Creative class politics: unions and the creative economy

This article examines how cultural workers participate in the construction and contestation of the creative economy at the policy level. An analysis of the role unions play in the film and television industry association FilmOntario demonstrates the paradox that the creative economy, as an economic development strategy, presents to the cultural workforce. FilmOntario has succeeded in attracting a high volume of work to the province through film and television tax credit advocacy. Although FilmOntario’s success in policy advocacy is deeply tied to union resources, the unions’ decision to work within creative economy discourses, and in association with employers, has prevented core issues related to the quality of work from being articulated as a function of policy design. The argument is that the discursive and associational choices unions, as the collective voice of the (creative) working class, make as policy actors have a significant impact on the degree to which cultural labour problems are understood as cultural policy problems.     

Recent Uses of Quantification in German History

Abstract

Peter H. Merkl, Political Violence Under the Swastika: 581 Early Nazis. Princeton, N.J.: Princeton University Press. 1975. Pp. xiv, 735. $32.50 clothbound; $10.00 paperbound.     

Making leeway in the Leewards, 1929–51: The negotiation of colonial development

Britain began to sponsor economic development in its colonial territories under the Colonial Development Act of 1929. The first CDA project was for housing on Antigua; other schemes for the Leewards soon followed. The isolation and poverty of this colony highlighted the practical difficulties of promoting development. Challenges included the negotiation of new methods of administration. Governors conceded autonomy in return for assistance; under pressure from Treasury, the Colonial Office learned how to supervise far-flung projects, while its subject departments gained influence at the expense of the regional. Trial and error in the design and supervision of projects on the Leewards provided information about what types of housing policy were cost-effective and acceptable locally. By the 1950s the advice of United States experts also made itself felt. Funds provided under the CDA and later development Acts were limited, but they transformed the machinery and influenced the content of colonial policy.     

An early Miocene ant (subfam. Amblyoponinae) from Foulden Maar: the first fossil Hymenoptera from New Zealand

Kaulfuss, U., Harris, A.C., Conran J.G. & Lee, D.E., 2014. An early Miocene ant (subfam. Amblyoponinae) from Foulden Maar: the first fossil Hymenoptera from New Zealand. Alcheringa 38, 568–574. ISSN 0311-5518.

The ant subfamily Amblyoponinae is presently represented in New Zealand by one endemic species in the cosmopolitan genus Stigmatomma and an introduced Australian species of Amblyopone. The fossil record of the group is restricted to two species of Stigmatomma from late Eocene Baltic Amber. Here, we describe the third fossil record, an Amblyopone-like specimen from the early Miocene of Otago, southern New Zealand, based on a winged male that resembles the extant A. australis Erichson in size, general habitus and characters of wing venation, but also shares features with the African amblyoponine genus Zymmer. This represents the first fossil record of Amblyoponinae from the Southern Hemisphere and the first example of Hymenoptera among the few pre-Quaternary insect fossils known from New Zealand. It suggests a long history of Amblyoponinae in New Zealand and Australia.

Uwe Kaulfuss [uwe.kaulfuss@otago.ac.nz] and Daphne E. Lee [daphne.lee@otago.ac.nz], Department of Geology, University of Otago, PO Box 56, Dunedin 9016, New Zealand; Anthony C. Harris [anthony.harris@otagomuseum.govt.nz], Otago Museum, PO Box 6202, Dunedin 9059, New Zealand; John G. Conran [john.conran@adelaide.edu.au], ACEBB & SGC, School of Earth and Environmental Sciences, The University of Adelaide, Benham Bldg, DX 650 312, Adelaide SA 5005, Australia. Received 18.3.2014; revised 15.5.2014; accepted 23.5.2014.     

Nineteenth-century planned industrial communities and the role of aesthetics in spatial practices: the visual ideologies of Pullman and Port Sunlight

In the 1880s British and American planned industrial communities revealed a distinct shift in spatial practices as two discrete architecture and landscape architectural aesthetics were applied to community design: Beaux Arts, and Arts and Crafts. Two of the most extensive planned industrial communities during this decade received aesthetic attention: Pullman, Illinois near Chicago (1880), established by George Pullman, and Port Sunlight, near Liverpool (1888), established by William Lever. Both Pullman and Lever believed that by applying a distinctive aesthetic they could establish a cohesive visual ideology for social control. Lever and Pullman believed that by creating “beautiful” spaces, this would encourage and/or constrain worker attitudes and behaviors, what Henri Lefebvre calls “means of control” (1991, p 26). In addition, both Pullman and Port Sunlight became central to establishing and maintaining each company's brand identity. This paper explores the visual ideologies these two industrialists used to produce a distinctive sense of community while also revealing the inherent tensions and limitations of those aesthetics. Not only do Pullman and Port Sunlight reflect an important shift in spatial practices during the 1880s, their architects and landscape architects became influential leaders in the visual ideologies of the City Beautiful and Garden City planning movements.     

Translating Malraux

Malraux, A., The Temptation of the West (University of Chicago Press, 1992), 136pp., US$10.95; The Conquerors (University of Chicago Press, 1992), 210pp., US$10.95; The Walnut Trees of Altenburg (University of Chicago Press, 1992), 234pp., £11.95