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271.
Local topography is an important parameter determining the erection of a certain type of site on a certain location in the landscape. Despite the importance of topography in archaeological landscape research, the role of local topography has remained rather unexplored compared to other specific topographic parameters such as slope, aspect, curvature or visibility. Therefore, three methods to assess the relative topographic position of sites are applied and discussed here. The Bronze Age barrow dataset of northwest Belgium acts as the subject for this methodological case study. First, elevation percentile calculates the area that is lower than the central point within a predetermined neighborhood. Secondly, difference from mean elevation measures the relative topographic position of the central point as the difference between the elevation of this central point and the mean elevation within a predetermined neighborhood. And finally, deviation from mean elevation calculates the relative topographic position of the central point as the difference from mean elevation divided by the standard deviation of elevation, within a predetermined neighborhood. These three methods, each with their advantages and disadvantages, prove to be an added value for archaeological landscape research.  相似文献   
272.
Abstract

Social norms surrounding women’s and men’s mobility in public spaces often differ. Here we discuss how gendered mobilities and immobilities influence women’s and men’s capacities to innovate in agriculture. We analyze four case studies from Western Kenya and Southwestern Nigeria that draw on 28 focus group discussions and 32 individual interviews with a total of 225 rural and peri-urban women, men and youth. Findings show that women in both sites are less mobile than men due to norms that delimit the spaces where they can go, the purpose, length of time and time of day of their travels. Overall, Kenyan women and Nigerian men have better access to agricultural services and farmer groups than their gendered counterparts. In Southwestern Nigeria this is linked to masculine roles of heading and providing for the household and in Western Kenya to the construction of women as the ‘developers’ of their households. Access and group participation may reflect norms and expectations to fulfill gender roles rather than an individual’s agency. This may (re)produce mobility pressures on time constrained gendered subjects. Frameworks to analyze factors that support women’s and men’s agency should be used to understand how gendered mobilities and immobilities are embedded in community contexts and affect engagement in agricultural innovation. This can inform the design of interventions to consider the ways in which norms and agency intersect and influence women’s and men’s mobilities, hence capacity to innovate in agriculture, thus supporting more gender transformative approaches.  相似文献   
273.
The discovery of 373 intact and broken tin‐bronze socketed axes accompanied by 404 fragments in four pits at Langton Matravers collectively represents one of the largest hoards found to date in prehistoric Britain and Ireland. They were very probably never meant to be used as axes as the very high levels of tin they contain would have made them brittle. Many were poorly finished, with the majority still containing their casting cores. The axes are typologically dated to the Llyn Fawr metalwork phase (c.800–600 BC) and span the Bronze Age/Iron Age transition, when the production, circulation and deposition of bronze appear to have been substantially reduced throughout north‐west Europe. By placing the Langton Matravers hoard(s) in a broader metallurgical, material and archaeological context, existing theories for this phenomenon, such as the preference for iron, a collapse in bronze supply, or the sharp devaluation of a social or ritual ‘bronze standard’, are evaluated. It is proposed that the Langton Matravers axes belong to a short phase in the centuries‐long processes underlying the changing roles of bronze and iron.  相似文献   
274.
A tributary of the Banas, the Nagdi River flows through the old market town of Jahazpur in Bhilwara District, Rajasthan. Unlike India's major sacred waterways such as the Ganga and the Yamuna which have the status of goddesses, the Nagdi was never deified. However, it figures in Jahazpur's origin legend, reaching back to the epic Mahabharata. Due to a complex convergence of conditions unique to this place but resonant with ecological tragedies the world over, the Nagdi's flow has dwindled and its waters are badly polluted. Everyone in Jahazpur with whom the authors spoke during fieldwork in 2010–11 mourned the end of their river. Once proud of the Nagdi's beauty and miraculous properties, Jahazpur residents were aware of having lost an important part of their environmental and cultural heritage. This article explores the complex causalities of the Nagdi's deterioration and emergent possibilities for its restoration.  相似文献   
275.
This paper reviews the environmental circumstances of the ostrich and its eggs, in order to provide a geographical overview of past human usage and modification of ostrich eggshells in the Aegean and, more specifically, at Tiryns, while placing this craft in its contemporary context in the Late Bronze Age Mediterranean basin. This ostrich shell evidence from Tiryns is contextualized and analysed through the approach of the chaîne opératoire in order to understand the material in the framework of Tiryns' Late Bronze Age craft activities, and within the Late Bronze Age Aegean network of contacts that brought this material to Tiryns in the first place.  相似文献   
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In this article, we examine depictions of race, nature, and childhood in Harlan Ingersoll Smith's early ethnographic films at the National Museum of Canada. Created in the 1920s for a children's education programme, Smith's films construct ethnographic portraits of different Indigenous peoples in Western Canada. We demonstrate how museum education appropriated Indigeneity as a discursive resource to immerse viewing children in particular narratives of Canadian national heritage and development. The films worked through a complex double movement, bringing children in the Ottawa museum audience into association with Indigenous children based on shared experience as children while simultaneously differentiating Indigenous peoples as Other. The films inculcated white youth at the museum in a romanticized connection to Canada's prehistory through knowledge of the nation's Indigenous peoples as well as nature. In the films, the position of Indigeneity within the future remained ambiguous (traditional practices sometimes disappearing, sometimes enduring). Yet, despite Smith's uncertainty about colonial beliefs in the disappearance of Indigeneity, his films nonetheless presented the teleological development of the settler nation as certain. Our article highlights how thinking about children, as audience for and thematic focus of these films, extends discussions of the geographies of film, of children, and of settler colonial nationalism.  相似文献   
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