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941.
Ochre is a red mineral pigment that was a key element of social and ceremonial practices among cultures of the Pacific Northwest Coast. It is recovered routinely from archaeological excavations, is visible as pigment for pictographs, and is described in the historical record as a trade item and component of ceremonial practices. Despite its ubiquity in the archaeological record, it is difficult to interpret its significance without first understanding the nature of its procurement and distribution. As a step towards identifying procurement practices, trade and resource use, it is necessary to thoroughly characterize ochre outcrops with regard to their intra‐source and regional variability. We analysed ochre from three outcrops using INAA to determine their elemental chemistry. The purpose of this study is threefold: to provide an example of the range of elemental variability within and between outcrops, to illustrate the effect of scale and geomorphological processes on elemental compositions and statistical interpretation, and to create a database of known deposits in southern British Columbia. The results demonstrate that ochre deposits may be differentiated on the basis of their chemistry, and that conservative statistical interpretation needs to be employed to assess true elemental variability within and between ochre deposits and regions.  相似文献   
942.
This study reports the mineralogical and chemical characterization of the ceramic body of tiles created by Gabriel del Barco, an important tile painter in Lisbon from the 17th century. Six tile panels were studied: four are signed and two are attributed to the painter. The results obtained from the signed panels revealed that the samples have almost the same characteristics, with a magnesium‐rich phase, meaning that the artist, or the pottery where the tiles were made, kept to the same manufacturing procedure over some time. In contrast to this, the results of samples from the masterpiece Vista de Lisboa showed some heterogeneity, as two patterns were observed. However, one of these patterns matches with the one observed in the signed tile panels. Although a more detailed study still needs to be done, these findings, together with historical sources linked to painting characteristics, suggest that Gabriel del Barco was also the author of the non‐signed tiles.  相似文献   
943.
944.
Archaeological bone undergoes alterations after burial (diagenesis) that constitute a problem for the survival of archaeological information. A common method to assess this alteration is Fourier transform infrared spectrometry (FTIR). However, the commonly applied method (FTIR–KBr) is destructive and sample preparation may influence the results. This paper tests the suitability of FTIR attenuated total reflection (FTIR–ATR), a method not commonly used to investigate bone diagenesis. FTIR–ATR requires less sample preparation and can be non‐destructive, allowing analysis of bone cross‐sections. Modern and archaeological bones were analysed using both methods and different sample preparation methods were tested. The results show that FTIR–ATR has advantages for the rapid assessment of bone diagenesis.  相似文献   
945.
This study explores the potential of carbon and oxygen isotope data from human enamel carbonate (n = 50) to contribute to mobility studies in the Caribbean. Most oxygen and carbon isotope results display limited variation, with substantial overlap between islands. However, a few individuals from El Chorro de Maíta, Cuba possess relatively low δ18O and high δ13C. Two of these individuals were previously identified as possible non‐Antillean immigrants on the basis of strontium isotopes, and bioarchaeological and mortuary evidence. The carbon and oxygen isotope results provide additional evidence supporting the proposed non‐local origins of these individuals and contribute to explorations of their potential natal origins.  相似文献   
946.
947.
Sacred Fire     
R. C. Maclagan 《Folklore》2013,124(3):280-281
  相似文献   
948.
Snake Stones     
W. R. Halliday 《Folklore》2013,124(4):262-271
  相似文献   
949.
950.
R. C. Maclagan 《Folklore》2013,124(2):192-221
IN two previous articles in Folklore (vol. 100, 1989; vol. 101, 1990) I explored some themes of folk humour and satire in the pictorial arts and verbal idioms of the late Middle Ages and Renaissance. In the present paper I shall discuss the erotic symbolism associated with certain animals during these periods.  相似文献   
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