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71.
In southwestern Louisiana, the public sphere is dominated by the image of the Cajuns, presented as a hardy, likable people who have overcome significant obstacles since their arrival as Acadians in the late eighteenth century. Across the cultural region designated “Acadiana,” which comprises 22 counties, nearly 30% of the population is black (or Creole, mixed-race peoples generally identifying as black). Contributions of non-whites to the region’s history are usually not incorporated into the public historical narrative, and the erasure of these groups’ influences on the state’s cultural “gumbo” has profound symbolic and material consequences. Black/Creole residents note that much of their culture – primarily music and foodways – has been repackaged as Cajun or subsumed under the Cajun label and that they are unable to take advantage of the benefits that Creole-oriented tourism could bring to a region in which half of the counties are designated “black high poverty parishes.” Using mixed methods, including interviews, archival analysis, and census data, this paper explores the social, political, and economic consequences of the domination of Cajuns in the south Louisiana memorial and representational landscape and argues that commemorative silences in what Alderman et al. have called the “memorial arena” perpetuate a hegemonic social order.  相似文献   
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This paper explores Valeska Gert's contributions to dance against the backdrop of Weimar Germany. The first section considers the themes of her choreographies. Eschewing both idealism and abstraction, her work presented a gritty account of the realities of contemporary quotidian life, often featuring outcasts from bourgeois society. It also reflected a growing German interest in aspects of American culture, including sport and multi-ethnicity. Whereas many expressive dancers offered bucolic images of nature, Gert fully embraced modernity, including the process of urbanisation and technological developments. The paper's second section turns to stylistic features of Gert's dance, using an analysis of Alfred Meyer's poem about the dancer as a springboard for discussion. Consideration is given to the montage-like structure of many of Gert's works, her invocation of elements of ‘lower’ culture such as the street ballad, and her association with the carnival and grotesque. Her frequently shocking body images are viewed as subverting social conventions, in particular by presenting a radical take on femininity.  相似文献   
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Exploring the evolution of human cognition has been as methodologically problematic as it has been a vital area of study over the last couple of decades. In particular, the integration of archaeology and psychology, while fundamental to many such studies, has suffered from a difficulty by many researchers to effectively link models from the cognitive sciences with the archaeological data ( [Wynn, 2009] and [Wynn and Coolidge, 2010] ). In the current study one psychological process, proceduralization is used to examine the technological strategies that underpin the sequential nature of lithic core reduction. This is done via the application of sequential lithic information analysis (SLIA), a method developed by the author for the concurrent study of qualitative and quantitative sequential information. In the present context SLIA helps elucidate both the micro- and macro-level dynamics that underlie the reduction of a sample of Middle Paleolithic refitted Levallois cores from the site of Taramsa-1, Upper Egypt. The results of this study provide an explanation for the variability recognised within the Levallois technology and also speak to the existence of certain aspects of modern cognition by ca. 70,000 years before present.  相似文献   
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Journal of Archaeological Method and Theory - Analyzing the nature of governance of early states and cities is a major challenge for archaeology today. Blanton and Fargher’s (Blanton and...  相似文献   
75.
This paper deals with the reinvestigation of selected engravings on slate plaquettes from the Late Upper Palaeolithic site of Gönnersdorf, Germany, by applying new 3D scanning methods for the first time. The aim of this method is to obtain further information about stylistic aspects of the depictions as well as to identify an inner chronology and interrelationship of the lines. In addition new options of 3D photography are tested as a further visual support of investigation and documentation. Previously analyses were subjective whereas the new interpretation uses impartial metric methods. In the future the more objective results will allow the comparison of engravings and their details, with the aim of discerning different artists as well as obtaining a better understanding of the art of former hunter- gatherer societies.  相似文献   
76.
The Matthew and Matilda Effects in science were coined in 1968 (Robert K. Merton) and in 1993 (Margaret W. Rossiter) respectively, as tools to analyse the reward systems of science. By proposing the African Eve Effect in science as a third effect, the original scope for analysis of these systems is broadened from the social structure of science to the anthropological dimension of science. Similarly, the ‘psychosocial processes’ that were considered as affecting the reward systems (Merton, Science 159:56–63, 1968) are extended to include discursive practices. The African Eve Effect refers to the scientific notion of the ‘African Eve’ (or mitochondrial (mtDNA) Eve), a concept put forward by scientists to designate the genetic mother of all modern humans. Three discursive conventions constitute the African Eve Effect and together shape patterns of the distribution of recognition for scientific work: projecting imaginative geographies of otherness onto the frontiers of science; collecting, transporting and enframing material and ideas according to a Western epistemological order; and ‘evolutionising’ nature and the human in science. The objective of this paper is to specify and illustrate an experimental tool for analysing the entanglement of the reward system in science with culturally fashioned imaginaries and agendas.  相似文献   
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This article explores issues of socio‐cultural identity in the north‐western Roman provinces, using all the available archaeobotanical evidence of date (Phoenix dactylifera L.). This fruit does not conform to the general social distribution pattern of other Roman exotic food plant imports in this area, but instead indicates a strong ceremonial connection. Through an in‐depth contextual approach the role of date in both domestic and ceremonial sites is investigated to reach beyond the simple ‘date‐Roman‐ritual’ association. The results suggest strong temporal, spatial and contextual patterning and an overall rare occurrence and selective use of the fruit in certain rituals and mystic cults. Date may have been employed not necessarily as a food, and was probably an affordable luxury for some in their ritual pursuits. As such, date can now be regarded as part of specific ceremonial expressions rather than a standard ingredient of a normative ceremonial or ‘Roman’ identity.  相似文献   
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