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51.
The pre-Magdalenian phase of the Côa River Valley open-air rock art is mostly distributed at the boundary between the rocky valley slopes and the floodplain that correspond to the most favourable geomorphological setting for the preservation of pecked and deeply superposed engravings of the most famous artistic phase of the area. The natural vertical panels of the engraved art located at this geomorphological interface have suffered weathering during two cold events of the Lateglacial. They were buried by several colluvial and alluvial deposits. The reconstruction of the sedimentary and archaeological context of the CôaRiver Valley engraving permits a better assessment of the preservation processes and interpretation of Palaeolithic open-air rock art.  相似文献   
52.
The present work pursues theoretical and empirical objectives. With regards to the former, it is demonstrated that the natural tendency to uniformity of both the probability distribution of a city to have a certain number of inhabitants and that of a person to reside in a town of a given number of citizens leads to a competition between their information entropies, which provides the power law distribution as the most probable one for city size. It is also shown that Zipf's law reflects the significant control of the existence of interconnections between cities on the self-organization of their size. With regards to the empirical objectives, based on population data of European countries and Italian municipalities, the theoretical approach proposed is validated. At the Italian scale, city distribution is shown to be a power law for cities above 10,000 inhabitants. In the 20 Italian regions, the breakpoint in the distribution is generally lower. Finally, the geographical control on city distribution is discussed based on the results achieved in some regions.  相似文献   
53.
This article reflects on Hayden White's understanding of the subject and explores how best to move forward discussions in theory of history after his arguments about narrativity. To do so, I reconsider his arguments in light of more recent feminist and queer theorizations. Through a reconstruction of the current international new wave of feminism and LGBTQ+ activism as a rich and complex social movement that involves a narration of its own (practical) past, I will recontextualize and revaluate White's insight from the perspective of Judith Butler's theory of subject formation. The argument will unfold in four parts. First, I will recall White's ironic and existential stance on language and narrativity in the representation of reality and in relation to social beliefs. Second, I will again raise the question of the value of narrativity, as framed by White, in the context of the publication of a recent feminist manifesto. It is here that another issue will emerge as crucial: the relationship between the limits of linguistic self-consciousness and the question of the subject. In the third part, my argument will take a partial turn “against White” and toward Butler's subject formation theory. My claim will be that there is a residue of the belief in the sovereign individual in White's insistence on self-consciousness. However, I will also show that his suspicion regarding the psychological impulse toward narrative closure can be re-elaborated as the challenge Butler is facing with their theory of subject formation: that of critically resisting the belief in our being coherent and self-sufficient individuals. In the fourth part, I will present Butler's refiguration of the thesis of the subject's opacity in terms of the primary relationality that binds human beings to one another, and I will offer a new understanding of the individual, norms, agency, infancy, and ethics. Finally, I will conclude that we are bodies in history and that theory of history can find a promising line of research through this conception of the subject, a conception that reframes how we understand the intimate links between political consciousness, historicity, and embodiment. I also claim that this line of research constitutes an ethics for our historical undoing.  相似文献   
54.
Here we show the results of two morpho-bathymetric surveys carried out on the underwater archaeological area of the Pozzuoli Bay (Naples, Italy). Such area is enclosed in the Campi Flegrei active volcanic complex, where bradyseism and recent volcanic activity strongly influenced the coastline shape over the last 2 Ka. The Digital Elevation Model (DTM) of the seafloor allowed to draw the main archaeological features of the Bay, that also include the military complex of Portus Iulius and the ancient thermal and villa complex of Baianus Lacus. The extraction of archaeological features from DTM was achieved thanks to the use of a GIS-derived tool based on the profile curvature algorithm. Thus, the Villa dei Pisoni (1st Century B.C.) and the thermal complex of Secca delle Fumose were investigated by using ultra-high resolution DTMs, that show the presence of Roman pilae for the protection of coastal buildings and also the inner planimetry of the Villa dei Pisoni complex. The observation of coastal engineering structures give also the opportunity to formulate some hypothesis on the evolution of morphology and of the sedimentary pattern of the area, while depth of archaeological remains allowed a rough computation of the rate of subsidence, resulted to be 2.55 (±0.5) mm/y for the Eastern sector (Pozzuoli) and 2.90 (±0.5) mm/y for the western (Baia).  相似文献   
55.
‘Humanitarian boredom’ produces its own perspective on the world, providing a ‘point of entry’ to the observation of humanitarianism in practice. In this paper, while problematizing both a general understanding of boredom and a romantic idea of humanitarianism, the author focuses on boredom as experienced by humanitarian workers during crises in the humanitarian realm.  相似文献   
56.
We argue in this paper that Levantine rock art in the Spanish Mediterranean basin allows us to ‘map’ the economic landscape of its makers. Rock art would be the ‘monumental’ side of a dual process of landscape construction: on the one hand, rock art is the first ‘cultural’ action on the landscape beginning in the Early Neolithic; on the other hand, the first evidence of active modification of the Mediterranean vegetation comes from this period. But this evidence as well as other kinds of archaeological remains are still relatively scarce in the uplands; rock art is therefore the most complete type of evidence we can use to support an early use of the Mediterranean upland environment. We use statistical and geographical analysis, together with archaeological, ethnohistorical, and ethnographic sources and pollen data, in order to support the idea of early use and exploitation of the Mediterranean uplands since the Neolithic, and into contemporary times.  相似文献   
57.
58.
Knowledge of the embalming methods used in Renaissance Italy comes not only from the literary texts of physicians and surgeons of that period, but also from artificial mummies which have been found. In 1999 two mummified bodies, dated back to the end of 15th and beginning of the 16th century, were recovered in a crypt of the hospital chapel of Santa Maria della Scala in Siena (central Italy). The individuals were identified as Salimbene Capacci (1433–1497), Rector of the hospital, and his wife, Margherita Sozzini (?-1511). The mummies were submitted to autopsy and paleopathological examination, which included Computed Tomography. Palaeobotanical and palynological analyses were performed on the vegetable materials and plants used to fill the body cavities. This study was carried out with a multidisciplinary perspective, that allowed us to reconstruct the embalming techniques and substances used for mummification. The results are compared with the evidences provided by other mummies and embalming handbooks of that time.  相似文献   
59.
Ceramics from the late prehistoric periods at Sos Höyük, in Eastern Anatolia, located along a thoroughfare that connects the Trans-Caucasus, Iran and central Anatolia, were subjected to petrographic and X-ray fluorescence analysis in order to characterise the clay groups, with a view to determining provenance and production patterns. Dominated by Kura-Araxes Ware, the data from the sequence at Sos Höyük were compared with the previous studies from the neighbouring regions to understand commonalities in pottery production. The analyses reveal a local production of vessels, most probably for household use. Although Sos Höyük potters shared similarities in the procurement pattern of raw clays and production technique with their neighbours, differences can be also recognized.  相似文献   
60.
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