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Barbuda remains little developed and sparsely populated relative to its neighbors in the Leeward Lesser Antilles, a rather extraordinary and relatively unknown Caribbean place. Much of its distinctiveness derives from the communal land-tenure system, itself rooted in three centuries of open-range cattle herding. Yet, as revealed through interviews, newspaper archives, and landscape observations, open-range cattle herding has declined over the past three decades, with related changes in land tenure. As the new Barbuda Land Act came into effect in 2008, codifying the communal tenure system, the very landscape elements that manifest open-range herding have become obscure. In particular, the rock-walled stockwells have become largely defunct, many of the walls lie in ruins or have been entirely consumed by the crusher that converted them into gravel to surface roads. With the principal land use that had supported communal control largely out of practice, usufruct access to land now largely obsolete, the new act might have little actual impact in preserving Barbuda's uniqueness. 相似文献
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The aim of this paper is to assess the frequency of localised primary canine hypoplasia (LHPC) in a sample of 24 subadults from a Neolithic cemetery assemblage located at Man Bac, northern Vietnam (~4000–3500 years BP), and explore the range of factors potentially contributing to the development of this condition. It is found that 41.7% of individuals (20.9% of primary canines) have LHPC, which is similar to the frequency reported in a suite of ancient cemetery series from Neolithic through to Metal Age Thailand. A range of competing aetiological factors considered included trauma to the deciduous canine, ostensibly by way of early childhood exploratory behaviours (e.g. ‘mouthing’ objects), nutritional and dietary deficiencies (especially vitamin A and D), the impact of the mother's health on the developing foetus as well as the effects of premature birth on the developing child. It is concluded that while the aetiology LHPC is multi‐factorial, the reasonably high prevalence of this condition at Man Bac suggests depressed maternal and neonatal health, consistent with a community experiencing high rates of fertility and transitioning to an agricultural subsistence economy. Copyright © 2012 John Wiley & Sons, Ltd. 相似文献
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Amy Sargent 《International Journal of Heritage Studies》2013,19(3-4):177-186
Abstract In the last two decades there has been largely critical discussion of the role which costume films play in the construction of the idea of national hertiage. Much of this writing has assumed that such films generally holster partial and conservative interests and represent a chronic nostalgia for a make‐believe past. Adaptations from historic classic novels are claimed to foist predominantly middle‐class tastes and standards upon the broader viewing public. The extraordinary success of the BBC's 1995 Pride and Prejudice gives one the opportunity to examine in some detail the inter‐connectedness of a number of cultural industries including heritage, museums, tourism, publishing and television, in audience perception and reception. 相似文献
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AbstractThe glazing scheme of the chapter-house at York Minster contains the best preserved ensemble of narrative glass of its period in England, and is the only one to survive in any of the great polygonal chapter-houses. Although it is frequently mentioned in general works on the Minster and its glass, there has been no sustained attempt to reconstruct the sequence of the panels or to consider the iconography of the scheme in relation to its setting. This study aims to highlight the significance of the scheme as a whole by focusing on just one of its seven windows: that in the north-west corner, which features a life of St Katherine of Alexandria. Using unpublished antiquarian sources alongside textual versions of Katherine's vita, it outlines a possible sequence for the window's disordered panels. It then goes on to analyse the window and its iconography within the context of the chapter-house, considering how it constructs its own particular version of this highly popular narrative. The results suggest that the scheme as a whole is a high-status product which employs complex narrative strategies. It is an important testament to the sophistication of glazed narratives in the period as well as to the ambitions of York's chapter. 相似文献
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Amy E. Den Ouden 《History & Anthropology》2013,24(2):101-133
This essay critiques the claims to political neutrality and academic authority in an approach to ethnohistory that is defined by historian James Axtell as “balanced” and “objective.” Seeking to shed light on the political genealogy of Axtell’s assertion of objectivity, particularly as it is articulated through an evocation of cannibalism, I trace the ways in which power is implicated in Axtell’s theorizing and argue that objective ethnohistory is linked to conquest as an ongoing ideological and material process. I conclude that objective ethnohistory works to both mask and affirm an imperial grounding, most egregiously through a deceptive rhetoric of democratization in the context of which a posited “we” becomes the supreme cannibalizing trope. Finally, I suggest possibilities for a decolonized, politically engaged ethnohistory. 相似文献
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Amy Fuller 《European Review of History》2009,16(6):893-910
El mártir del sacramento, San Hermenegildo is an auto sacramental or Eucharistic play, written in the 1680s by the Mexican nun and literary superstar, Sor Juana Inés de la Cruz. The play centres on the story of a (purportedly Catholic) Visigothic prince who died in Seville in 586 by order of his Arian father, Leovigild. Contempary sources vary in their portrayal of Hermenegild, with most painting him as a traitor who rebelled against his father for political gain. Gregory the Great, however, championed Hermenegild as an exemplary martyr who died in defence of the Faith. One thousand years on, Spain saw a revival of its Visigothic ‘Golden Age’, and Hermenegild was among those to be venerated; he was canonised in 1585 and his memory was brought to life in various artistic forms; in poetry, paintings and even on the stage. This paper will examine the part that Sor Juana's auto played within this tradition, exploring the purpose of the play and the various historical and biblical sources used to create it. 相似文献
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