TECHNOLOGICAL INVESTIGATION OF THE COATINGS ON SOME ‘HAEMATITE-COATED’ POTTERY FROM SOUTHERN ENGLAND

The nature of the coatings on a selection of ‘haematite-coated’ sherds from Late Bronze Age/Early Iron Age contexts in southern England has been investigated using X-ray diffraction and scanning electron microscopy with energy-dispersive X-ray analysis. It has been found that the term ‘haematite-coated’ is somewhat misleading. The study indicates that at least three distinct techniques (with local variations) were used to produce the red finishes which characterise these wares. In some instances visual examination and X-ray diffraction can provide a reliable indication of the type of red finish, but the use of a scanning electron microscope has been found to provide a more precise characterisation of the finishes and their relationship to the underlying sherd bodies.     

EARLY ANGLO-SAXON POTTERY OF THE ‘ILLINGTON-LACKFORD’ TYPE1

Summary. Early Anglo-Saxon pottery of sixth-century date of a distinctive type has been described as the Illington-Lackford type, named after two cemeteries in which large quantities have been recovered in Norfolk and Suffolk respectively. As well as their use as cremation urns, large, but fragmentary, quantities have also also been recovered from the excavated settlement at West Stow. Analytical techniques are applied, especially to the stamped decoration, in an attempt to define more closely the mode and pattern of production.     

From ‘Global’ to ‘Revolutionary’ Development

This article argues that Horner and Hulme's call for moving towards ‘global development’ to do justice to changing 21^st century development geographies neither contributes to advancing our understanding of contemporary development challenges nor helps articulate realistic responses to tackle them. A key problem is that they try to explain several general trends in the geography of development with reference to mainstream statistics without appropriate critical reflection or adequate theorization. Focusing specifically on the environmental and conservation aspects of development, this article contends that these omissions not only confuse the debate on the current state and geographies of development, they risk something more serious, namely the reinforcement of a generic development narrative which will intensify 21^st century development challenges. The article concludes that what we need is not global development but revolutionary development.     

ON BEING NOT EVEN ANYWHERE NEAR ‘THE PROJECT’: WAYS OF PUTTING OURSELVES IN THE PICTURE

This paper challenges current constructions of “the project” in radical geography by examining the phenomenon of “missing sisters.” We discuss the social construction of lesbians and disabled women as invisible “others” and how this is manifest in Geography. We argue that disabled women and lesbians have had their experiences and lives marginalized; both in the geographic literature and through practices of exclusion. We call for a reconstructed radical geography which includes lesbians and disabled women, on their own revolutionary terms, in the production of knowledge and in political practice. Such an inclusionary project will enrich our understanding of geographic processes and strengthen our efforts to build political strategies of resistance to contemporary forms of oppression and marginalization.     

ANALYSIS OF ROMAN WALL PAINTINGS FROM THE THERMAE OF ‘IULIA CONCORDIA’

Twenty‐six wall painting fragments and some plaster, ‘intonachino’ and stucco samples, discovered at Iulia Concordia, have been studied by different analytical techniques to gain information about the pigment nature and the composition of the materials. The presence of calcite, dolomite and aragonite allow the distinction of four groups of wall samples varying in the nature of pigments and in the application technique. These differences can be attributed to different execution times or, more probably, to the arrangement of the rooms in the building structure. The nature of the pigments found in the Thermae of Iulia Concordia appears similar to that found in other Roman villas of Venetia et Histria, with the use of precious pigments such as Egyptian blue and cinnabar.     

‘IT IS MY HOME. I WILL DIE HERE’: TOURISM DEVELOPMENT AND THE POLITICS OF PLACE IN LIJIANG,CHINA

Although “home” is an established topic in the literature, what home means for an in situ, non‐travelling population that nevertheless is confronted by the influx of great numbers of tourists and migrants is an important question that has not been widely researched. This article examines the construction and practice of home in a highly mobile world, in the case of Lijiang Ancient Town, a World Heritage site in Yunnan, China. Situating Lijiang in the context of China's emerging consumer society, this article has two objectives. First, I will sketch a conceptual framework within which to address the construction of home in relation to mobility, displacement and socioeconomic changes. The second objective is to examine the multiple ways in which Lijiang's town residents dwell in displacement. Even as Lijiang ancient town largely falls into the hands of migrant businesspersons, town residents employ spatial strategies to maintain a public–private boundary, reconcile themselves to living under the same roof with tourists, or forsake their homes for economic benefit. Hence, this article contributes to the geographies of everyday life by illustrating individuals' multiple forms of strategic rationalization in handling socio‐spatial transformation.     

DECOLONIZING THE PRODUCTION OF GEOGRAPHICAL KNOWLEDGES? REFLECTIONS ON RESEARCH WITH INDIGENOUS MUSICIANS

ABSTRACT. This paper contributes to debates on decolonizing geography, by reflecting on the ethical and political considerations involved in research on indigenous music in Australia. The research collaboration involved two non-indigenous researchers—an academic geographer and a music educator—engaging with indigenous music and musicians in a number of ways. The paper reflects on these engagements, and draws attention to a series of key binaries and boundaries that were highlighted and unsettled: 'outsider/insider'; 'traditional/contemporary'; 'authenticity/inauthenticity'. It also discusses the politics of publishing and draws attention to the ways in which the objects of our work—in this case a book—influence decisions about representation, subject matter, and interpretations of speaking positions. Rather than seeking validation for attempts to 'speak for' or 'speak to' indigenous musical perspectives, contemporary Aboriginality was understood as a field of intersubjective relations where multiple voices, representations and interventions are made. I discuss some ways in which the authors sought to situate their own musical, and geographical, knowledges in this problematic, and inherently political, research context.