Experimental examination of animal trampling effects on artifact movement in dry and water saturated substrates: a test case from South India

This paper presents the motivation, procedures, and results of an experiment that examines short episodes of animal trampling in dry and water saturated substrates in South India. While horizontal artifact displacement was similar to that modeled by other trampling experiments, vertical artifact displacement in water saturated substrates was greater than any reported experiment to date. The toolstone used in this experiment, a silicious limestone, exhibited minimal damage after trampling. Artifact inclination patterning appeared to be a potentially diagnostic middle-range marker of trampling in water saturated substrates. Given the abundant number of Paleolithic sites that are located on flat, open surfaces near water-bodies, or experience monsoonal climatic regimes, we propose that future excavations should measure artifact inclination on a regular basis.     

Water and the Urban Fabric: a study of towns and waterscapes in the Roman period in Britain

This paper highlights the ways in which components of waterscapes—rivers, lakes, pools, wetlands and waterfronts—formed elements of the urban fabric in the Roman period. Urban archaeology has focused mainly on features relating to land, while nautical archaeology, studying rivers, ports and harbours, trade and seafaring, reminds us of the importance of watery contexts. By examining waterscapes in the urban setting we can start to break down some of the traditional dichotomies in archaeology between land and water. Water could form an integral part of the lived environment and acquire cultural meanings that can be studied archaeologically. © 2012 The Author     

Cherubs or Putti? Gravemarkers Demonstrating Conspicuous Consumption and the Rococo Fashion in the Eighteenth Century

Since the 1960s, James Deetz and other archaeologists have attributed the appearance of the cherub icon on colonial-period gravemarkers to religious movements such as the Great Awakening or diminished Puritan influence during the eighteenth century. The cherub has been interpreted by many scholars as a symbol of a heavenly being that reflects freer perceptions on life and the afterlife. This article challenges the long-held religious connotations of the cherub icon. Instead, this article demonstrates that the icon relates to the wider Rococo artistic trend that was the prime influence on the forms and decorations of contemporary material culture. In this artistic fashion, the cherub is a putto, a Classical allegorical element that remained common in architectural and mortuary sculpture. The use of the putto comes with a number of additional contemporary elements and shows that consumer choice connected to the latest fashion instead of changing religious attitudes being the driver behind iconographic and decoration change on colonial gravemarkers.     

A note on the excavation of an Ottoman and British Mandate period Bedouin campground at Nahal Be'erotayim West in the Negev desert,Israel

The preliminary results of excavations conducted at Nahal Be'erotayim West, an abandoned Bedouin campground in the Negev desert, Israel, indicate that multiple tents were pitched in this location in different periods and at different times of the year. The recovered artefacts and architecture provide a means to identify gender and seasonality in the archaeological record, respectively. Radiocarbon dates from an ash layer and two hearths offer evidence of intermittent occupation from the fifteenth to the nineteenth century AD, and chronologically diagnostic artefacts also indicate occupations from the late nineteenth to the mid‐twentieth century.     

Number‐One Enemy: Police,Violence and the Location of Adversaries in a Papua New Guinean Prison.

ABSTRACT In this essay, I aim to explore how prisoners at Bomana in PNG, in the period I was there between 1994–1995, figured the violence of police. This includes an examination of what they understand to be state power and what they take to be their response to it, including the possibility of critique. Do inmates at Bomana recognize a scale shift between state and citizen, between law and violence? If so, when? How do they relate the actions of the Constabulary to their own violent behaviour and to the forceful or violent behaviour of others? These questions will be approached through the notion of enmity. In particular, by a discussion of what inmates mean when they label the police their ‘number‐one enemy’.