The Covid-19 app and the fire spirit: Receiving messages in Britain and Siberia

The UK's National Health Service Covid-19 ‘track and trace’ app was designed as a critical public health technology. So why has it encountered so much resistance? The authors compare alerts on the phone regarding exposure to possible Covid-19 infection with messages from a Siberian nomad's domestic fire, which sometimes crackles warnings of potential illnesses or accidents. Though these prediction technologies may seem radically different, they are both instruments for thinking about possible futures and adjusting behaviour. The authors interpret them as forms of divination that differ not so much in their logic as in their embeddedness in wider cosmologies of person, fate and society. The Siberian fire generates meaning as a focal point of coherence within many narrative strands concerning family and landscape; acceptance of its messages is rooted in intimacy and entanglement. This highlights how the Covid-19 app belongs to a state of emergency and exception. Its statistical idiom of risk and its culturally hyper-valued focus on privacy conceal the identities of people caught in the chain of infection, blocking social and narrative coherence and thereby encouraging suspicion and cynicism.     

Front and Back Covers,Volume 36, Number 3. June 2020

Front and back cover caption, volume 36 issue 3 Front cover COVID-19 IN ITALY An elderly man steps outside, a bag in his hand and a mask covering his face. He stares at the wet pavement as he goes. He is wondering whether to take that onward step. His shadow on the wall magnifies his uncertainty. He is alone. It has been raining. The sun spells help. Maybe. Uncertainty and loneliness are among the emotions that we now associate with Covid-19. By 9 May, the death toll among those who had tested positive for the virus in Italy surpassed 30,000, the highest in Europe. Since the beginning of the pandemic, the paramount need has been to protect those in the most ‘vulnerable categories’, the aged and those with pre-existing conditions. Italy, as the country with the highest percentage of elderly people in Europe, has failed them. At the outbreak of the pandemic, the rushed and short-sighted resolution to transfer Covid-19 patients to nursing homes resulted in a massacre, whose scar will get deeper with time. Yet, how vital ‘the elderly’ are to society cannot be stressed enough, particularly when state family support policies are insufficient, a gap that grandparents have long been filling by taking care of their grandchildren. If uncertainty is ahead of us, so is the void left by all those ‘elderly’ men and women who will be deeply missed. In this issue, Manuela Pellegrino provides a narrative of her experience as an Italian doing fieldwork in Greece while the epidemic was in full swing. Back cover Covid-19 Rear Admiral Timothy Weber, commander of US Naval Medical Forces Pacific, speaks to members of the press moments before the hospital ship USNS Mercy departs from its base near San Diego, California, 23 March 2020. The vessel, which can host up to 1,200 medical personnel, is being deployed in support of US Covid-19 response efforts. It will serve as a referral hospital for up to a 1,000 non-Covid-19 patients should shore-based hospitals prove unable to adequately serve them. The Mercy's deployment illustrates how grave the situation has become in the US. It also reveals something about how, after decades of neglect, the country's public health infrastructures have come to rely heavily on support from military and corporate institutions. The pandemic brings to light a host of global issues, ranging from food scarcity and insecurity, mass unemployment and economic crisis, the crucial roles played by elderly people, the fate of education and schooling, the unplanned release of prisoners, the long-term consequences of ‘distancing’ directives and much more. Underlying all of these topics is a sobering observation made by medical anthropologists more than two decades ago: locally and globally, it is the poor who are most likely to contract – and die from – infectious diseases. In Salento and Silicon Valley, in Rio de Janeiro and Wuhan, the pattern has been strikingly similar – the most economically vulnerable members of society suffer disproportionately. Anthropology contributes to a fuller understanding of Covid-19 and its aftermath. Recent research has developed a more complete cross-cultural picture of recent epidemics like AIDS, SARS, Ebola and Zika. When combined with archaeological and biological knowledge of pandemics stretching back to the Black Death and earlier, the discipline adds critical historical and cross-cultural perspectives. Anthropologists have much to say about how and why communicable diseases emerge, the underlying social and environmental conditions that fuel them, and potential strategies for their effective mitigation.     

Front and Back Covers,Volume 37, Number 5. October 2021

Front and back cover caption, volume 37 issue 5 Front cover FOOD STALL AT BRICK LANE MARKET Brick Lane is one of London's most iconic streets. Over the centuries, it has served as a refuge for Huguenots and east European Jews fleeing religious persecution, as well as Irish fleeing the famine. More recently, Bengalis, predominantly from the Sylhet area, moved to the UK because of political and economic instability at the time of Bangladesh's independence in 1971. Many settled along Brick Lane and its surrounding streets. Because of the lane's social, cultural, and economic importance to the Bangladeshi diaspora – it played a pivotal role in the renaming of the neighbourhood as Spitalfields and Banglatown in 2001, for example – some first-generation British Bangladeshis still say, ‘There are three Bengals: west Bengal, east Bengal, and Brick Lane’. Nonetheless, this inner-city area's working-class identity and employment patterns are threatened by super-gentrification in the housing, office development, and hotel and catering sectors. The effects of the Covid-19 pandemic are amplifying these trends. In this issue, Seán Carey looks at some of the trials and tribulations of the Bangladeshi community in and around Brick Lane. Back cover BANGLADESH IN BRICK LANE Street art on the shutters of a restaurant in Brick Lane.     

