previous scholarship overlooked by specialists, as well as hitherto unstudied copies of the poem, in order to offer a thorough reevaluation of the textual and editorial history of the poem. Moreover, it explores the frontier as a chronotope and as a locus of enunciation for colonial epic, a space that is also crucial for Ercilla's carefully crafted authorial persona. Finally, it interrogates the ways in which the discursive representations of colonial frontier spaces were mediated by the material practices of early modern book production, arguing for a more fruitful relation between ecdotics and poetics, between material bibliography and theories of authorship and textuality in our approaches to colonial texts.     

Revuelta plebeya,conciencia criolla y reivindicación jesuita: política y gobernanza en la Historia del Reino de Quito,de Juan de Velasco

Este artículo propone una lectura de la Historia del Reino de Quito en la América Meridional (1789), de Juan de Velasco, a partir de las ideas políticas y jurídicas de su autor. Sugiere abordar el tomo tercero de la Historia no solamente como un relato del declive social y económico que aqueja a la Audiencia de Quito, sino como un comentario a la crisis de gobernanza que, según Velasco, inicia con el ascenso de los Borbones al trono. La incapacidad jurídica de controlar la mestización de la sociedad y las desacertadas políticas de las autoridades peninsulares, resultan en la Rebelión de los Barrios de Quito, episodio que representa el clímax de las penurias que atraviesa el Reino y que le permite a Velasco cuestionar el modelo de gobierno establecido por los reformistas ilustrados, abogar por la necesidad de un gobierno criollo y restaurar la desgastada imagen de la Compañía de Jesús.