The spatial and gendered politics of displaying family: exploring material cultures in grandfathers’ homes

This article analyses the meaning that 27 men who are grandfathers ascribed to the domestic material cultures of their homes, during an exploratory study that investigated their contemporary social and cultural geographies. In recounting stories about a number of items and artefacts placed about their homes during the interviews, that they specifically related to their experiences as grandfathers, the men provided insight into the various ways in which ageing men position themselves in ambivalent ways in relation to cultural stereotypes about grandparenthood, masculinities and ageing. Moving beyond the surface of the objects on display, their discussions also revealed the complex ways in which the material cultures of their homespaces are shaped by, and reproduce, diverse family relationships and their associated politics. The article contributes to, and bridges agendas in social and cultural geography that examine the relationship between the shifting meanings of home for older men, the politics of attending to the material and both the family and older masculine identities as spatial projects.     

A NARRATIVE TURN: HUMAN AGENCY IN ROCK CARVINGS AT NÄMFORSEN,NORTHERN SWEDEN

The idea to create pictorial narratives seems to have occurred long after humans learned to produce iconic images, that is, depictions based on visual similarity to external objects. In Scandinavia, e.g. in Gärde, Sweden or Stykket and Bøla, Norway, early Mesolithic images (e.g. rock carvings from before c.5000 BCE) often feature animals that are solitary or without suggestion of causal or narrative relations to other figures, although they sometimes are grouped by proximity or are superimposed on each other. Notable is also the almost complete absence of human figures. However, in subsequent Neolithic configurations (after c.5000 BCE), there are renderings of human agents involved in various forms of interaction with each other or with animals, often within distinguishable ‘scenes’ or compositions. In this paper we outline the emergence of pictorial narratives in Scandinavian rock carvings. In particular, we focus on some of the first depictions of human agency as displayed in Nämforsen, Sweden (c.5000–1800 BCE). Further, we present an analysis of occurring human-animal relationships, interpretable as early attempts to create narrativizing images.