Front and Back Covers,Volume 36, Number 5. October 2020

Front and back cover caption, volume 36 issue 5 Front cover Covid-19 symbolism: Amabie in Japan The Japanese yōkai Amabie (アマビエ) was a forgotten chimeric figure from the Japanese history of disaster and epidemics until the emergence of the Covid-19 pandemic, when a few manga artists and Kyoto University Library brought her back to public attention and gave her global fame on social media. A drawing contest with the hashtag #AmabieChallenge started in earnest, crossing the borders of Japan to reach and captivate an enthusiastic global audience. Her body is an assemblage of human, fish and bird characteristics, with three fish tails/legs and long, dark hair. The front cover picture on this issue of AT was taken in September 2020 at the annual Scarecrow Competition in Tokyo, which this year elected to have Amabie as its theme. In this issue, Claudia Merli explores how this yōkai's resurgence from pre-modern Japan intersects with some central ecological and political discourses in the context of the Covid-19 pandemic, especially those associated with culinary practices, human rights and relations with other historical epidemics. Reasons for Amabie's sudden celebrity hark back to the culture of representation of historical epidemics via woodblock prints and the special place occupied by ningyo (mermaids and mermen) in Japan. Presented by some commentators as a pandemic mascot, this uncanny yokai from southern Japan addresses our contemporary lives as they are caught in a suspension of our usual temporal and spatial dimensions. We could even say that as we entered the pandemic, Amabie came to reinhabit a world she previously belonged to, one of unfathomable disasters and global intersections. The article follows some of these serendipitous connections to make sense of a phenomenon that should be analyzed in terms of the polysemic capacity of an icon of protection, whose beaky features recall all too well the spectral appearance of a plague doctor in Renaissance Europe. Back cover COVID-19 SYMBOLISM: TEDDY BEARS IN NZ On the day that Aotearoa/New Zealand started its unprecedented nationwide lockdown, Prime Minister Jacinda Ardern announced that despite the order to ‘stay home’, walking locally was not prohibited and that children, in particular, were welcome to stroll through their neighbourhoods in search of teddy bears in windows. She then added, ‘And if you're in Wellington and you're walking in a local neighbourhood, you might see one in my window’. Within days, across the country a multitude of teddy bears, as well as other stuffed animals and plastic toys, appeared in residential windows, tied on top of letterboxes or, like this one, affixed onto lamp posts. Inspired by the popular children's book, We're going on a bear hunt, wellknown for its refrain, ‘we're not scared’, the bears were widely understood to inspire ‘hope’ and ‘care’ and were just one of the ways that New Zealanders affectively invested in the Covid-19 lockdown. While scholarly work on national crises has frequently focused on the misuse of emergency measures to expand state power, much less has been said of the ways that citizens help constitute states of emergency. During the first Covid-19 lockdown (March-May 2020), New Zealanders set up community roadblocks to seal off neighbourhoods deemed to be under threat, ‘dobbed in’ perceived rule breakers or engaged in acts of vigilante justice against them, and called on the nation to recast the lockdown as a rahui or Maori protective prohibition. They also displayed a seemingly endless array of teddy bears, including the occasional bear engaged in acts that contravened lockdown regulations. Examining these and similar acts of collective responsibility, care and blame is a vital step in widening our understanding of the variety of dynamics that create and sustain states of emergency in democratic nations as well as their potential long-term implications.     

Front and Back Covers,Volume 36, Number 4. August 2020

Front and back cover caption, volume 36 issue 4 Front cover BUSHFIRES IN AUSTRALIA The exhausted firefighter emerged as a powerful symbolic figure in the bushfire crisis which brought widespread and unprecedented devastation to vast areas of land on the Australian continent in late 2019 and early 2020. In the front cover picture to this edition of AT, taken by the photojournalist Alex Ellinghausen, a sole firefighter stands as an iconic testament to the fortitude and commitment displayed by members of the volunteer forces who laboured in several states to save their rural communities from destruction. For their sterling efforts ‘in the line of fire’, the firefighters were celebrated as local heroes in the small towns and hamlets from which they were drawn. On a couple of occasions, fortuitously captured by itinerant television crews, this heroic status was magnified when firefighters forthrightly told visiting politicians, including the prime minister, that they were unwelcome and would be much better off elsewhere. In this issue, Adrian Peace argues that these firefighters were giving vent to a widespread sense of alienation from Australia's political elite, a feeling which was substantially compounded as notable cultural differences between local people and leading politicians came to the fore over the significance of the bushfires and the meaning to be attached to them. This cultural divide was expressed in a number of ways, but especially when addressing the extent to which climate change might have contributed to the exceptional duration, intensity and destructive capacity of the 2019–2020 megafires. Whilst leading figures within the federal government repeatedly minimized, or denied outright, the contribution that global warming might have made to these catastrophic developments, the likely part played by climate change remained uppermost in the minds of many local residents, including the firefighters who were their relatives, neighbours and friends. Back cover COVID-19 AMONG REINDEER HERDERS Kira Khudi, during the nomadic migration of her herd through the gas deposit in Bovanenkovo, Yamal Peninsula. Yamal-Nenets reindeer nomads in the Arctic tundra value their mobility. That is how they adapt to changing conditions in their natural and social environment. With large reindeer herds, it is only through the flexible use of their lands and regular adjustments to seasonal migration routes that the herders survive ‘bad years’ (veuvako po). However, the number of ‘bad years’ recently has posed a major challenge to their continued survival as nomads. Swift movement from endangered sites to safe pastures once helped to preserve the health and condition of animals and households. Sudden rain-on-snow events make grazing impossible and need to be avoided. Distancing from epidemic centres, including Covid-19, anthrax and hoof-rot disease has served to limit their impact. The intrusion of the gas industry into the herders’ domain is now curtailing their nomadic freedoms even more. The cumulative impact of disasters, epidemics and climate change, together with changing state resource governance is forcing herders to increasingly sedentarize, as their mitigation strategies are no longer a match for all these forces combined. In this issue, Stammler and Ivanova show how the Soviet persecution of shamans has led to a loss of spiritual confidence, which has proved fertile ground for conspiracy theories among herders. Shamans used to be consulted to diagnose disasters and how to respond to them, but local perceptions of disasters are now changing. Dialogue with the spirits used to be a source of Nenets self-confidence, but in the absence of shamans, severe misfortunes are increasingly believed to be the work of superior, unknown and uncontrollable forces.     

