ENTANGLED MEMORY: TOWARD A THIRD WAVE IN MEMORY STUDIES

This essay takes up the call for a “third phase” in memory studies and makes theoretical and methodological suggestions for its further development. Starting from an understanding of memory that centers on memory's temporality, its relation to language, and its quality as a social action, the essay puts forward the concept of “entangled memory.” On a theoretical level, it brings to the fore the entangledness of acts of remembering. In a synchronic perspective, memory's entangledness is presented as twofold. Every act of remembering inscribes an individual in multiple social frames. This polyphony entails the simultaneous existence of concurrent interpretations of the past. In a diachronic perspective, memory is entangled in the dynamic relation between single acts of remembering and changing mnemonic patterns. Memory scholars therefore uncover boundless cross‐referential configurations. Wishing to enhance the dialogue between the theoretical and the empirical parts of memory studies, we propose four devices that serve as a heuristic in the study of memory's entanglement: chronology against time, conflict, generations, and self‐reflexivity. Current debates on European memory permit us to explore the possible benefits that the concept of entangled memory carries for memory studies.     

The Materiality of Social Power: The Artifact-Acquisition Perspective

This paper explores the materiality of social power relationally through study of social interactions with artifacts. Specifically, it is argued that acquisition of an artifact instantiates social power by imposing interactions on groups taking part in that artifact's life-history activities. We introduce the “performance-preference matrix,” an analytic tool for systematically studying the effects of such acquisition events on activity groups. The use of the performance-preference matrix is illustrated through an example: the acquisition of electric-arc lights for lighthouses in the 19th century. Suggestions are offered for analyzing culture-contact situations and for handling singularized artifacts such as heirlooms and monuments.

The distribution and morphometry of lakes and reservoirs in British Columbia: a provincial inventory

An inventory of provincial lakes and reservoirs has been developed to characterise and assess the distribution and morphometry of standing water bodies in British Columbia. In the province, there are over 241,500 lakes and reservoirs greater than 1,000 m ² in size. These water bodies cover 2.37 percent of the province area and contain an estimated 521 km ³ of water (312 km ³ in natural lakes and 209 km ³ in reservoirs). A hypsometric relation suitable for order-of-magnitude estimates of lake volume from lake area is presented. Based on the distribution and morphometric attributes of lakes, several distinctive limnologic regions were identified, including the northeastern Alberta Plateau (highest proportion of circular lakes), the southwestern Alberta Plateau (lowest lake density/coverage and highest proportion of irregularly shaped lakes) and the Milbanke Strandflat (highest density of lakes). Observed regional and scale-related patterns in lake distribution/morphometry appear to be largely related to geomorphic controls, particularly tectonic and glacial history. Large-scale hydrologic implications of these standing water bodies and potential ecosystem/water resource management applications of the provincial inventory are also discussed.     

Constructing national identity in Canada's capital, 1900–2000: Confederation Square and the National War Memorial

Ottawa's Confederation Square was initially planned to be a civic plaza to balance the nearby federal presence of Parliament Hill. A century of federal planning, with the direct involvement of Prime Minister W.L. Mackenzie King, repositioned it as a national space in the City Beautiful style. Recent renovations have improved its pedestrian amenity and restored much of the original plan by French urban designer Jacques Gréber. The square contains the National War Memorial and the National Arts Centre, yet is a weak public space due to weak edge definition, animation, and spatial enclosure. The war memorial design was selected in a 1925 international competition won by Britain's Vernon March. The Great War monument was not installed until the 1939 Royal visit, and Mackenzie King intended that the re-planning of the capital would be the World War II memorial. However, the symbolic meaning of the Great War monument gradually expanded to become the place of remembrance for all Canadian war sacrifices. The National War Memorial is more successful as a symbolic object than Confederation Square is as a public space, yet both have evolved into important elements of the Canadian capital's national identity.     

Le Travail Intellectuel au Moyen Âge

Sans résumé étienne Anheim est ma?tre de conférences en histoire médiévale à l’Université de Versailles/Saint-Quentin-en-Yvelines. Ses recherches portent sur les formes de la culture savante (peinture, musique, littérature) à la fin du Moyen ?ge, et sur leurs relations avec les cours. Il a récemment publié ?La Chambre du Cerf. Image, savoir et nature à Avignon au milieu du xiv ^e siècle ? (Micrologus, vol. XVI, 2008, p. 57–124). Sylvain Piron est ma?tre de conférences à l’école des hautes études en sciences sociales. Ses recherches portent sur différents aspects de l’histoire intellectuelle du Moyen ?ge central, de la pensée économique des scolastiques à l’ecclésiologie des franciscains spirituels. Il vient de publier ?Le poète et le théologien: une rencontre dans le studium de Santa Croce ?, dans Jo?l Biard et Fosca Mariani Ziani, éd, Ut philosophia poesis. Questions philosophiques dans l’écriture de Dante, Pétrarque, Bocacce (Paris, Vrin, 2008, p. 73–112).     

从砍斫器到石斧：再修锐技术的演进

狩猎采集群的重要压力在于石料的采办。当石制品系统中一个部分的变化抬高采办成本并超过可接受限制时,系统中就必然出现其它方面的补偿性变化。在本文中,系统的两个最易变的部分包括：（1）被处理原料的数量;（2）由再修锐技术决定的工具使用寿命。主要由于随时间增加的切割需求,也因为木器、狩猎和筑房技术的进步,再修锐方式从硬锤打击,转向软锤打击、石片再修锐、压制法再修锐,最终转向刃缘磨光。该模式指出,