Remembering the 1960s: popular music and memory in Europe

Following the increasing attention paid to popular music in heritage discourses, this article explores how the popular music culture from the 1960s is remembered in Europe. I discuss the role of heritage organizations, media and the cultural policy of the EU in the construction of a popular music heritage of this period. Furthermore, I examine the ways in which attachments to local, national and European identities are negotiated. To this end, I draw upon interviews with representatives of museums, websites and archives. The article reveals a recurring tension between transnational and local experiences of the 1960s. It is found that media and heritage institutions like museums and archives predominantly have a national and local orientation, although narratives with a European vantage point are now emerging on the internet.     

Operationalising national identity: the cases of the Scottish National Party and Frisian National Party

The article sets out to examine the complexity of national identity and to provide a more nuanced understanding of how inclusive and exclusive characteristics of national identity, which appear theoretically contradictory but show empirically considerable compatibility, relate to each other. In order to empirically investigate the nature of national identity, the article develops a multidimensional model – consisting of an ethnic, cultural, territorial and civic dimension. The article explores the understanding of national identity in two specific groups: members of the Scottish National Party (SNP) in the United Kingdom and members of the Frisian National Party (FNP) in the Netherlands. The evidence presented is based on data from two full membership studies, and the model is operationalised using a confirmatory factor analyses. The conclusion is that national identity can be conceptualised as consisting of one, or several, base layer(s) that can be ‘topped‐up’ with secondary layers.