故宫藏乾隆朝漆纱隔心工艺探究

故宫乾隆花园符望阁一层明间南向宝座的栏杆罩镶嵌着一组精美绝伦貌如金纱窗的漆纱隔心。类似的隔扇装修不仅在故宫,甚至全国范围内也是独一无二的。符望阁保护修复过程中,发现漆纱隔心存在损毁严重、工艺失传、复制难度大等问题。为对该组漆纱进行研究,运用剖面显微分析、扫描电镜与能谱仪分析、显微红外光谱及多种色谱-质谱联用等实验室科技手段,明确了漆纱由内而外"织物纱芯-双面贴纸样-双面上漆贴金-双面纸样上施绘"四层基本结构关系,以及单侧14个亚层所用的无机、有机材料,为漆纱的保护和复制提供了科学依据。     

Alien Harbour: Frank Hurley,Jules Verne,and the Early Dress-divers of Underwater Sydney

The underwater of Sydney Harbour has its own histories, visual and literary representations, and narrators, but its contributions to Australian culture are yet to be fully recognised. Among European narrators were dress-divers whose technologies enabled access to an otherwise alien, inhuman world. This article discusses early dress diving in Sydney Harbour, focusing on an account by the explorer, Frank Hurley (1885–1962), of diving at Shark Island in 1921. Hurley's account is compared to the experiences of the harbour's professional dress-divers. His departures from reality are read as a science-fictionalisation of Sydney's submarine realm influenced by Jules Verne (1828–1905).     

Oppressive Rhyming: George Orwell on Poetry and Totalitarianism

In George Orwell’s 1984, the poet Ampleforth observes that “the whole history of English poetry has been determined by the fact that the English language lacks rhymes.” In this article I connect Ampleforth’s observation to Orwell’s many other writings on language and political control and then show how Orwell’s discussion of poetry’s resistance to political manipulation enhances Tocqueville’s and Burke’s accounts of totalitarianism. Specifically, Orwell illustrates how an easily “rhyming” polity is particularly vulnerable to totalitarian politics, while a society containing considerable disorder in its language and politics can be strongly resistant to such tyranny.     

Mably and Berne

The Swiss Cantons had no greater admirer in the eighteenth-century than the French political thinker Gabriel Bonnot de Mably. The feeling was mutual, at least to some extent, since the Bernese Patriotic Society awarded its first prize in 1763 to Mably, for his dialogue Entretiens de Phocion. The prize then led to an exchange of letters, stretching across some two decades, with Daniel Fellenberg, founder of the Patriotic society—the most important block of Mably's correspondence to have survived. This essay considers the 1763 prize and the correspondence with Fellenberg for the light they cast both on Mably and on Bernese participation in the wider currents of eighteenth-century thought.