Front and Back Covers,Volume 33, Number 3. June 2017

Front and back cover caption, volume 33 issue 3 Front cover Donald J. Trump being sworn in as the 45th president of the United States, 20 January 2017. The wealthiest and the oldest US president, Trump has also proved to be the most divisive, picking controversial cabinet members, many of whom, like him, are millionaires or billionaires with no experience of working in the public sector. During early 2017, white nationalists became emboldened by his xenophobic rhetoric. In this issue, four authors pick up on select dimensions marking the Trump presidency, including: post‐truth, the trickster phenomenon, the role of big data in the US elections and Trump's pet project, namely the border wall between Mexico and the US. To what extent is Trump's rise to power indicative of global trends? In what ways have the shortcomings of neoliberalism accelerated these processes? How can anthropologists best position themselves within national environments where authoritarian, misogynistic and xenophobic tendencies are on the rise? Back cover: FOOD WASTE There are increasing levels of food poverty in the UK and ever‐growing numbers of food banks which have become symbolic of the state of the nation. At the same time, there is also rising public concern about food waste or surplus. Although the largest proportion is produced in the home, consumers tend to blame supermarkets, often utilizing a discourse of environmentalism. Such concern has resulted in a number of high‐profile campaigns like the one shown here ‘Love Food, Hate Waste’ by WRAP (Waste and Resources Action Programme) – which is only one of a number targeting both the food industry and consumers. Recently, it has also been suggested that such surplus food should be given to the growing numbers of people in food poverty through charities which supply food to their clients, including (but not only) food banks. The recent introduction of the Food Cloud app in a partnership between FareShare and Tesco has facilitated such a process. Indeed, it is often contended that this is a win‐win situation which neatly solves both problems – too much food being produced and left unsold, and too many people who cannot afford to buy food. In this issue, Pat Caplan points to some of the problems in this apparently tidy solution, drawing on two case studies from her recent research. While those in food poverty receive donated food from the public via food banks or surplus food from companies, they recognize that the acceptance of such food, no matter how good its quality, is stigmatizing – left‐over food for left‐over people. On the other hand, the food industry benefits not only from the additional food purchased by consumers to donate to food banks, but also from the PR which accrues from donating its own surplus to charity. So the win‐win situation does not in the long term solve either the problem of production of surplus or the problem of poverty.     

Front and Back Covers,Volume 31, Number 3. June 2015

Front and back cover caption, volume 31 issue 3 Front cover AFRICAN ART This slightly larger than life‐size terracotta head (height 35 cm.) was found face down below some 4 metres of deposit in a tributary of the Nok valley, Rafin Dinya, in Kaduna State, Nigeria. Estimated age is mid first millennium BC. This image was published by Bernard Fagg, archaeologist and museum curator, in Man (old series) vol. 56, July 1956, p.89. Bernard Fagg (1915–1987), William's younger brother, was the first to identify the Nok culture in 1943. He established the Jos Museum in 1952 in Jos, Nigeria. (Collection: National Museum, Lagos, Nigeria). In this issue, Jonathan Benthall assesses Bill Fagg's legacy in the African art scene. Back cover SAKHA CARTOON HEROES In the Republic of Sakha (Yakutia), northeast Siberia, activists from the Sakha nationalist intelligentsia are making strenuous efforts to revive their peoples' epic tradition, the Olongkho. Olongkho recitals undergirded this indigenous Siberian community's position within a complex and shifting animist cosmos, incorporating ancestors, demons, area spirits and gods, until they petered out during the second half of the 20th century, under the influence of Soviet modernization. Bards would travel from homestead to homestead, drawing their audiences into improvised recitations that would continue through the night. Most Sakha people now are unable to understand the elaborate language these bards used. Teachers, politicians and academics are investing large amounts of time and money into a cultural form that brings little pleasure to its dutiful audiences. They are displaying much ingenuity in rendering the Olongkho palatable to young people, in particular – such as creating a cartoon version of a famous text. But why are they trying so hard? The answer lies in the reified notion of ethnicity that has become integrated into the reproduction of social differentiation through popular taste, throughout Russia. Specific understandings of ethnic identity and cultural production were promoted throughout the Soviet period, as part of the Soviet state's massive social engineering project. These notions recur in contemporary public spaces and performances: they are implicit in the statue pictured to the right of this text, which incorporates a Sakha epic hero into a monument to those killed in World War Two. They have borne fruit in a capacity to associate a particular moral stance and social standing with a taste for one's own ethnic cultural heritage. As analyzed by Eleanor Peers in this issue, it is this association that accords Putin's actions in the Crimea their power to legitimate and reinforce the current Russian state.     

Front and Back Covers,Volume 35, Number 4. August 2019

Front and back cover caption, volume 35 issue 4 Front cover SELF-EXCLUSION Locked gates, fences and razor wire symbolize the closed borders and exclusionary nature of ethnonationalism. They also raise questions about what it means to be inside those locked gates. In this issue, Joyce Dalsheim considers the dynamics underlying ethnonationalism in the latest Israeli elections. Back cover INDIGENOUS AMERICA AND ENGLISH HERITAGE This ink and watercolour image by the English painter John White from the late 16th century depicts dancing Tupinambá Indians, based on an earlier account by a French traveller to Brazil. White's watercolours, like those he composed when he lived among Algonquians in eastern North America, have been celebrated for their elegant naturalism. At the same time, Europeans widely associated the Tupinambá with cannibalism. White's careful lines therefore capture tensions that were inherent in the English imperial gaze, where the fascination with Native American lifeways, adornment and commodities existed alongside underlying assumptions about violent conflict. More often than not, ethnographic curiosity led to appropriation and dispossession. In 17th-century London, feather headdresses, admired for their lustre, found their way into cabinets of curiosities or into imperial performances like court masques. Torn from their original contexts, such objects were repurposed to endorse an aesthetics of empire that involved both a visibility and erasure of Native American artefacts and peoples. In this issue, Lauren Working considers what English heritage would look like if Native Americans were integrated more fully within it. She explores the opportunities that exist for using history, anthropology and objects to shed light on the complex, often troubling legacies that emerged out of the first moment of empire in England. Acknowledging the entangled nature of Native American and English histories can become a means of conveying multiple but intersecting narratives and perspectives, weaving indigeneity into the story of Englishness and opening up new possibilities for collaboration, museum display and reconciliation.     

