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Fifty‐seven glass samples from Carthage dating to the fourth to sixth century ad were analysed using the electron microprobe. The results show that these samples are all soda–lime–silica glass. Their MgO and K2O values, which are below 1.5%, suggest that they were made from natron, a flux that was widely used during the Roman period. The major and minor elements show that these samples can be divided into four groups, three of which correspond to the late Roman period glass groups that were found throughout the Roman Empire: Levantine I, and ‘weak’ and ‘strong’ HIMT. Of particular interest is our Group 2, which is technologically and compositionally similar to HIMT glass and the CaO and Al2O3 values of which are similar to those of Levantine I. Glass of similar composition has been reported by several authors and is predominantly found dating from the late fifth to seventh century. This could represent a ‘new’ glass group; therefore further study is needed to determine its origin. Also, this study suggests that the Vandal invasion in North Africa did not disrupt the glass trade between Carthage and the Levantine coast.  相似文献   
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Ladyfest – a Riot Grrrl feminist do-it-yourself festival – has been organized independently in cities around the world since the year 2000. The emancipatory spaces that activists at Ladyfest seek to cultivate through workshops, music, and art provide seeds of inspiration for transformative social change. The main strength of the festival is the capacity to strengthen networks. This article discusses how the idea for this festival arose in Olympia, Washington, expanded to other locations, and was later organized by young feminists in Romania. In 2005, young women in Timisoara organized the first such festival in their city with a community of women from both inside and outside of Romania, and held another festival in Bucharest in 2007. Retrospective interviews are used to unpack the meaning of such organizing in a post-socialist context with reflections on how feminism has changed in Romania over the past decade. Specifically, the analysis of this event offers insight on how the production of space can be used to catalyze interconnections between emancipatory feminist spaces, the mode of production, and flows of feminist knowledge and concepts.  相似文献   
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Archaeological monitoring of construction in a Windsor city park on the Detroit River led to the discovery of an isolated cemetery containing the remains of eight individuals assigned to the Late Woodland Western Basin Tradition. At the request and consent of the contemporary First Nation community, tissue samples from five individuals were subjected to radiocarbon dating, mtDNA, and stable isotope analysis to confirm cultural affiliation and further understand the subsistence practices of these people. Radiocarbon dating placed the cemetery at the transition from the Younge phase (AD 900–1200) to the Springwells phase (AD 1200–1400). The stable carbon and nitrogen isotope results provide an unexpected but fuller understanding of Late Woodland Western Basin Tradition subsistence. All individuals were as enriched in carbon as those found on Iroquoian horticulturalist sites to the east, suggesting a very high reliance on maize. Nitrogen isotope values indicate that the protein component of the diet was comprised largely of high trophic level food sources, likely fish. An in situ osteological analysis identified a high number of carious lesions in the visible teeth, also suggesting a diet high in carbohydrates. The mtDNA findings support the antiquity of the Western Basin presence in Northeast North America through genetic links with the Hind Site, an Archaic site in southern Ontario. These results underscore the importance of such studies for providing novel insight into the archaeological histories and lifeways of this distinct Late Woodland tradition. This study also emphazises the need to work with descendant communities to provide them with information on the past that reflects their distinct heritage in the lower Great Lakes region.  相似文献   
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Amy Malek 《Iranian studies》2006,39(3):353-380
In this essay, Iranian exile cultural production is examined via a cultural studies approach, applying Hamid Naficy's work on the concept of liminality and its productive potential to analyze the Iranian women's memoir phenomenon of the past eleven years. Focus is placed primarily upon Marjane Satrapi's graphic novel Persepolis, which is analyzed as part of this larger memoir phenomenon. I will argue that Persepolis is a prime example of exile cultural production—as a site for experimentation within various genres (here, that of the memoir and graphic novel), and also for identity negotiation, self-reflection, and cultural translation—thanks to the liminality and hybridity of an artist and author who feels she is “in-between.”  相似文献   
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Book reviewed in this article
Paul Diesing, Science and Ideology in the Policy Sciences
Daniel Callahan and Bruce Jennings, Ethics, The Social Sciences, and Policy Analysis
Frank Fischer, Polities, Values, and Public Policy: The Problem of Methodology  相似文献   
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