From Force to Legitimation: Rethinking Land Grabs in Cambodia

This article moves beyond a focus on the brute force involved in high‐profile land grabs to examine the way legitimation, regulation and coercion intersect in Cambodia's property regime. It builds on the ‘powers of exclusion’ framework developed by Hall, Hirsch and Li to argue that increased connections within civil society in Cambodia and engagement with Western commodity markets have motivated state and private concessionaires to use different means of land exclusion, with less outright force and a greater focus on repressive regulation and legitimation. These exclusionary powers work through informal political connections, secrecy and obfuscation, which the authors term the ‘power of informality’. This argument is substantiated with two case studies that illustrate a move away from the dominant narrative of forceful expulsion of land users in Economic Land Concessions (ELC) towards approaches that provide in‐kind compensation and carve out land for smallholders: a recent land titling campaign in ELC areas, and the first oil palm ELC to gain responsible investment certification. While the authors remain cautious of the implications of this shift, given the persistence of the power of informality, these cases illustrate the potential for new forms of state–society relations: a shift from fear of authorities to a demand for greater accountability and responsiveness.     

Performing refugeeness in the Czech Republic: gendered depoliticisation through NGO assistance

The article examines the gender micropolitics of non-governmental assistance to refugees in the Czech Republic – a post-socialist society which is becoming a country of immigration. It critically examines relations of power between refugees and local non-governmental organisations (NGOs). These NGOs act as mediators between refugees and the state, media, wider public and academic production of knowledge. It is argued that despite the important roles they play in securing refugees' access to rights, their assistance is often perceived as problematic by refugees. The article analyses these relations in a wider context of the institutions of the refugee system where the state has increasing power in defining the conditions under which NGO assistance to refugees is provided. The study is based on qualitative research among recognised refugees from the former Soviet Union living in the Czech Republic and local NGOs assisting them with integration into society. I demonstrate how particular forms of assistance and public representation depoliticise refugees in a sense of fostering rather than challenging unequal power relations that lock refugees in a position of clients lacking political means of influencing their place in a receiving society. This is done by conceptualising ‘a refugee’ as a performative identity that is being produced and enacted in feminised NGO spaces. The analysis highlights refugees' critical reflections on their position in the relations of assistance.     

Local and “Global” Perspectives on the Middle Woodland Southeast

During the Middle Woodland period, from 200 BC to AD 600, southeastern societies erected monuments, interacted widely, and produced some of the most striking material culture of the pre-Columbian era, but these developments are often overshadowed by the contemporaneous florescence of Hopewell culture in Ohio. I argue that the demonstrable material links between the Middle Woodland Southeast and Midwest demand that we cease to analyze these regional archaeological records in isolation and adopt multiscalar perspectives on the social fields that emerged from and impacted local Middle Woodland societies. In synthesizing recent research on Middle Woodland settlement, monumentality, interaction, and social organization, I make explicit comparisons between the Middle Woodland Southeast and Ohio Hopewell, revealing both commonalities and contrasts. New methodological approaches in the Southeast, including geophysical survey techniques, Bayesian chronological modeling, and high-resolution provenance analyses, promise to further elucidate site-specific histories and intersite connectivity. By implementing theoretical frameworks that simultaneously consider these local and global dimensions of Middle Woodland sociality, we may establish the southeastern Middle Woodland period as an archaeological context capable of elucidating the deep history of the Eastern Woodlands as well as long-standing issues surrounding middle-range societies.     

Temporal and Narrative (Dis)junctures: Guillermo Núñez’s Aesthetics of Memory and the Museum of Memory and Human Rights (Santiago,Chile)

Focusing primarily on Guillermo Núñez’s work, this essay juxtaposes two almost-identical exhibits of his ‘exculturas’ (sic: xculptures/ex-cultures) – one at the Chilean-French Cultural Institute in 1975, which resulted in his detention and exile, the other in 2010 for the official inauguration of the Museum of Memory and Human Rights (MM) – to explore their relationships to memory production in Chile four decades after the military coup. In the first, Núñez offered a pointed critique of the repressive post-coup context through a series of caged and netted objects; the second reconstructed the first as a memory gesture, framed within the ultra-modern, state-sponsored MM, in its designated art space, at once included and physically separated from the historical narrative of the Museum. How do the politics, aesthetics and design of the MM work to complement, complicate, or contradict Núñez’s – and, perhaps, any – artistic proposal? What challenges might the aesthetic of memory in Núñez’s work pose to the Museum’s narrative frame? Examining Núñez’s ‘exculturas’ (and, briefly, Gonzalo Díaz’s reconstructed Lonquén) reveals several tensions – around politics of inclusion and exclusion, the state’s role in memorysites, and the relationships between human rights concerns and museological and artistic strategies – marking the social production of memory in Chile today.     

Iranian Revolutionary Painting on Canvas: Iconographic Study on the Martyred Body

The figure of the martyred soldier is so ingrained in the Iranian public sphere that today, thirty years after the Revolution and twenty years after the cessation of the hostilities against Iraq, Iranian revolutionary painting on canvas keeps drawing most of its inspiration from the Shiite rhetoric of the martyred body and from the war. this article identifies and analyzes the iconographic forms of the martyred body in this pictorial production, which expresses primarily the concerns of the state. Relying on six works on canvas – painted before, during and thirty years after the Revolution – a scalable approach to the various representations of the martyred body is proposed, referring to Iran's history.