Front and Back Covers,Volume 28, Number 1. February 2012

Front and back cover caption, volume 28 issue 1 Front and back cover MEAT STILL ON THE MENU? Communities around the world are experiencing changes in the price and availability of animal products. In many places, meat, which was once eaten rarely, if ever, is now more readily accessible. In the top picture, a recently built international supermarket in the Guatemalan highlands stocks its shelves with packaged sandwich meat. The bottom image shows a meal served to mark a momentous occasion in the same community. Both of these images illustrate a change in dietary patterns that is manifesting in many regions of the world. Several international organizations, concerned about balancing the environmental costs of meat with human nutritional needs, have begun to address what they typically describe as ‘the increasing worldwide demand’ for meat. But how might we understand this narrative? What assumptions underpin these representations of demand? What are the implications of this kind of economic framing? In this issue, Emily Yates‐Doerr takes up the question of how anthropologists, with their attention to local contexts and realities, might add to discussions of global transitions. How might ethnographers engage with and respond to the representations of global trends employed by international institutions? What might these questions say about the discipline of anthropology's own engagement with questions of material needs and demands? The front cover shows how entomologists in Wageningen, The Netherlands, are responding to concerns about the ‘growing demand’ for livestock by working to cultivate edible insects, in this case mealworms, as ‘the next white meat’.     

Front and Back Covers,Volume 24, Number 2. April 2008

Front cover and back cover caption, volume 24 issue 2 Front cover Front cover: Front cover The front cover of this issue illustrates Peter Loizois' article on the work of filmmaker Robert Gardner. The Hamar woman in the photo bears marks of whipping, a subject which raised the first divisions between Gardner and anthropologists Ivo Strecker and Jean Lydall, as Gardner was inclined to see the practice as a facet of female subordination and male cruelty. The Streckers, after many years of research, took a different view, which can be grasped in Jean Lydall's article ‘Beating around the bush’ (see http://www.uni-mainz.de/organisationen/SORC/fileadmin/texte/lydall/Beating ) Gardner makes clear his feelings in this note, highlighted in his book The impulse to preserve: ‘Editing the Rivers of sand imagery made a huge impression on me. I kept being reminded that I especially disliked Hamar man and I don't think I would have felt differently had there been no Women's Movement. I don't see how anyone can escape feeling the same way once they see the film. It was a painful life for both sexes. So why not say so? I don't think anthropology is doing its job by being value free. I do think it should accept responsibility to look for larger truths.’ (Robert Gardner 2006, The impulse to preserve: Reflections of a filmmaker, New York: Other Press, p. 158) Back cover Back cover: UN DECLARATION ON THE RIGHTS OF INDIGENOUS PEOPLES The back cover illustrates Paul Oldham and Miriam Anne Frank's article in this issue on the adoption of the United Nations Declaration on the Rights of Indigenous Peoples. The Declaration sets the minimum international standards for the promotion and protection of indigenous peoples' rights. The display boards capture the historic moment on 13 September 2007, when UN member states overwhelmingly supported the adoption of the Declaration at the General Assembly's 61st session. Votes in favour of the Declaration are shown in green (143 + 1 not shown), abstentions in orange (11) and votes against in red (4). With the exception of Montenegro, whose vote in favour did not register on screen, absent or non-voting states are blank. Such overwhelming support within the General Assembly was by no means guaranteed — it was the outcome of lengthy and delicate behind-the-scenes negotiations. Expectations that the Declaration would be adopted in December 2006 were dashed when the African Group of countries blocked it, claiming that, despite 23 years of negotiations, more time was needed for consultation. In the ensuing period, Mexico, Peru and Guatemala, as co-sponsors of the Declaration, took the lead in negotiating an agreement with the African Group that they would support a Declaration with three main amendments, and would block other amendments or delays put forward by Australia, Canada, the US and New Zealand. The co-sponsors then sought agreement to this amended Declaration from the Global Indigenous Peoples' Caucus, who engaged in their own worldwide consultation process with indigenous peoples' organizations. The outcome remained uncertain, however, until these giant screens in the UN General Assembly Hall finally flashed green, to spontaneous applause from the delegates and their supporters. Since anthropologists work with indigenous peoples worldwide, this historic vote raises the challenge of how they, individually and as a discipline, position themselves in relation to the new Declaration.     

Front and Back Covers,Volume 37, Number 4. August 2021

Front and back cover caption, volume 37 issue 4 Front cover TOXIC FLOWS: E-WASTE RECYCLING A worker starts a fire to burn off the insulation from electrical cables to extract copper at an informal e-waste recycling site in Dar es Salaam, Tanzania. Open fire is one of the methods used here to mine metals from defunct electronics devices and their components. Electronic waste is one of the fastest-growing types of waste worldwide. However, many countries lack the formalized infrastructures necessary to collect and handle e-waste safely. The informal sector has stepped up to fill the gap. E-waste attracts urban dwellers seeking to extract value from these discarded materials while releasing toxic compounds detrimental to health and the environment. In this special issue on toxic flows, Samwel Moses Ntapanta follows Dar es Salaam's informal e-waste recyclers to find out how they understand the toxic nature of their work and what measures they take to minimize exposure. The number of informal e-waste recycling workshops in Dar es Salaam has skyrocketed in recent years. High demand for metals, like copper, offers a stable livelihood for e-waste recycling workers. Scavenging spare parts from the electronic afterlives is primarily driven by a vibrant Tanzanian local market, giving an impetus to repurpose certain materials. During these activities (mining, repurposing, restoring and reusing), workers are exposed to many toxic chemical compounds. With little or no knowledge about these, workers in informal e-waste recycling face unknown risks of exposure as they make a dangerous living in urban environments. Back cover TOXIC FLOWS: GLYPHOSATE Launch of the #StopGlyphosate campaign supported by the European Citizens' Initiative (ECI) and 37 European organizations in front of the European Parliament, 8 February 2017. Across the globe, grass-roots movements against glyphosate, the world's most used herbicide, have encouraged regulators to re-examine its safety assessments. In Europe, a drawn-out process is widely expected to conclude that glyphosate is harmful to health and should be banned across all 28 member states. If so, this would likely lead to similar decisions in other markets, representing a blow to the agrochemical industry. More than any other pesticide, efforts to ban glyphosate have become tied up with questions of national sovereignty. From Vietnam and Thailand to Colombia and Mexico, the US government has threatened ‘trade disruption’ should a ban go ahead. The message is clear: chemical regulation is an international, not a domestic, matter. Nevertheless, glyphosate has become a standard for emerging populism. In post-war Sri Lanka, banning glyphosate became a mission of Buddhist nationalist movements seeking to purify the national body. In the UK, Brexit supporters argued an independent UK would have the freedom to stop glyphosate (another ‘Vote Leave’ promise quickly broken). As politics the world over has re-engaged with questions of national identity and autonomy, halting the free flow of glyphosate has become a goal for those on the left and right of the political spectrum.     

