Mapping Spain in the Sixteenth Century: The Escorial Atlas and Pedro de Esquivel’s Notebook

ABSTRACT

The twenty-one maps of Spain that comprise the Escorial atlas (El atlas de El Escorial) and the later notebook compiled by Pedro de Esquivel for another map of Spain have long been confused. Recently identified documents in the Royal Library, Stockholm, have allowed us to recognize the two works as completely separate and to shed new light on each. In this article we describe their respective histories, starting with the Escorial atlas, now known to have been commissioned by Emperor Charles V from the Sevillian cosmographer Alonso de Santa Cruz, who between c.1538 and 1545 produced an index map and 20 regional sheets drawn to the scale of 1:400 000. We then go on to show how, later in the century (between c.1552 and 1565), Pedro de Esquivel was using a version of the topographical methods described in Peter Apian’s Cosmographia to assemble data for the map of Spain commissioned by Philip II before and just after he became king in 1556. Esquivel died in 1565 before all the data had been collected, his map was never drawn, and his notebooks, with all his astronomical measurements and calculations of angles and distances, took a curious journey that ended in Stockholm in the archives of the Royal Library of Sweden.     

Revisiting the War in the Receipt, 1572–1609*

This article explores a protracted dispute in the exchequer of receipt that initiated lasting procedural reform. The argument revolved around contested narratives of exchequer history which had direct implications for officers’ fees, rights and status. The ferocity of the dispute has rendered it one of the most-studied episodes in exchequer history, yet historians have largely focused on procedural reform and dismissed the ardour of the protagonists. This article recontextualises the dispute within its political and physical context in the Palace of Westminster to argue that the feud was not merely personal but political. By drawing together officers’ personal papers with exchequer records and architectural records of the palace, this article demonstrates the agency of individuals in influencing institutional reform. The protagonists operated within webs of overlapping loyalties between crown, institution and patrons which reflects the place of the Receipt in central government. Consideration of the warring officers in this context reveals that the outcome of the dispute was not in spite of their passions, but a product of them.     

Fuelwood,crops and acorns from Iritegi cave (Oñati,Basque Country)

Abstract

We present the analyses of plant macroremains from Iritegi, a cave from Northern Iberia with archaeological levels dated from the Chalcolithic to the Iron Age. Wood charcoal assemblages are dominated throughout the sequence by Fraxinus. Other important taxa are Quercus subg. Quercus, followed by Corylus avellana, Fagus sylvatica, Ilex aquifolium, Taxus baccata and Ulmus. Acer, Alnus and Maloideae occur in very low numbers. The high percentages of Fraxinus are possibly result from the selection of ash for fodder. Evidence for the use of crops (Hordeum vulgare, Triticum aestivum/durum) comes only from the Chalcolithic contexts. The identification of acorns in one Chalcolithic hearth shows that roasting of these nuts was taking place maybe to improve taste and to facilitate further processing or to improve storage conditions. The results show that plant food gathering still played a role within the subsistence of farming human groups in the region.     

‘Vienen de gente de mucha discreción y entendimiento:’ ethnic identity,ambivalence, and colonial discourses in Diego Muñoz Camargo’s Descripción de la ciudad y provincia de Tlaxcala

Diego Muñoz Camargo's Descripción de la ciudad y provincia de Tlaxcala (1585) is a well-known reference on the history of Tlaxcala that scholars have studied to better understand Tlaxcalan participation in the conquest of Tenochtitlan, its relationship with the Spanish Crown, and the author's selective approach to local history. Often, these approaches present the historian as acculturated or Hispanized because of his celebration of the Spanish or criticism of local religious practices. This article complicates such approaches in order to show the complex ways that the author approached issues of cultural difference. Examining Muñoz Camargo's recourse to colonial discourses of morality, I argue that the author molds and tailors these discourses to fit local Tlaxcalan circumstances. In doing so, I show how he humanizes Tlaxcala's ruling elite while exemplifying the inherent ambivalence of moral authority in Colonial New Spain.     

