Notices of a Remarkable Discovery of Silver Ornaments in a Tumulus at Largo,in Fifeshire

A salt-tax, existing in France since the thirteenth century, led to the construction of bonded warehouses. One such grenier-à-sel was in existence in Honfleur before 1372. By the late seventeenth century, chiefly as the result of the development of herring and cod fisheries, the need had arisen for new larger salt-warehouses. Three were constructed in Honfleur, of which two survive, dated 1670. They were built of stone from the demolished town walls.

The most striking feature of these two buildings is the roof carpentry, the trusses of which are a hybrid form comprising straight rafters, rising from projecting sole-plates and carried on the backs of curved principals springing from a point high up the walls to reach collar level. Above the collars rise king-posts supporting both ridge purlins and under-ridge purlins. This structure may be considered to fall within the cruck tradition.     

Fang Hsiao-Ju 方孝需 in the Light of Early Ming Society

The ancient names huangniao, canggeng and several related terms, usually thought to represent the oriole, appear in Zhou and Han texts, for example in Shijing, Erya, Shanhaijing, and various commentaries. The present article comments on these names. It shows that there was an early stage in which a difference was made between canggeng and huangniao, while in later times, from the Han period onwards, these distinctions gradually disappeared. The article also suggests that, originally, canggeng probably stood for Oriolus chinensis, i.e., the black-naped oriole, while huangniao may have meant several other birds; later on, however, all terms were used for O. chinensis.     

Overdone overkill – the archaeological perspective on Tasmanian megafaunal extinctions

The reasons for megafaunal extinction in Australia have been hotly debated for over 30 years without any clear resolution. The proposed causes include human overkill, climate, anthropogenic induced habitat change or a combination of these. Most protagonists of the human overkill model suggest the impact was so swift, occurring within a few thousand years of human occupation of the continent, that archaeological evidence should be rare or non-existent. In Tasmania the presence of extinct megafauna has been known since the early twentieth century (74, 85 and 86) with earlier claims of human overlap being rejected because of poor chronology and equivocal stratigraphic associations. More recent archaeological research has not identified any megafauna from the earliest, exceptionally well-preserved late Pleistocene cultural sites. In 2008 however an argument for human induced megafaunal extinctions was proposed using the direct dates from a small sample of surface bone from two Tasmanian non-human caves and a museum sediment sample from an unknown location in a cave, since destroyed by quarrying (Turney et al., 2008). Turney et al. (2008) supplemented their data with published dates from other Tasmanian caves and open sites to argue for the survival of at least seven megafauna species from the last interglacial to the subsequent glacial stage.     

Central Cities as Engines of Metropolitan Area Growth*

The paper analyzes the role of central cities as engines of economic growth in their metropolitan area. We wonder if there are increasing returns to central city growth at the metropolitan level arising from the positive externalities associated with the unique features of central cities. To answer this question we analyze the causality between the economic growth of Spanish central cities and the growth of the other jurisdictions belonging to their metropolitan area (i.e., the suburbs). The analysis uses population and economic activity data for a sample of 28 Spanish metropolitan areas during 35 years. We use a Vector Error Correction Model (VECM) framework to estimate long‐run equilibrium relationships between the growth of central cities and their suburbs. The combination of panel data and a VECM is an innovative approach that is still being developed in econometrics. The results suggest that central city growth has a long‐run positive effect on the growth of the suburbs. We also inquire as to whether or not this positive effect depends on the size of the central city. The results suggest that the effect is much higher in the case of the largest cities, but that it is also important in the case of the smaller ones.     

‘To help the Republicans not just by donations and rallies,but with the rifle’: militant solidarity with the Spanish Republic in the Soviet Union, 1936–1937

The article sets out to map militant Soviet solidarity with the Republicans during the Spanish Civil War (1936–9). It is based on recently declassified letters that ordinary Soviet citizens addressed to the Comintern, asking its head, Georgi Dimitrov, to send them as volunteers to fight against Fascism in Spain. The articles evaluates the social profiles of these would-be volunteers, their rhetoric of militant solidarity and the social climate in which they formulated their pleas to fight abroad – namely the onset of Stalin's purges in the Soviet Union.     

Cuban Miami on the Air: Narratives of Cubanía

Radio has been a fundamental aspect of Cuban culture on and off the island since the first broadcast in Havana in 1922. When Cubans fled the island after the revolution of 1959 for the USA, particularly Miami, radio quickly became a vital medium for navigating a new country and for consolidating a Cuban exile identity. Politically, radio in Miami has been an effective means for articulating hardline exile politics. But with generational turnover and increasingly moderate stances on Cuba by more recent arrivals and US-born Cuban Americans, how is radio changing? How are narratives of what constitutes cubanía – Cubanness – shifting in an increasingly diverse Cuban Miami? This article takes up these questions through an examination of an immensely popular morning program that aired in 2009 in southern Florida called the Enrique y Joe Show. I examine how the Enrique y Joe Show, produced and performed by US-born Cuban Americans, utilized a form of irreverent Cuban humor called choteo to represent and satirize the hardline Cuban exile politics that have been dominant on Miami's radio waves for decades. Ultimately, their performances deploy choteo to articulate Cuban American identity divorced from a particular political orthodoxy. The coda reflects on changes in Miami's radio landscape since 2009.