Front and Back Covers,Volume 36, Number 2. April 2020

Front and back cover caption, volume 36 issue 2 Front cover CRISIS IN VENEZUELA Shop owner Alejandro Malek shows hundreds of banknotes that he has accepted from customers who buy their daily groceries in his small supermarket near the border between Venezuela and Brazil. He also accepts Brazilian reals, US dollars and gold. Malek is a migrant himself and arrived almost 30 years ago in the country. He poses for the picture with packs of bolivares soberanos to express his love for Venezuela. Big packs of banknotes to purchase basic goods have become normal for many Venezuelans since hyperinflation reached mind-boggling levels. Basic goods, such as toilet paper and cornflour, are unavailable or simply unaffordable for more than 90 per cent of the population. Since 2015, the economy has been in free fall and Venezuelans look for countless means to survive. In times of crisis, people seek to make ends meet by joining the informal economy outside the official structures. The thriving local emergency economy of banknotes, gold, food, petrol and medicine in Venezuela ties into illegal transnational networks which commercialize natural resources, people, drugs and weapons that stretch far beyond the Latin American region. In this issue, Eva van Roekel and Marjo de Theije suggest an anthropology of abundance to study the illicit manifestations and everyday ideals of wealth that accompany social and environmental crises in resource-rich countries like Venezuela. Back cover THE SHAMAN VS PUTIN In spring 2019, Aleksandr Gabyshev, a Sakha (Yakut) shaman, embarked on an 8,000 km trek from Yakutsk to Moscow. His stated goal was to ‘expel demon-Putin’ (izgnat' Putina-demona) from the Kremlin and thus liberate the people of Russia. Drawing a cart with supplies and necessities, he slowly progressed along Siberian highways, camping on roadsides along the way. While initially his journey attracted little attention beyond local cybernauts, by the end of the summer, word of Gabyshev's campaign had spread far and wide. Around a dozen people (his ‘squad’) joined his trek, while many more stopped him along the way to chat, take a picture, express support and offer supplies. On 19 September, Gabyshev's trek came to a halt almost 3,000 km in. He was arrested by the authorities in the Republic of Buryatia, as he and his ‘squad’ were approaching Irkutskaya Oblast. The shaman was flown back to Yakutsk where he underwent a psychiatric examination. He is facing charges on account of ‘calls to extremism’ and was put under travel restrictions for several months. He attempted another short-lived, unsuccessful trek in December 2019, again stopped by the authorities. Recently, Gabyshev announced that he would continue the trek in spring 2020 and reach Moscow in 2021, expressing confidence in the impending success of his undertaking. In this issue, Kristina Jonutyte shows how this shaman's campaign has attracted a lot of attention within Russia, especially on the Internet and social media. Many have expressed their interest in and support for the campaign, while at the same time ‘distancing’ the shaman in time and space, as well as along the lines of ‘rationality’.     

Front and Back Covers,Volume 30, Number 1. February 2014

Front and back cover caption, volume 30 issue 1 Front cover POO WARS Mandisa Feni of Site C, Khayelitsha sits on a portable toilet on the steps the provincial legislature. She is one of the many poo protesters who, in June 2013, dragged containers of human waste from the shanty towns on the urban margins to the provincial legislature in Cape Town's city centre. By collecting this shit from the urban periphery and dumping it at the centre of provincial political power, the protesters powerfully enacted their refusal to accept the portable toilets that the authorities had provided for people living in these informal settlements. Rather than accepting what they regarded as second‐class ‘portaloos’ for second‐class citizens, they demanded modern, permanent, porcelain toilets, just like those in middle class homes in Cape Town. Similar to the case of the Great Stink of London of 1858, the politically powerful could not ignore the stench aroound Parliament. In his editorial in this issue, Steven Robins argues that a lack of in‐house, ‘modern’ toilets in shanty towns continues to plague its inhabitants, who have taken to imaginative protest in various ways. His study on the politics of shit in Cape Town represents a form of public anthropology on a largely private activity. This politics of human waste is not popular in the mainstream media and is considered to be irrational and unruly by the wider public. But, as developments in Cape Town show, when human waste becomes matter out of place, it can also become a potent substance when deployed in popular protest. Back cover FACE VALUES Villagers in Kanga, northern Mafia Island, Tanzania, watch a screening of part of the BBC/RAI series Face values (1978) in 1985. The film (at that time on a reel‐to‐reel system) was projected onto the white‐washed wall of the village dispensary. Prince Charles, shown here on screen, was Patron of the RAI at the time and had studied anthropology at Cambridge. He encouraged the making of this series and acted as the interviewer of the five anthropologists involved. It was argued by the RAI that the presence of royalty would ensure a large TV audience for the series in the UK, and indeed, this seemed to be the case judging by the BBC's audience figures. However, the series was much criticized both by the newsprint media critics and by anthropologists. In this issue, in the second part of her article, Pat Caplan considers why the making of ‘educational’ material for a mass audience about people and societies in other parts of the world is problematic and probably rather unlikely to achieve the aims set out by the Prince: ‘If more people could have the advantage of information and knowledge about other people's behaviour, customs, religion and so forth, then perhaps some of the prejudice against immigrants in UK could be slowly reduced’. It also considers how local people have viewed this film material and how and why their reactions have changed over time.     

