Tropes of a Texan trauma: monumental Dallas after John F. Kennedy

Dealey Plaza in central Dallas serves both as a ‘cradle’ and a ‘grave’; at this historic site Dallas was born and an American president died. The assassination of President Kennedy on 22 November 1963 changed Dealey Plaza, the site where the first citizen of Dallas settled in 1841, from a symbol of civic pride into a place of guilt and shame. After the events of 1963, the Dallas community voiced a wish to forget and hence, the exact location where Kennedy was murdered was initially remembered by neither monument nor plaque. At the same time, America grieved and from all over the country US citizens started to visit the assassination site. Dealey Plaza became a place of pilgrimage, which caused a change in the monumental landscape and eventually transformed civic guilt into civic pride. This article offers an analysis of the responses to this Texan trauma in terms of commemorative heritage and describes Dallas’ shift from ‘amnesia’ to ‘identification’, two contrary responses to traumatic, or mourning, heritage.     

From analogue to digital and back again: institutional dynamics of heritage innovation

This article traces the emergence of a digital imperative – the belief in the necessity of digitising cultural expressions – in a particular heritage project in the Dutch city of Maastricht. The main reason for doing so is to contribute to the growing body of literature on digital cultural heritage, a perspective that pays analytical attention to the organisational and institutional dynamics of heritage innovation. Such a perspective complicates the popular assumption that digitisation will be beneficial to participation and instead puts forward – by drawing on institutional theory and the sociology of expectations – a less technology‐centric and more contextual understanding of digital heritage. The conclusion highlights the potential of institutional analysis and the sociology of expectations for digital heritage studies.     

Painting and preserving the ship in the 17th and 18th centuries

Analysis of paint residues and paint equipment from North European shipwrecks together with archival research provides evidence of pigments and colours used. The limitations of pictorial sources and contemporary models is contrasted.     

What are patterns in the humanities?

ABSTRACT

This paper is concerned with patterns in past human behaviour, what they are, and how this relates to the detection of patterns in data by means of computation. Theorists have not given patterns the attention they deserve. Therefore it is far from clear what patterns are and to what purpose scholars may use them. This paper presents eight propositions on patterns which hold true for patterns found ‘by hand’ and patterns found ‘by computation’. One such is that a pattern is discernible in behaviour when we subject it to the intentional stance, as the philosopher Daniel Dennett argues. Here behaviour is part of an intentional system. This paper’s argument is that the patterns found ‘by computation’ too are part of an intentional system. To substantiate this claim this paper discusses two important examples of detecting computational patterns in the domain of the humanities.     

Digital geographies of grassroots securitisation

Digital surveillance and securitisation technologies are becoming an increasingly ubiquitous part of everyday lives. Constellations of hand-held devices, smartphone applications and partnerships between police, the security industry and civil society shift responsibility for preventing and recording risk and crimes onto citizens. This development suggests substantial changes to the relationship between state and citizens and is likely to have profound effects on socio-spatial relationships and experiences in place. Until this point, geographers have demonstrated little engagement with these developments. This provocation focuses on particular strengths of theoretical and empirical research traditions in social and cultural geography to suggest ways in which the discipline might constructively engage with the digitisation of citizens’ securitisation practices. It foregrounds four areas in which empirical work on digitally inflected surveillance and securitisation practices will enable a rethinking of key geographical concepts in ways that will further the conceptualisation of digital technology and security. The provocation calls on social and cultural geographers to be mindful of the potential of grassroots securitisation to empower disfranchised communities while considering that these technologies and cognate policies might facilitate the further hollowing out of the state under ongoing processes of neoliberalisation.     

Gorgobad: reflections on a German-Australian family biography

This article continues the focus on German-Australian militarised modernities through the Second World War to the present day. It draws on the author’s own family history, beginning with the memories evoked by her grandparents’ house in northern Sydney, built between 1950 and 1953. Named ‘Gorgobad’, Persian for ‘place of the wolves’, it resonates with a family history that involves German colonial investments in post-First World War Iran, the global geopolitical upheavals of the Second World War, which drew her family into separate histories of refuge, British imprisonment and deportation and, finally, building a new home in Australia. The essay asks pertinent questions about the entanglement of hegemonic racialised orders in Europe with the very racialised orders of the grounds on which Gorgobad was built.     

Resurrection in slow motion: the delayed restoration of the cinema exhibition industry in post-war Rotterdam (1940–65)

Abstract

Investigating a cultural industry such as the cinema exhibition sector allows insights in the dynamic intersections between economic, social and cultural history. One of the central questions in the debates about the history of movie-going in the Netherlands centres on why the size and number of cinemas and cinema visits per capita has been significantly lower than the average in Western Europe throughout most of the twentieth century. This article monitors the restoration and repositioning of the Rotterdam cinema exhibition sector in the new city centre arising after the devastation of the bombardment of 1940. An analysis of the trade press and the archives of the influential business association ‘NBB’ suggests how effective local exhibitors were in fending off outsider entrepreneurs and regulating internal competition. Alternative networks of socio-cultural or religious or organizations were successfully prevented from setting up a viable operation exhibiting films.     

The left hand of the Enlightenment: truth,error, and integrity in Bayle and Kant*

Taking its cue from Hannah Arendt’s comment that ‘truth gets lost in the Enlightenment’ and Lessing’s parable of God’s ‘left hand’, this paper traces a historical shift in moral and religious thought: roughly from truth to sincerity. From traditional conceptions of conscience as conditional on the objective truth of its content, the paper moves on, via the Reformation and seventeenth-century Augustinian turn, to early modern debates on toleration and the ‘erring conscience’. It is argued that Pierre Bayle’s Commentaire Philosophique of 1686 can be read as a crucial catalogue for understanding the substitution of truth with sincerity (and error): so that not truth but truthfulness is considered to be essential for moral and religious justification. Moving from Bayle to Immanuel Kant, the paper then shows how many of the same questions rise in Kant’s late essay on theodicy, which is also an essay on sincerity or integrity, via the Book of Job. Through these two thinkers, various themes are connected: from conscience and sincerity to the problem of the conscientious persecutor. Finally, these themes of truth, error and integrity are linked to the modern debate on authenticity, and a framework is proposed for conceptualising these various shifts.