Building from Scratch: The aesthetics of post‐disaster reconstruction(Respond to this article at http://www.therai.org.uk/at/debate)

This article looks at the visual character of post‐conflict and post‐disaster settings, and shows how states of physical ruin can help to produce an ‘aesthetics of post‐disaster reconstruction’. With examples primarily drawn from the author's field site in Timor‐Leste, the article shows how ruins, ashes and demolition may be perceived as enabling particular kinds of agency and opportunity. Thus, some of the most hopeful of international‐intervention dreams of recent decades have been produced out of sites of mass‐scale destruction.     

A NEW BRONZE AGE HOARD FROM MARIESMINDE AT LANGESKOV ON FUNEN,DENMARK

A hoard was discovered at Mariesminde near the centre of the Danish island Funen in 2003 during trial excavations. A pot containing 27 bronzes was later excavated in the museum laboratory. The bronzes were stacked disorderly, with a large piece of sheet bronze at the bottom. The objects consisted of broken rings, several so-called ‘Hohlwulstringe’ or hollow rings, a socketed axe, plus 13 casting cakes and three casting runners. No less than four rings are types new to Scandinavia and reflect connections with the Italian peninsula and further away. The hoard's mixture of broken objects, casting runners and cakes classifies it as a scrap hoard. It is dated to the Bronze Age period VI (Montelius), prominently indicated by the hollow rings. The findspot of the hoard was only c. 200 m from the well-known period IV hoard Mariesminde I with the largest collection of gold vessels from Funen. The metal analyses open new perspectives and indicate an origin in the Alps or the Erzgebirge for most of the collection.