Front and Back Covers,Volume 32, Number 3. June 2016

Front and back cover caption, volume 32 issue 3 Front cover STANDSTILL Behzad Sarmadi tells the story of Dubai's descent into an economic crisis in 2009 by seizing on the financial concept of ‘standstill’. The government of Dubai publicly (and unilaterally) invoked this concept in late 2009 so as to pause the debt obligations of a ‘government‐related’ corporation in the face of immanent bankruptcy. This figurative use of standstill by the city‐state, however, soon manifested itself in the city. Cars once owned by over‐indebted foreign residents began to accumulate dust on the sides of roads and parking lots as they were abandoned to literally stand still. Sarmadi examines this process by repurposing the notion of standstill as a tool with which to ethnographically link the structural dimensions of a financial crisis and its lived experience. Back cover DISEASES OF THE SOUTH At night the chimneys of the Ilva steelworks loom behind a residential building in Taranto, southern Italy. The largest steelworks in Europe, and one of the few former state factories still standing in southern Italy, Ilva provides much needed employment in an impoverished region. However, it is also one of the worst polluters in Italy. Epidemiological studies have shown a high incidence of pulmonary cancers in the area, prompting Italian legal authorities to put the owners on trial for illegal polluting emissions. In spite of the unhealthy environment both in Taranto and in toxic waste‐ridden Terra dei fuochi, near Naples, the state's dominant message is for its residents to adopt ‘healthier lifestyles’. Biomedicine emphasizes individual, lifestyle‐linked factors of disease. Yet such an emphasis diminishes some of the most obvious underlying factors, such as pollution, over which individuals have little or no control, and which affects entire territories and populations. When a population is stigmatized or racialized as ‘backwards’, as southern Italians are, even the most obvious environmental injustices can be obfuscated in this way. In southern Italy, as in other areas hit by environmental injustice, marginality is compounded by a stigma that demonizes as irrational local environmental movements fighting pollution on their own doorstep. Effectively, people are blamed for aiding and abetting their own diseases. While the health‐or‐jobs dilemma is a classic issue of industrialization, companies have even more power to pollute once they are the only source of jobs left.     

Front and Back Covers,Volume 31, Number 4. August 2015

Front and back cover caption, volume 31 issue 4 Front cover India's godly democrats In 2007 a temple priest designed a poster depicting the Chief Minister of Rajasthan, Vasundhara Raje, as the bread‐giving goddess Annapurna. Miss Raje appeared crowned and mounted on a lotus throne, from which she showered an assembly of parliamentarians, legislators and ministers gathered below with rays of light and golden coins. The poster sent ripples of nervy amusement through the Anglophone press, which saw in this a spectacle of all that is ludicrous and embarrassingly backward about India's popular politics today. Speaking to Anastasia Piliavsky, whose narrative is featured in this issue, the priest turned out to be neither a kook nor a serf, but a man strikingly astute, witty, assertive, and conspicuously sane. He explained that he depicted Miss Raje as the bread‐giving Goddess because she expanded the midday meal scheme in primary schools. ‘In India’, he said, ‘we respect seniors and people who have the power to bring good to people. This is an old Indian tradition. Worship is a way to show our respect’. Indeed, the worship of politicians as kings, heroes and gods is widespread in India: Congress Party President Sonia Gandhi; the head of the People's Party Mayawati; Bengal's Chief Minister Mamata Banerjee; and the Tamil Chief Minister Jayalalitha have all attracted colourful forms of mass devotion. External observers and India's cosmopolitan elite see this as a sign of a political malady, a degeneracy of their most cherished political values, most of all the equality and autonomy on which modern democracies ought to rest. But the very citizens who worship their political representatives as gods and goddesses have proven exceptionally good at democracy, both in the scale and the intensity of their involvement, and in their remarkable political choosiness. Their story – full of colour and fun as it is – holds serious political and intellectual lessons whose implications reach far beyond the subcontinent. Back cover LAW IN MYANMAR Open‐air displays of cartoons and caricatures are new to Myanmar since press freedom was introduced in 2012. Recently, Aung San Suu Kyi, the ‘icon of democracy’, has become a favourite target. This cartoon, which was displayed during a cartoon festival in 2013, depicts Suu Kyi staring at the country's constitution while a famous love song plays in the background. With parliamentary elections due later this year and presidential elections next year, the former prisoner of conscience has devoted much of her energy – so far, unsuccessfully – to campaigning for an amendment to the 2008 constitution, which in its current form prevents her from being nominated as presidential candidate. The army, which dominates the legislature, has refused to accommodate her demands. Aung San Suu Kyi is the daughter of much‐loved General Aung San, who played a crucial role in the country's independence from British colonial rule in 1948. Having spent much of her life under house arrest in her family home in Yangon, she returned to the political sphere in 2010 as the head of her party, the National League for Democracy. Since then, the Nobel Peace Laureate has pushed for legal reforms. Meanwhile, in spite of some hard‐won liberties, human rights violations continue. In this issue, Judith Beyer examines the difficulties citizens experience in locating the specifics of their legal rights amidst a confusing array of legal texts, many of which they do not have access to.     

