Making screen production work at the margins: path-dependent development in Brisbane and the Gold Coast

While screen production is notoriously centralised, it is still found outside major media cities where the central problem for actors in these subordinate media cities is how to create sustainable levels of screen production capabilities in circumstances of increasing centralisation and globalisation in media production and its design. This article discusses how the screen production sectors of two subordinate media cities, Brisbane and the Gold Coast, are organised. Each city represents a different pathway for the sustainability of a media sector. The Gold Coast is a production location for globally and nationally dispersed high-budget feature film and TV drama production; while Brisbane is mostly a ‘national production’ location for domestically oriented news, documentary, infotainment and sports programming with a focus on lower budgeted feature filmmaking and occasionally, television drama. These different city pathways are the product of the creative resources and infrastructure evident in each city.     

Rethinking Power and Authority: Symbolic Violence and Subjectivity in Nepal's Terai Forests

Recent work on authority, power and the state has opened up important avenues of inquiry into the practices and contexts through which power is exercised. Why certain forms of authority emerge as more durable and legitimate than others remains a challenge, however. In this article we bring together two bodies of thought to engage this issue, feminist theories of power and subjectivity and Bourdieu's ideas of symbolic violence, in order to explore how power and authority are reproduced and entrenched. Our purpose is to advance theorizing on power and authority in the context of contentious political situations and institutional emergence. This unusual theoretical synergy allows us to illustrate how power is exercised in relation to natural resource management and the ways in which the conflict/post‐conflict context creates institutional forms and spaces which simultaneously challenge and reinforce antecedent forms of authority. To animate our theoretical concerns, we draw on work in community‐based forestry in Nepal, with a focus on some of the conflicts that have arisen in relation to the valuable Sal forests of the Terai, or lowland plains.     

Edward II. His Last Months and his Monument

Abstract

Very little site-oriented dendrochronology has been undertaken in Scotland, possibly because of the absence of a locally based dendrochronological facility until recently. However, timbers found during the excavations of several medieval burghs in the late 1970s and 1980s were saved for future analysis and had been stored in museums around the country. During a project to locate suitable samples fir a Scottish tree-ring database the potential of these assemblages was recognised. Although relatively small assemblages, their analysis has expanded and strengthened the tree-ring database within Scotland, thus facilitating future work. Evidence fir synchronous development in the early burghs in the late 12th century and the nature of the woodland resource at times during the medieval period is presented. An 'event horizon' in the early 10th century, signalled by the birth dates of marry of the dated timbers, has been recognised and possible causes are discussed. The projects reported on here were all funded by Historic Scotland.     

A Weberian approach to the history of ethics: Aquinas and Kant

A distinction between hard-to-shake but rational convictions, on the one hand, and the rationality that calculates causal and logical consequences, on the other hand, can generate questions for the history of ethics. Most moral thinkers draw some such distinction but the contours of the line differ greatly, and, in drawing the line, past moral thinkers tend to be influenced by their own deeply held principles, which in turn tend to reflect their social world. Questions about where the line between values and instrumental calculation are drawn and about the effect on this of the moral thinkers own social world are applied by way of illustration to Thomas Aquinas and Kant. The paper attempts to use Weberian social theory to elucidate a theme in the history of ethics, making every effort to keep the two kinds of theory distinct.     

The influence of temperature on rehydroxylation [RHX] kinetics in archaeological pottery

Almost all archaeological ceramics undergo slow, progressive rehydroxylation by chemical combination with environmental water. The reaction is accompanied by an expansion, and also by the small but measurable mass gain that provides the basis of the RHX dating method. The rate of the RHX reaction increases with increasing temperature. Here we describe comprehensively the effects of temperature on the RHX process in relation to the dating methodology. We deal in turn with the kinetic model of the RHX reaction, the temperature dependence of the RHX rate, and the influence of varying environmental temperature on the RHX mass gain. We define an effective lifetime temperature and show how this is calculated from an estimated lifetime temperature history. Historical meteorological temperature data are used to estimate the lifetime temperature history, and this can be adjusted for long-term climate variation. We show also how to allow for the effects of burial in archaeological sites on the temperature history. Finally we describe how the uncertainties in estimates of RHX age depend on the estimates of temperature history and effective lifetime temperature.     

‘Hidden from view’?: an analysis of the integration of women’s history and women’s voices into Australia’s social history exhibitions

ABSTRACT

‘Women have mostly been left out of history’, boldly asserted Elizabeth Willis in her exhibition text for The Story of Victoria in 1985. Taking Willis’ statement as a starting point, this article aims to trace firstly how women have been rewritten into Australia’s social history exhibitions focusing on the use of voice as a strategy to do so, and secondly how these voices have changed historical master narratives – by allowing a shift from a big picture history to intimate and deeply personal stories that recast our understanding of the past in ways that are inclusive of gendered experiences. We investigate the use of the curatorial voice as reflected in Willis’ work, aligning it with the notion of curatorial activism, before exploring the changing curatorial practices that expanded the potential for an interpretive approach that incorporated the voice of the subjects themselves as a central component in the telling of history. We then analyse the impact of these strategies on traditional understandings of the past through three exhibitions developed by Melbourne Museum over 30 years: The Story of Victoria, a successor exhibition The Melbourne Story, and their Great War centenary exhibition, WWI: Love & Sorrow.