The Freak Show’s ‘Missing Links’: Krao Farini and the Pleasures of Archiving Prehistory

This article offers a new perspective on Victorian freakery and prehistory by reading the career of Krao Farini, the ‘Missing Link’, through lenses of queer theory and archival studies. Born in Laos with hypertrichosis, a condition that produces an abundance of body hair, Krao transformed into living proof of the ‘Missing Link’ upon migrating to London in the 1880s. I contextualize Krao’s exhibition by situating her show within contemporaneous visual, textual, and performed examples of the ‘Missing Link’. Reading Krao alongside these other ‘Missing Links’ illuminates inconsistencies in their representations of gender and sexuality that nullify firm distinctions between ‘pre’ and ‘history’. I argue that the freak show’s ‘Missing Link’ materializes rhetorical and epistemological connections between Victorian prehistory and contemporary queer historiography to provide a valuable framework for accessing queer archives otherwise buried in the historical record. Though the correlations between prehistory and queer history are not necessarily explicit, locating their similarities reveals how persistent notions of Victorian time inform contemporary queer scholarship. Presaging recent queer archival interventions, Krao’s remaining archive demonstrates how prehistory breeds alternative models of evidence that disorder the archive’s relation to time: evidence of the ‘Missing Link’ unravels the language of stability, family, and presence on which archives typically rest. Resisting the implicitly heteronormative logic of the archival document, prehistory makes possible new ways of narrating Victorian histories of freakery, imperialism, and gender and sexuality.     

The United States,Great Britain,and the Creation of the Iranian Oil Consortium, 1953–1954

This article examines the attitudes of US, British, and Soviet policy-makers as they planned for the forthcoming peace during the Second World War. It charts how they moved from planning a ‘peace by dictation’ of the great powers, to planning one which would be based on a model of collective security involving all members of the United Nations alliance. The latter plan would reflect both the great powers’ special responsibilities for maintaining international peace and security and the stake which lesser powers had in such a venture. In addressing these historical developments the article employs two concepts familiar to International Relations scholarship, namely concert and hierarchy. It shows how the understandings which the principal post-war planners had of these concepts – and crucially of their inter-relationship - changed over time and the consequences of these changes. The article makes two core claims: firstly, that as post-war planning progressed, the attitudes of the Big Three towards the acceptable nature of the great power–lesser power hierarchy changed radically; and secondly, that the structure and nature of today's United Nations Organisation is in significant part a consequence of these changes.     

"These Stories Will Not Lead You To Heaven": An Encounter with Two Sami Narrators

This article deals with a neglected narrative tradition that of the largely nomadic Sámi people of the northern regions of Norway, Sweden and Finland. In the past, when the stability of tradition was taken as necessary to an interesting and authentic culture, Sámi narratives were regarded only as loans from other countries through which the Sámi passed, and of no intrinsic interest or value. Though nowadays such criteria are no longer considered either necessary or valid, there still has been no extensive study of Sámi narrative culture. This article attempts to begin to remedy this situation by discussing two Sámi narrators and their stories.     

Toward a socially constituted linguistics

Roger W. Shuy, ed. Sociolinguistics: Current Trends and Prospects. Georgetown University Monograph Series on Languages and Linguistics. Monograph 25: Report of the Proceedings of the 23rd Round Table. Washington, D.C.: Georgetown University Press, 1973. 351 pp. Appendix and index. $4.50.     

Tag,you're different: the interrupted spaces of children at risk of anaphylaxis

Several contributions to understanding the emotional aspects of everyday lives have been made by geographers. What we undertake in this research is to focus that lens on the emotional context of experiences of children at risk and in particular on anaphylactic risk-scapes, particularly within the school environment. This research attempts to go beyond the policy response by privileging the voices of the affected children (and their parents) in order to understand the emotionality of their risk experience; how it is articulated and negotiated in place, and how bodily boundaries are interrupted. Qualitative methods were used to explore children's perceptions of, and experiences with, anaphylactic allergy in the school environment. In-depth interviews were conducted with 10 children (aged 8–12 years) and 10 adolescents (aged 13–17 years) and their parents. Children were also asked to draw a picture of ‘what it was like to live with a severe food allergy’ and to then explain their illustration. Results revealed how the spaces of children at risk of anaphylaxis were interrupted; social spaces were interrupted through their bodily experiences of risk as they negotiated in and through school environments. These findings suggest allergic children contest school and policy constructions of ‘safe place’ through the interrupted spaces and bodily disruptions of emotion.     

Finding Our Place: Reconstructing Community through Oral History

Abstract "Finding Our Place: Reconstructing Community throughOral History," analyzes how oral histories not only give newmeaning to places, but play a significant role in locating sitesspecific in the development of the Spanish-language music industry.These oral histories chronicle the emergence and growth of businesses,particularly their role in maintaining the economic and socialinfrastructure of Mexican American communities throughout southTexas. The use of oral history interviews proved the only avenueof documenting Mexican American rural communities, singers,and businesswomen finding that culture means turning our attentionto parks, church halls, cantinas, and dance halls. These placesgather significance when an experience is attached, and embodya sense of communal or shared space. Focusing on women in themusic industry, cantantes [singers] and businesswomen illustratedhow they negotiated travel, interaction with audiences, andexperiences on the stage. Though many of the interviewees expressedtheir distrust of the oral historian initially, stemming frompoor treatment in the music industry, their reluctance gaveway after hours of interviewing by the oral historian. Importantto this study, their narratives pinpointed the existence ofpopular socializing spots in south Texas small towns and surroundingcommunities.     

Contested visions of American democracy: citizenship, public housing, and the international arena

This essay reexamines the history of public housing and the controversy it generated from the Great Depression to the Cold War. By recasting that history in the global arena, it demonstrates that the debate over public housing versus homeownership was also a debate over the meaning of American citizenship and democracy, pointing up starkly divergent notions about what was and was not American. Through an examination of national conflicts and neglected local struggles, this article further shows that the fight over public housing was far more meaningful and volatile than traditionally assumed. Both critics and advocates of public housing drew from international experiences and imagery in positioning the home as a constitutive feature of citizenship in American democracy. Fears of Bolshevism, fascism, and communism served to internationalize issues of race, space, and housing and together shaped the decision of whether a decent home was an American right or privilege.