Front and Back Covers,Volume 35, Number 5. October 2019

Front and back cover caption, volume 35 issue 5 Front cover This installation was part of the ‘Hurray Menstruation’ protest organized by gender activists during the Sabarimala pilgrimage of 2018–19. This protest was supported by the Kerala government as part of its ‘Renaissance’ campaign against the BJP’ s (Bharatiya Janata Party) provocative assertion of traditional Hindu values. The installation is a condensed symbol in Victor Turner's sense, with many layers of meaning. The major elements are a vulva, alongside an image of the Constitution of India, centrally mediated by a woman blowing a trumpet - an expression of freedom from repressive and oppressive moral values espoused by the dominant middle class. The installation draws attention to oppressive rules in Hindu religiosity and ritual practice that target women as polluting due to biological processes particular to them. By contrast, the installation attributes positive values to these ‘polluting’ processes instead. Back cover THE PARABLE OF THE FOOTBRIDGE A footbridge in the wetlands. Where will it lead? ‘The between’ is a powerful theme in ritual and mythical traditions the world over. However, different traditions will express ‘the between’ in different ways. As described by Paul Stoller in this issue, Sufi traditions hold the bridge as a major symbol for barzakh, a space that links two distinct domains - a place that is between things, a space that separates the known from the unknown, the comprehensible from the incomprehensible, a nebulous space that compels the imagination. The footbridge is the epitome of ‘the between’, of being neither here nor there, of being liminal. On the footbridge, you may not know your front from your back or your past from your present. In this neither space, uncertainty seeps into your being. Where will your steps take you? If you make it to the other side, will things be different? Will you be the same person? The existential crisis of ‘the between’ that one finds on the footbridge can bring disruption, turbulence and stress. Amid this risky and unstable state of ‘negative capability’, the mind is sometimes cleared of clutter as one enters a space of imagination, creativity, innovation and invention. Are contemporary anthropologists ready to risk disruption and invention so we can follow the sinuous path to the anthropological future? If we move forward, what will we find on the other side of the footbridge?     

Front and Back Covers,Volume 35, Number 1. February 2019

Front and back cover caption, volume 35 issue 1 Front cover FASCISM ON THE RISE? This picture features activists of the Polish National Radical Camp (ONR) who are about to start a celebratory march commemorating the anniversary of the movement's establishment back in 1934. The march's point of departure was the premises of the Gdansk shipyard – a place that became well known in 1980s due to a series of anti-regime protests by ‘Solidarity’ movement activists. The slogan above the gate reads: ‘Thank you for good work!’ (employees would see this slogan when leaving the premises, after their shift). The choice of place was far from coincidental. Polish mass media were quick to describe the anniversary as an attack on the memory of the Solidarity movement which, they emphasized, was the antithesis of fascism and which fought for liberalism. They also claimed that the march was a ‘reminiscence’ of September 1939 when Nazi Germany took over the Free City of Danzig (Gdansk). It is clear that the event was meant as a provocation and the organizers did not shy away from admitting it. Yet in his commemorative speech, the ONR leader referred explicitly to the events of 1980, reminding the gathered crowd that Solidarity fought for better work conditions, dignity and basic rights, and linked those arguments to a depiction of work conditions in the (present-day) neo-liberal system. He also emphasized that Solidarity brought about a revolution and that such a revolution is needed again today. His speech exemplifies well, a growing tendency for far-right movements to draw explicitly on socialist ideas and return to the idea of ‘the third way’, observable in Poland and beyond. The event was attended by activists from abroad, among them Forza Nuova activists and Polish economic migrants living in the UK and Ireland. In this issue, Agnieszka Pasieka considers what it is like to study the ‘unlikeable’ other. Several other contributions also discuss how anthropology might position itself in relation to the trend towards extreme right-wing politics worldwide. Back cover FIRE AT THE NATIONAL MUSEUM, BRAZIL Oil painting, undated and without the artist's signature, which used to belong to the National Museum, Brazil, until the recent fire destroyed it. Depicted is a Bororo boy, baptized as Guido, who was adopted at approximately seven years of age by D. Maria do Carmo de Mello Rego, a lady of fine education, wife of the governor of Mato Grosso. Without children and of relatively advanced age, the couple treated Guido as if he were their own son. D. Maria do Carmo made great efforts to win his affection, teaching him to read and introducing him to the arts. For four years, from 1888 to 1892, Guido lived with her and her husband, first in Mato Grosso, then in the city of Rio de Janeiro until he died on a nearby farm due to natural causes, possibly pneumonia. Donated by D. Maria do Carmo before his death, this painting became part of one of the oldest National Museum collections composed of about 400 Indian artefacts she had gathered from Mato Grosso (the majority of these of Bororo origin), including an album with drawings and watercolours made by Guido and carefully arranged by her. Not only this painting, but the entire collection of ethnographic pieces and the album of drawings and watercolours were unfortunately destroyed by the fire. In this issue, Gemma Aellah and Jessica Turner interview João Pacheco de Oliveira, professor of anthropology and curator of ethnographic collections at the National Museum, Rio de Janeiro, Brazil.     

Front and Back Covers,Volume 33, Number 4. August 2017

Front and back cover caption, volume 33 issue 4 Front cover A depiction of the West African storm goddess Oya at Oyotunji Village in South Carolina, 2011. In parts of the US South where people are confronted by the risk of hurricanes, and where Vodou and hoodoo are practised, this deity has become an important part of religious life and worship. During the yearly hurricane season in New Orleans, rituals are held and sacrifices offered to appease the spirits of the storm. In this issue, Maria Elisabeth Thiele considers the coping strategies and the cultural creativity of the most vulnerable (African American religious or spiritual) communities in New Orleans today and in the aftermath of Hurricane Katrina. Back cover: YOGA A student at a yoga school in Mysore (in the southern Indian state of Karnataka) practises the techniques of asana (poses or postures which are combined with focused gaze and patterned breathing). Its practitioners insist that these are not just physical manipulations of the body but rather a form of spiritual exercise through which it is possible to train, to cultivate and ultimately to transform the self. In this issue, Jack Sidnell considers these techniques as a form of ethical practice as conceptualized in the later work of Michel Foucault. Foucault suggested that ethics be understood in terms of the self's relation to itself and the various methods, practices and techniques by which persons attempt to cultivate themselves in relation to a teleological model. At the school, and within the tradition of Ashtanga yoga as developed by Sri K. Pattabhi Jois, students begin by learning basic techniques in order to increase flexibility, strengthen the body and purify it of toxins. With diligent practice, they come to experience other dimensions of yoga. Specifically, practitioners report experiences of self‐ effacement and ego dissolution. They believe this is induced through the training involved in performing increasingly difficult forms of asana such as the one pictured here, called Viranchyasana A. Virancha or Viranchi is one of the names of Brahma, the Supreme Being. In this pose, from the third series of asana collectively known as Sthira Bhaga (‘strength and grace’), the practitioner must first place one leg in lotus and then place the other behind the head while breathing calmly. The practitioner pictured here (Renato Libonati, aka Kranti) is an experienced senior student who has achieved the highest level of accreditation possible at the school in Mysore.     

