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Jean Hunleth Rebekah Jacob Steven Cole Virginia Bond Aimee James 《Children's Geographies》2015,13(5):501-517
This article discusses a practice of child residential mobility in Zambia that is frequently overlooked in migration studies and difficult to capture through standard survey methods: the practice of ‘going on holiday’ to the homes of relatives during breaks in the school term. Drawing on child-centered and quantitative research, this article examines the multiple dimensions of ‘going on holiday’ for children living in a low-income urban settlement in Lusaka. Findings suggest that the practice was gendered and may map onto changing norms in schooling in Zambia. Within a context where resources are severely constrained, going on holiday may serve as one means for cultivating reciprocity, sharing the burden of care and household labor, and strengthening kin ties. This work further demonstrates the importance of using locally meaningful terms and practices in survey research where general questions about children's mobility may fail to capture the nature and extent of children's movements. 相似文献
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Laura Foster 《Journal of Victorian Culture》2017,22(4):553-578
This article provides an overview of the representation of workhouse philanthropy in the nineteenth-century periodical. In the 1830s and 40s, the popular representation of the workhouse was of a cruel institution in which paupers were systematically beaten and starved. However, the ideological significance of the workhouse shifts in the depictions of privately funded philanthropy that proliferated in magazines and newspapers during the Christmas publishing season. In representations of the workhouse at Christmas, paupers are shown receiving gifts and enjoying entertainments against a festively decorated backdrop. Middle-class benevolence is at the heart of these Christmas performances: these treats are not funded by the poor rates, but by individuals, who are frequently depicted in attendance at the workhouse Christmas. The institution, now redolent with ideas of care, charity and goodwill, functions in these texts as a stage for the projection of a bourgeois philanthropic self; the reader, the audience of this ideological performance, is encouraged to self-identify with the middle-class values that overlay these workhouse scenes. Entwined with these depictions of private philanthropy are underlying ideas of discipline and control. Just as the middle-class guests enact an idealized identity, so too do the paupers enact the role of the indebted and grateful poor. This article examines how the nineteenth-century periodical constructs the workhouse as a performance space for the middle classes; it explores the various agendas of these constructions and analyses the ideological messages they convey. 相似文献
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The St Andrews Sarcophagus and Norrie's Law hoard are two of the most important surviving Pictish relics from early medieval Scotland. The entanglement of their later biographies is also of international significance in its own right. Soon after discovery in nineteenth-century Fife, both sets of objects were subject, in 1839, to an exceptionally precocious, documented programme of replication through the enlightened auspices of an under-appreciated antiquarian, George Buist. This well-evidenced case study highlights how and why replicas, things that are widely prevalent in Europe and beyond, are a ‘thick’ and relatively unexplored seam of archaeological material culture that we ignore at our peril. These particular replications also offer new insights into the vision, intellectual and practical energies of early antiquarian societies, and their web of connections across Britain and Ireland. 相似文献
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Aimee Allison Hein 《Political Theology》2013,14(6):540-542
This essay considers the marks of authentic Christian prophecy in Fra Anton Montesino's 1511 sermon in Hispaniola, in its political and cultural context, arguing that these marks are witness, courage, discernment and a concrete, contextual focus. It then reflects on the ways in which these marks of authentic prophecy might be displayed in our own very different context, drawing a characterization of that context from Charles Taylor's A Secular Age. It concludes with reflections on the foundation of prophecy in prayer and hope, and with critical discussion of Luke Bretherton's use of the motif of “exile in Babylon” (Jeremiah 29) as a Biblical image for Christian prophetic presence in liberal, secular societies. 相似文献
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Naturally coloured, blue or green are the most common glass colours found in assemblages from the Roman world from the end of the 1st century BC onwards. In the 4th century two different compositions have come to dominate this group, ‘HIMT’ and ‘Levantine 1’ glasses, both of which are now thought to have been produced in the eastern Mediterranean. Using Romano-British glass assemblages from the 4th and 5th centuries, it is shown here that although the two naturally coloured glass types predominate, by far the most common composition in British assemblages is HIMT, although older, earlier blue-green compositions are still present. The earliest date HIMT could be identified in these assemblages is around AD 330, although two distinct compositions can be identified within this group which relate to changes in composition over time. A similar change over time is seen in the Levantine 1 glasses. The reasons for these patterns within the assemblages are explored within the archaeological evidence currently available for glass production and consumption in the Roman world. 相似文献