Historic figurines from Florida and Mexico

Historical Archaeology -     

WOMEN'S FACIAL TATTOOING AMONG THE MAISIN OF ORO PROVINCE,PAPUA NEW GUINEA: THE CHANGING SIGNIFICANCE OF AN ANCIENT CUSTOM

The Maisin women of northeastern Papua New Guinea are among the last coastal Papuans to tattoo their faces. This article first describes the techniques and social process of Maisin tattooing. We then examine the resilience of the custom in light of changes in puberty rites and notions of gender. We argue that these contexts have lost their cultural salience as a result of the Maisins' incorporation into the larger Papua New Guinea society. Tattooing has acquired new significance as a marker of cultural identity in a multicultural setting and as a sign of the Maisin people's commercial success as makers of indigenous art.     

“In Front of the World”: Translating Beatriz Nascimento

This collection translates some of the work of the influential Black Brazilian thinker and activist Beatriz Nascimento (1942–1995) for the first time into English, in collaboration with her only daughter, Bethânia Gomes. Historian, poet, theorist and organiser, Beatriz Nascimento was a key figure in Brazil’s Black Movement until her untimely death in 1995. She dangerously wrote at the height of Brazil’s Military Dictatorship (1964–1985), and theorised extensively on the Black condition in Brazil; the unique experience of Black women; and quilombos—Brazilian maroon societies that she imagined as spaces of both historical and contemporary fugitivity. Following Alex Ratts, this introduction outlines her contribution to radical geography, in particular Black geographies, territoriality and embodiment. It also positions Nascimento within the trans‐Atlantic Black radical tradition. We present two of Nascimento’s essays in translation here. The first, “The Concept of Quilombo and Black Cultural Resistance”, introduces a crucial strand of her scholarly work, on the history and socio‐political significance of quilombos (maroon communities). The second, “For a (New) Existential and Physical Territory”, shows Nascimento in a different mood: philosophical, reflective and iconoclastic. In addition, two of her poems—“Dream” and “Sun and Blue”—are also translated here for the first time.