Concepts of community in the pursuit of an inclusive archaeology

Community is a key concept that shapes how we approach our relationships with other individuals and groups. In this article, the author reviews how scholars and laypeople alike use the concept of ‘community’ in both theoretical and applied contexts. What do heritage professionals expect from the communities with whom they work? How do these communities define and constitute themselves? The answers to such questions have broad implications for the way that scholars interact and collaborate with stakeholders. Examples are presented from the author’s archaeological projects at sites associated with communities in the African diaspora that illustrate the importance of an explicit and critical approach to the idea of ‘community’. The discussion concludes with preliminary findings from an investigation of the meanings of community among black Chicagoans in the twentieth and twenty‐first centuries.     

John Maynard Keynes,the Bloomsbury group and the origins of the arts council movement

The article examines the origins of the arts council movement in the ideas of the Bloomsbury Group and John Maynard Keynes. The Bloomsbury Groups' sense of experimentation and flexibility, their willingness to take action to create new institutions, and their distrust of bureaucracy, influenced Keynes's development of a new model for state patronage of the arts in 1946. He took an organization established during the Second World War to employ artists and organize morale‐boosting tours of the performing and visual arts, and oversaw its development into the Arts Council of Great Britain, the first such arts council. His model – making grants of public funds through semi‐autonomous government bodies to private individuals and privately operated arts institutions – became a standard form of public funding for the arts by the end of the twentieth century in many countries around the world.     

‘Missing’ from policy history: the Dartington Hall Arts Enquiry, 1941–1947

Largely undocumented in the published accounts of cultural policy history in the UK, the Arts Enquiry was a privately funded survey of the arts in wartime England. It was launched in 1941 as an initiative of the Arts Department at Dartington Hall and funded by the trustees of Dartington Hall, who spent £19,000 on the study over its six-year history. The Enquiry brought together artists, intellectuals, philanthropists and arts professionals in specialist committees to examine the visual arts, music, drama and documentary film. Three book-length studies were published: The Visual Arts (1946), The Factual Film (1947) and Music (1949). This article examines the history of the Arts Enquiry, its entanglement in the cultural politics of the period and what it reveals about policy formation in the UK, as well as the historiography of cultural policy.     

Ancient-DNA reveals an Asian type of Mycobacterium leprae in medieval Scandinavia

Leprosy is a chronic infection of the skin and peripheral nerves caused by the pathogen Mycobacterium leprae. Its impact on human populations and societies of the past as well as its phylogeographic patterns around the world – at least in modern times – has been well documented. This slow growing bacterium has been shown to exist in distinct ‘SNP types’ that occur in relatively defined parts of the globe. The routes that the disease followed in the past are, however, still uncertain. This study of ancient-DNA typing of archaeological human remains from Sweden dated to early Medieval times provides genetic evidence that a transmission of M. leprae ‘SNP subtype’ 2G – found mainly in Asia – took or had already taken place at that time from the Middle East to Scandinavia. This finding is unique in the history of leprosy in Europe. All human specimens from this continent – both modern and ancient – that have been tested to date showed that the one responsible for the infection strains of M. leprae belong to ‘SNP type’ 3, whereas our results show that there were some European populations that were hosts to bacteria representing ‘SNP type’ 2 of the species as well.     

New material referable to Wakaleo (Marsupialia: Thylacoleonidae) from the Riversleigh World Heritage Area,northwestern Queensland: revising species boundaries and distributions in Oligo/Miocene marsupial lions

Gillespie, A.K., Archer, M., Hand, S.J. & Black, K.H., 2014. New material referable to Wakaleo (Marsupialia: Thylacoleonidae) from the Riversleigh World Heritage Area, northwestern Queensland: revising species boundaries and distributions in Oligo/Miocene marsupial lions. Alcheringa 38, 513–527. ISSN 0311–5518.

New material of Wakaleo oldfieldi and W. vanderleueri from the Miocene freshwater limestones of the Riversleigh World Heritage Area, northwestern Queensland, is described. This material includes the first known upper dentition of W. oldfieldi and dentaries of both species bearing the previously undescribed and morphologically distinct M₃. Previously, the two species were distinguished only by size differences in P3 and the size of P₃ relative to M1. Wakaleo oldfieldi exhibits a more plesiomorphic M₃ that retains a well-developed talonid basin in contrast to W. vanderleueri, which has lost this structure. The phyletic succession and geological occurrences of Wakaleo species make this genus an important taxon in biochronological analyses of Australian Cenozoic assemblages. At Riversleigh, W. oldfieldi is found in deposits allocated to Faunal Zone B and Faunal Zone C, which are regarded as early and middle Miocene in age, respectively. The presence of this species in the Kutjamarpu Local Fauna of central Australia suggests that fauna may be of a similar age. Broader faunal correlations have suggested Faunal Zone C correlates with the middle Miocene Bullock Creek Local Fauna, which contains the more derived W. vanderleueri. Based on stage-of-evolution arguments, W. oldfieldi should occur in older deposits than those yielding W. vanderleueri. The presence of both species of Wakaleo in Faunal Zone C assemblages at Riversleigh suggests that current presumptions about the contemporaneity of the many Faunal Zone C Sites should be examined more rigorously.

Anna K. Gillespie [a.gillespie@unsw.edu.au], Michael Archer [m.archer@unsw.edu.au], Suzanne J. Hand [s.hand@unsw.edu.au] and Karen H. Black [k.black@unsw.edu.au] School of Biological Earth and Environmental Science, UNSW 2052, Sydney, Australia. Received 3.1.2014, revised 21.2.2014, accepted 21.3.2014.     

The spatial and gendered politics of displaying family: exploring material cultures in grandfathers’ homes

This article analyses the meaning that 27 men who are grandfathers ascribed to the domestic material cultures of their homes, during an exploratory study that investigated their contemporary social and cultural geographies. In recounting stories about a number of items and artefacts placed about their homes during the interviews, that they specifically related to their experiences as grandfathers, the men provided insight into the various ways in which ageing men position themselves in ambivalent ways in relation to cultural stereotypes about grandparenthood, masculinities and ageing. Moving beyond the surface of the objects on display, their discussions also revealed the complex ways in which the material cultures of their homespaces are shaped by, and reproduce, diverse family relationships and their associated politics. The article contributes to, and bridges agendas in social and cultural geography that examine the relationship between the shifting meanings of home for older men, the politics of attending to the material and both the family and older masculine identities as spatial projects.     

HOBY — AN EXCEPTIONAL EARLY ROMAN IRON AGE SITE IN THE WESTERN BALTIC REGION

Hoby on the island of Lolland in the western part of the Baltic Sea is strategically located in a coastal landscape offering abundant resources. In 1920, one of the most richly furnished so‐called “Lübsow type” graves dating to the first century AD was discovered at Hoby. The settlement associated with the grave was recognised in 1999. Excavations of the settlement between 2001 and 2016 have confirmed the central role of Hoby in the Iron Age society. The research has focused on the Iron Age population and the infrastructure on Lolland. The Iron Age open cultural landscape encompassed numerous settlements, richly furnished burials and fortifications, and has produced unique metal finds. The article presents a summary of investigation results.