1989: THE CHRONOPOLITICS OF REVOLUTION

A failed effort at “reform from above” or a dramatic reassertion of “people power”? Almost thirty-five years on, studies of the Revolutions of 1989 continue to be framed by these two polarities. However, this historiographical focus has meant that scholars have often overlooked the actual content and character of protest itself. This article argues that one way of reinjecting agency and ideas back into our historical understanding of 1989 is through examining the chronopolitics of revolution: that is to say, by addressing how the control and interpretation of time became a political battlefield, a site of contention and negotiation, between Communist regimes, on the one hand, and political activists and society, on the other. Investigating events in the German Democratic Republic and Czechoslovakia, the article contains two central claims: first, that an interrogation of the concept of “chronopolitics” can provide a new angle by which to grasp the revolutionary character of “1989” and the democratic transformations that resulted and, second, by way of inversion, that a study of the temporal experiences across 1989 and the early 1990s can in turn shed light on the analytical value of “chronopolitics” more generally.     

Chardin et sonPhilosophe

Did “the old character, so intelligent, so crazy”, evoked by Marcel Proust through Chardin’s self-portraits, depict himself in the projective mask of the wise man, in one of his most famous paintings, thePhilosopher of the Louvre? As the master of the still life wanted to rise in the hierarchy of the Academic ranks, he probably tried, in this early work, to make up for “this lack of training” in “the humanities”, through the representation of a character in keeping with current tastes, of a modern philosopher. A Philosopher, A Chemist in his laboratory, A Glass-Blower, or A Philosopher busy reading: is the painting of the Louvre (1734) an emblem? Our hypothesis, that this painting represents a chemist philosopher, not a quack or an alchemist, is constructed by comparing the painting with the lampoon entitledThe Philosopher, circulated, according to Voltaire, in the 1730s.     

Foucault toujours

Miller, J., The Passion of Michel Foucault (Simon & Schuster, 1993), 493pp., ISBN 0 671 69550 9

Mahon, M‐, Foucault's Nietzschean Genealogy— Truth, Power, and the Subject (Albany, State University of New York Press, 1992), 255pp., ISBN 0 7914 1150 8

Salmagundi — A Quarterly of the Humanities and Social Sciences (hiver 1993, no. 97), £3.00     

Micro-imagerie de matériaux anciens complexes (I)

This article aims at presenting the first results of a transdisciplinary research programme in heritage sciences. Based on the growing use and on the potentialities of micro- and nano-characterization synchrotron-based methods to study ancient materials (archaeology, palaeontology, cultural heritage, past environments), this contribution will identify and test conceptual and methodological elements of convergence between physicochemical and historical sciences.     

Fluid dynamics and fluid‐structural relationships in the Red Lake mine trend,Red Lake greenstone belt,Ontario, Canada

The Red Lake mine trend, a deformation zone in the Archean Red Lake greenstone belt that hosts the world‐class Campbell‐Red Lake gold deposit, is characterized by abundant foliation‐parallel iron‐carbonate ± quartz veins with banded colloform‐crustiform structures and cockade breccias overprinted by silicification and gold mineralization. There is an apparent incompatibility between the cavity‐fill structures of the veins and breccias (typically developed at shallow crustal depths) and the upper greenschist to lower amphibole facies metamorphic conditions recorded in the host rocks (indicating relatively deep environments). This, together with the development of veins along the foliation plane, represents an enigmatic problem that may be related to the interplay between fluid dynamics and stress field. We approach this problem through systematic study of fluid inclusion planes (FIPs) in the vein minerals, including the orientations of the FIPs and the pressure–temperature conditions inferred from fluid inclusion microthermometry. We find that fluid inclusions in the main stage vein minerals (pregold mineralization ankerite and quartz and syn‐ore quartz) are predominantly carbonic without a visible aqueous phase, whereas many inclusions in the postore stage contain an aqueous phase. Most FIPs are subvertical, and many are subparallel to the foliation. High fluid pressure coupled with the high wetting angles of the water‐poor, carbonic fluids may have been responsible for the abundance of brittle deformation features. The development of subvertical FIPs is interpreted to indicate episodic switching of the maximum principal compressive stress (σ₁) from subhorizontal (perpendicular to the foliation) to subvertical (parallel to the foliation) orientation. The subvertical σ₁ is favorable for the formation of foliation‐parallel veins, as fractures are preferentially opened along the foliation in such a stress regime, the origin of which may be linked to the fluid source.     

SHELL FRAGMENTATION AS A TOOL FOR QUANTIFICATION AND IDENTIFICATION OF TAPHONOMIC PROCESSES IN ARCHAEOMALACOLOGICAL ANALYSIS: THE CASE OF THE CANTABRIAN REGION (NORTHERN SPAIN)

This paper presents a quantification method for archaeological molluscs using fragmentation categories. By employing the data from nine prehistoric sites (13 000 to 5000 bp ; 15 700 to 5700 cal bp ) in Cantabrian Spain (northern Spain), it has been shown that traditional methods, based on one or two anatomical elements, systematically produce a loss in the minimum number of individuals (MNI) that is sometimes significant. This paper also proposes using fragmentation categories in the calculation of the fragmentation index. In addition, based on these indices, a reflection is made on the difficulty involved in associating the amount of fragmentation of the shells with the taphonomic processes that have occurred at the archaeological sites, especially in discerning which agents have caused the fragmentation.     

ENTANGLED MEMORY: TOWARD A THIRD WAVE IN MEMORY STUDIES

This essay takes up the call for a “third phase” in memory studies and makes theoretical and methodological suggestions for its further development. Starting from an understanding of memory that centers on memory's temporality, its relation to language, and its quality as a social action, the essay puts forward the concept of “entangled memory.” On a theoretical level, it brings to the fore the entangledness of acts of remembering. In a synchronic perspective, memory's entangledness is presented as twofold. Every act of remembering inscribes an individual in multiple social frames. This polyphony entails the simultaneous existence of concurrent interpretations of the past. In a diachronic perspective, memory is entangled in the dynamic relation between single acts of remembering and changing mnemonic patterns. Memory scholars therefore uncover boundless cross‐referential configurations. Wishing to enhance the dialogue between the theoretical and the empirical parts of memory studies, we propose four devices that serve as a heuristic in the study of memory's entanglement: chronology against time, conflict, generations, and self‐reflexivity. Current debates on European memory permit us to explore the possible benefits that the concept of entangled memory carries for memory studies.