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In England and Wales there exists a corpus of unprovenanced and unrecorded antiquities; a corpus adrift from archaeological context and now ebbing and flowing across the antiquities market and which could be described as ‘floating culture’. This corpus includes illicit antiquities and also antiquities found legitimately but not recorded and subsequently sold with or without the landowner’s knowledge. The definition of floating culture as ‘traces of the human past not fixed on one position, place or level’ presents a way of conceptualising what is, in essence, a transnational issue. This paper explores floating culture and suggests that the impact of non-reporting of antiquities remains a significant ethical and legal challenge both for heritage protection policy and the antiquities market in the U.K. and beyond. Attention is given to the Code of Practice for Responsible Metal Detecting in England and Wales, and to the landowner-finder search agreement as potential ways of mitigating the flow of unrecorded antiquities of uncertain legal status. While neither document is enforceable, both have potential to improve the protection of the archaeological record. Many of the themes conceptualised by ‘floating culture’ are relevant to the wider discussion on heritage protection and the global trade in illicit antiquities.  相似文献   
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The Conference on Devolution, 1919–1920 has been a little studied event in Britain’s constitutional history. However, recent analysis has shed new light on this little studied moment in British constitutional history. Building on Evans (2015), this article focuses on the Conference’s deliberations on the units that would be represented by devolution (i.e. whether devolution would be on national or regional lines) to provide further evidence that the division between intra-parliamentary and directly elected devolution was a cleavage that cut through the entirety of the Conference’s work, as opposed to simply being a source of disagreement at the end of its proceedings. As this debate essentially focused on how England should be governed post-devolution, this article also sheds further light on the history of ‘the English Question’.  相似文献   
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Environmental assessment (EA) in the European Union (EU) is undergoing a period of significant transition. Following over 10 years of practice and development under Directive 85/337/EEC, the EU EA system is being subjected to legislative reform. In the light of this, this paper provides a critical examination of the past, present and future role of EA in the EU. After evaluating the legislative transposition and procedural effectiveness of the original provisions, the paper examines the extent to which recent amendments to the Directive and the proposed strategic environmental assessment (SEA) Directive will lead to improvement. The authors suggest that although the changes should overcome some of the procedural and practical problems experienced over the last 10 years, a more committed emphasis needs to be placed on fundamental areas of weakness.  相似文献   
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The microstructure and chemical composition of eight faience beads from an early Iron Age (12th century BCE) assemblage found in the ancient city port of Ashkelon (Israel) are determined by means of FTIR spectrometry, pXRF, microRaman and SEM-EDS analysis. The results are compared with published data of Egyptian and Near Eastern artifacts. Each sample exhibits a hue which is obtained by adding a specific colorant to the glazing mixture. A new gray chalcopyrite-manganese-based colorant was identified. Cementation glazing was most likely used in the manufacturing process of the specimens analyzed, except for the blue bead, which is an Egyptian blue frit. The results suggest that these objects represent a unique assemblage, quite different from contemporary Egyptian and Near Eastern materials, and provide new information regarding the Iron Age faience evidence in the southern Levant.  相似文献   
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Since the 1960s, James Deetz and other archaeologists have attributed the appearance of the cherub icon on colonial-period gravemarkers to religious movements such as the Great Awakening or diminished Puritan influence during the eighteenth century. The cherub has been interpreted by many scholars as a symbol of a heavenly being that reflects freer perceptions on life and the afterlife. This article challenges the long-held religious connotations of the cherub icon. Instead, this article demonstrates that the icon relates to the wider Rococo artistic trend that was the prime influence on the forms and decorations of contemporary material culture. In this artistic fashion, the cherub is a putto, a Classical allegorical element that remained common in architectural and mortuary sculpture. The use of the putto comes with a number of additional contemporary elements and shows that consumer choice connected to the latest fashion instead of changing religious attitudes being the driver behind iconographic and decoration change on colonial gravemarkers.  相似文献   
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