Front and Back Covers,Volume 29, Number 3. June 2013

Front and back cover caption, volume 29 issue 3 Front cover Oil palm plantations and surplus labour The photo shows old oil palms injected with roundup to kill them prior to replanting – operations that require very little labour. Indonesia already has ten million hectares of oil palm, most of it planted in massive, mono‐cropped, plantations eerily devoid of people, having obliterated the villages, farms and fruit trees that were there before. Market‐wise, oil palm is resilient. Its price goes up together with the price of oil since it can be used as a biofuel. We eat it (cooking oil, margarine, chocolate), bathe with it (soap), and put it on our lips (cosmetics). As food, the potential market in India and China is immense, and as a ‘biofuel’ it fills European Union mandates to replace fossil fuels with ‘renewable energy’ sources. The crop is rapidly blanketing the major islands of the Indonesian archipelago (Sumatra, Kalimantan, Papua), it is expanding in Latin America, and being re‐imported into Africa – its place of origin – as a large scale plantation crop. Resilience in terms of livelihoods is another matter. Corporate oil palm is a land‐gobbling, people‐dispelling machine. The Indonesian government promotes the crop as an engine of poverty reduction, but its focus is corporate profits. It previously obliged corporations to develop 80 percent of their concession area for smallholders, but the number now is reversed: 80 percent of the land can be used by the corporations. They treat smallholders as irritants to be swept out of the way, rather like mosquitoes. Industry promoters claim that one hectare of oil palm generates five jobs, but the actual number is one job per five hectares. The industry isn't highly mechanized, it just doesn't need many workers once the plantations are established. Oil palm is foreclosing options. It uses a lot of water, making it difficult to grow anything else nearby. We don't know what the land will be good for after oil palm, or how climate change will affect it. Committing massively to one crop under these conditions seems like a bad promise – an IOU no‐one should accept. But the risks aren't equally distributed. Most of us encounter palm oil as consumers. As Tania Murray Li argues in her guest editorial in this issue, its livelihood effects way up a river in Kalimantan are out of sight, out of mind. Back cover UNWANTED CHILDLESSNESS A young mother with her children in Bangladesh. Children are the raison d'être for couples in this densely populated country but women in particular. Involuntary childlessness tends to evoke pity but also condemnation and exclusion. What happens to people when no children are born to them? Sjaak van der Geest and Papreen Nahar sketch the social, emotional, and existential consequences of unwanted childlessness. Drawing on ethnographic work in Ghana and Bangladesh and on a British dystopian novel, they describe how childlessness leads to loneliness, sombreness and a sense of uselessness. Inspired by the work of psychologist John Kotre and philosopher Ernst Bloch they proceed to make sense of these experiences by linking them to the issue of continuity / discontinuity and what it is to be human. Life is future‐oriented. Children constitute and personify continuation, also after death. Without children the future is locked. Life is interrupted and loses its meaning. Through anthropological reflection on women's complaints and a novel about a future childless world, the authors search for a more profound understanding of what renewal of life means to human beings.     

Front and Back Covers,Volume 31, Number 6. December 2015

Front and back cover caption, volume 31 issue 6 Front cover AI and humanity A statue by Stephen Kettle of Alan Turing, sitting pensively at one of his code‐breaking machines in Bletchley Park. Made up from half a million pieces of Welsh slate, this statue was a landmark feature for the Life and Works of Alan Turing exhibition in 2012, which was curated following a public campaign to save the Turing‐Newman Collaboration Collection, a rare collection of his mathematical papers. Members of the Turing family additionally contributed some of the mathematician's personal belongings, including a teddy bear he used to practise his lectures on. Bletchley Park is now a huge heritage attraction, more so since The Imitation Game, a film based on the life of the pioneering computer scientist, came out. Previously known as the UK Government Code and Cypher School, this is now a site for the National Museum of Computing, which ncludes the huts and blocks that hosted a group of codebreakers whose work is said to have helped shorten the war by two years. In this issue, Ting Guo looks at Turing's personal trajectory in life and asks to what extent his search for artificial intelligence was inspired by considerations other than purely technical ones. To design artificial intelligence is to reproduce what is the essential ‘us’, what Pamela McCorduck refers to as an ‘odd form of self‐reproduction’. The desire for such machines, she argues, is a desire equally rooted in fear and allure, which reflects not only the drive for knowledge and human progress, but the discovery of the human self, which is itself driven by fundamental problems of being human. Back cover WORLDS IN MINIATURE Miniature worlds fascinate us. Taking familiar objects, scenes and environments and scaling them down to the minute generates a sense of wonder, forming a special connection between object and audience across which information can flow in subtle and unexpected ways. For centuries, people have used miniaturization to create tiny settlements with streets down which traffic doesn't flow and shops where no purchases are made. In doing so, they generate a fantasy, an idealized portrayal of a world they wish to see, not the one they inhabit. One of the most famous of these miniature communities is Madurodam in the Netherlands. Attracting more than 700,000 visitors a year, this park seeks to replicate particular dioramas of Dutch life, employing a dedicated team of professional modellers focusing on specific aspects of Dutch architecture and urban environments to portray a particular, explicitly positive, image of the Netherlands. The choices made at this site, and others like it all over the world, are part of a complex process of representation in miniature, a selection of iconography and design intentionally assembled to create unconscious impressions in visiting tourists, particularly children, about the full‐sized communities they resemble. As such, their representative powers are partial, a carefully curated miniature snapshot of certain aspects of an entire nation designed to act as a cultural and educational ambassador. In this issue, Jack Davy explores how the process of miniaturization, as evidenced by a Lego figurine, can encapsulate and transmit complex and controversial themes in a child‐like, non‐threatening manner. These processes operate subtly and inexplicitly, shaping our understanding of the wider world around us through the affordances of the small.