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While historians are paying greater attention to the role of the post-colonial Third World in international affairs, there is a tendency to focus on North–South relations and the discourse of the 1955 Bandung Conference. Relying principally on Yugoslav and Algerian archival sources, this paper re-emphasises the dynamic historicity of ‘Third Worldism’ and the significance of ‘South–South’ connections. It explores the evolution of the Third World movement in the decade following Bandung, when smaller countries and non-state movements exerted greater influence while larger actors, such as India and China, quarrelled. The founding of the Non-Aligned Movement (NAM) in 1961 represented a victory for smaller actors who took a more provocative and subversive approach to international relations, to the extent that NAM was a means for the weak to wage the cold war on their terms. Over the following half-decade, Non-Alignment supplanted Afro-Asianism as the primary organisational concept for the Third World, confirming that the Third World was a political project with a potentially unbounded membership rather than the expression of a non-Western, non-white identity.  相似文献   
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In Dublin there are many needs and desires which are not met, or excluded, by the pattern of high rent, the commodification of social/cultural life, and the regulation of public space. Against this dynamic, Dublin has seen a number of experiments in urban commoning: people collectively finding ways of opening up space in order to do what they want. This might be as simple as wanting a space to work, to make food or to show films. Rather than trying to change this situation by appealing to existing institutions, these new urban commons are characterized by particular groups of people devising practical ways of escaping the forms of “enclosure” which limit what can happen in the city. This article takes a “militant research” approach to explore the potentials and limitations of these experiments in urban production and organization.  相似文献   
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Roland Barthes observed that though there is a ‘lover's discourse’ shared by all those who are in love, it is a discourse ignored or disparaged by ‘surrounding languages’. Concerned that the discourse of heritage may participate in this closure against the ‘in love’ experience, I begin to explore ways the field of heritage studies might start speaking this language. Specifically, I ponder the ways that a young Chinese woman in the film Days of being wild, following the breakup of a love affair, becomes locked in a landscape of lost love that is populated with objects sticky with affect, objects which although they transmit painful affects nevertheless bind her by a dynamic that Lauren Berlant terms ‘cruel optimism’. I then turn to imagine the way a Balinese house compound gateway might, in a similar way, have become impregnated with affects relating to victims of the 1965–1966 killings in Bali and how, for those left behind, it might assume the ability to ‘presence’ a lost one. Archaeology and heritage studies have great potential to foster empathy with the experience of past others, but this calls for a sophisticated understanding of how objects become imbued with affect and how they transmit it.  相似文献   
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