Archaeological Evidence for the Emergence of Language,Symbolism, and Music–An Alternative Multidisciplinary Perspective

In recent years, there has been a tendency to correlate the origin of modern culture and language with that of anatomically modern humans. Here we discuss this correlation in the light of results provided by our first hand analysis of ancient and recently discovered relevant archaeological and paleontological material from Africa and Europe. We focus in particular on the evolutionary significance of lithic and bone technology, the emergence of symbolism, Neandertal behavioral patterns, the identification of early mortuary practices, the anatomical evidence for the acquisition of language, the development of conscious symbolic storage, the emergence of musical traditions, and the archaeological evidence for the diversification of languages during the Upper Paleolithic. This critical reappraisal contradicts the hypothesis of a symbolic revolution coinciding with the arrival of anatomically modern humans in Europe some 40,000 years ago, but also highlights inconsistencies in the anatomically–culturally modern equation and the potential contribution of anatomically pre-modern human populations to the emergence of these abilities. No firm evidence of conscious symbolic storage and musical traditions are found before the Upper Paleolithic. However, the oldest known European objects that testify to these practices already show a high degree of complexity and geographic variability suggestive of possible earlier, and still unrecorded, phases of development.     

350th anniversary of Les Passions de I'Ame

1999 marks the three hundred and fifieth anniversary of the publication of Descrates' final work: Les Passions de l'Ame. This short paper commemorates that event and discusses the circumstances contributing to its origin and the questions which it still raises for neuropsychology three hundred and fifty years later.     

The spatial dimension of the woodland period

ABSTRACT

State archaeological site files are a critical component of cultural resource management and information management toolkits. Yet, engagement with these datasets for research purposes can be difficult, at best. We address some of the challenges to a synthesis of spatial data from state site files by examining the Woodland period components of Deptford/Cartersville, Swift Creek, and Weeden Island. We also examine time slices of a large set of radiocarbon dates from contexts reported to be associated with Deptford and Swift Creek. Dates are plotted on a map at the same spatial scale as our site files dataset to evaluate time and space simultaneously. This study reveals important gaps in the radiocarbon dataset that can be rectified with strategic sampling. It also supports some long-held ideas about the spatial distribution of Deptford, Swift Creek, and Weeden Island. For example, Weeden Island is demonstrated to be strongly centered on the Alabama and Florida Gulf Coast, whereas Deptford is concentrated on both the Gulf and the Atlantic Coastal Plains.     

From Promising Settler to Undesirable Immigrant: The Deportation of British-born Migrants from Mental Hospitals in Interwar Australia and South Africa

This article examines the process by which British-born migrants to Australia and South Africa were deported from mental hospitals in the 1920s and 1930s. It shows how men and women who arrived as permanent settlers could be re-classified as immigrants subject to expulsion. Debates over who was responsible for those who through mental illness or alcoholism were deemed ‘undesirable’ were conducted at the levels of both high diplomacy and petty bureaucracy. Tracing the history of deportation as a means of social engineering within the empire, this article highlights the tension between the transnational ideology of white supremacy and its expression in national terms. Using the case files of those deported from two settler colonial mental hospitals, Callan Park in Sydney and Valkenberg in Cape Town, as well as official deportation paperwork, it also traces how such diplomatic decisions were refracted through the process of attempted implementation. These files show firsthand both the social history of deportation and the mechanisms through which the settler colonial state aimed to shape its population by excluding not only those perceived to be racially other, but also those judged to be racially unfit. The process of determining domicile and of deportation itself reveals much about the frequently precarious circumstances and life histories of these migrants and their often far-flung networks, as well as the ways in which migrants and their families were able to negotiate the regulatory mechanisms of both the state and the asylum.     

Participatory action in the age of green urbanism. How Futurefarmers leapfrogged the culture consumer?

This article looks at a shift in urban governance and policy-making from a culture-led approach towards a ‘green turn’ and an environmentally informed approach. The particular focus of this exploration is how public art practices participate in this ongoing reconfiguration. We are especially concerned with the parallel effort by public administration and the art community to activate citizens through nature-oriented, public spaces. Our main target of interest is the city of Oslo where we investigate the art group that goes by the name of Futurefarmers, whose engagement with land development relates to planning, cultural strategies, curatorial approaches and related art projects. Our findings indicate that while this work pursues a mission of its own, it also has the potential to advance its position in public space by representing green values in decision-making processes. We argue that through this ability to operate both within and outside the system, art practice can introduce interdisciplinary collaborations that can drive change in cultural policy.