Media,Language Policy and Cultural Change in Tatarstan: Historic vs. Pragmatic Claims to Nationhood

Abstract. The politics of national identity in the Republic of Tatarstan are complex and often contradictory. Although sometimes posed in terms of an historical legacy, claims to nationhood are also strongly shaped by more pragmatic contemporary concerns. In addition to more conventional forms of political mobilisation, national identity is also contested in cultural arenas. Examining policies on language reform and media development, for example, sheds light on the processes through which a sense of national identity is currently being renegotiated in Tatarstan. The Republic's official multicultural policy is situated in the context of a range of distinct conceptions of Tatarstan's identity, from radical Islamic nationalism to a view of the republic as a Russian province.     

Local and “Global” Perspectives on the Middle Woodland Southeast

During the Middle Woodland period, from 200 BC to AD 600, southeastern societies erected monuments, interacted widely, and produced some of the most striking material culture of the pre-Columbian era, but these developments are often overshadowed by the contemporaneous florescence of Hopewell culture in Ohio. I argue that the demonstrable material links between the Middle Woodland Southeast and Midwest demand that we cease to analyze these regional archaeological records in isolation and adopt multiscalar perspectives on the social fields that emerged from and impacted local Middle Woodland societies. In synthesizing recent research on Middle Woodland settlement, monumentality, interaction, and social organization, I make explicit comparisons between the Middle Woodland Southeast and Ohio Hopewell, revealing both commonalities and contrasts. New methodological approaches in the Southeast, including geophysical survey techniques, Bayesian chronological modeling, and high-resolution provenance analyses, promise to further elucidate site-specific histories and intersite connectivity. By implementing theoretical frameworks that simultaneously consider these local and global dimensions of Middle Woodland sociality, we may establish the southeastern Middle Woodland period as an archaeological context capable of elucidating the deep history of the Eastern Woodlands as well as long-standing issues surrounding middle-range societies.     

Temporal and Narrative (Dis)junctures: Guillermo Núñez’s Aesthetics of Memory and the Museum of Memory and Human Rights (Santiago,Chile)

Focusing primarily on Guillermo Núñez’s work, this essay juxtaposes two almost-identical exhibits of his ‘exculturas’ (sic: xculptures/ex-cultures) – one at the Chilean-French Cultural Institute in 1975, which resulted in his detention and exile, the other in 2010 for the official inauguration of the Museum of Memory and Human Rights (MM) – to explore their relationships to memory production in Chile four decades after the military coup. In the first, Núñez offered a pointed critique of the repressive post-coup context through a series of caged and netted objects; the second reconstructed the first as a memory gesture, framed within the ultra-modern, state-sponsored MM, in its designated art space, at once included and physically separated from the historical narrative of the Museum. How do the politics, aesthetics and design of the MM work to complement, complicate, or contradict Núñez’s – and, perhaps, any – artistic proposal? What challenges might the aesthetic of memory in Núñez’s work pose to the Museum’s narrative frame? Examining Núñez’s ‘exculturas’ (and, briefly, Gonzalo Díaz’s reconstructed Lonquén) reveals several tensions – around politics of inclusion and exclusion, the state’s role in memorysites, and the relationships between human rights concerns and museological and artistic strategies – marking the social production of memory in Chile today.