Building identities in post-Soviet “de facto states”: cultural and political icons in Nagorno-Karabakh,South Ossetia,Transdniestria, and Abkhazia

Abstract

For states that have recently declared their independence but remained unrecognized “de facto states,” building a national identity is critical in the face of international rejection of their political status. Key elements of this new or re-animated national identity are political and cultural icons symbolizing the new political entity but with historical antecedents. Following Anthony Smith’s ethno-symbolism approach to the study of nationalism and motivated by Jean Gottmann’s research on iconographies in political geography, the article reports the results of nationally representative samples in four post-Soviet de facto states, Nagorno-Karabakh, South Ossetia, Transdniestria, and Abkhazia. Respondents were asked to name up to five political and cultural figures that they admired. The collated results show a great array of local and Russian names in the four republics. Categorizing the names by historical era and by provenance allows a clarification of the extent to which nation building can rely on local heroes. Among the four republics, Nagorno-Karabakh stands out for its ethno-symbolic local character, while Transdniestrian respondents identified few iconic figures. South Ossetia shows a mix of local and Russian names while the respondents in Abkhazia were divided by nationality in their choices.     

Street music,governance, and cultural policy in San Cristóbal de Las Casas

ABSTRACT

This article takes an ethnographic perspective to explore the changing ways in which the municipal government of San Cristóbal de Las Casas, a city in southern Mexico whose economy is highly dependent on tourism, has regulated street musicians over the last five years. It focuses on permits given to street musicians which served to exert spatial and temporal control over street performance, while giving musicians no substantial rights in practice. Engaging the so-called ‘anarchist turn’ in anthropology, it shows that this policy instrument effectively sidelined non-monetary forms of exchange between musicians and their various publics, and privileged the commercial interests of restaurants and bars. Further, in practice, it pushed some street musicians onto the margins of the city’s economic life, where their performances were often more, rather than less, disruptive. Nonetheless, this situation altered significantly in the wake of social unrest in Summer 2016, which caused a precipitous drop in tourism to the city. The municipal government’s response to the ensuing economic crisis signified a belated recognition of the economic value of street musicianship.     

Andrew O. Fort,Jīvanmukti in Transformation: Embodied Liberation in Advaita and Neo-Vedanta

Indo-Iranian Journal -     

Memory Mapping: Affect,Place, and Testimony in El Lugar Más Pequeño (2011)

This article examines the Salvadoran documentary El Lugar Más Pequeño (The Tiniest Place, 2011) and argues that the film gives new insight into the complicated spaces and practices of memory post-transition and post-conflict through a process I call ‘memory mapping,’ which I define as the aesthetic process of representing the affective, polyvocal, layered relationship between past, present, and place as experienced by individuals and the communities in which they live. Engaging primarily with affect and memory theory, I contend that the film maps post-conflict memory in two specific ways: first, through testimony, and second, through an exploration of the relationship between memory and place. Ultimately, I argue that memory mapping sheds new light on how the aftermath of conflict – the physical, but also the emotional ruination caused by violence – is negotiated in the everyday of human life.     

Verbs,Voyeurism, and the Stalker Narrative in Cortázar's "Continuidad de los parques"

Julio Cortázar's "Continuidad de los parques" can be described as a stalker narrative in two different senses. Not only is it a story about a stalker with murderous intentions, it is also a story in which the reader is turned into a stalker.

Modalization in verbs, or the use of the subjunctive and qualifiers, has been discussed by critics such as Tzvetan Todorov as a characteristic of the fantastic in literature. What has not been studied is the alternating use of aspect in the past, here between the verb tenses the preterite and the imperfect, as a technique that aids in the subtle creation of the reader as a stalker. Cortázar uses these two verb tenses to form and shape the narrative, moving it in the desired direction and, in the process, aiding in his creation of the image of the stalker. Both the careful manipulation of the preterite and the imperfect and the careful interplay between the two are the vehicle of invasion, an invasion perpetrated by the stalker, in which the reader is made complicit.     

Writing violence in Seventeenth-Century Yucatan: Fray Bernardo de Lizana's Devocionario de nuestra Señora de Izamal y Conquista espiritual de Yucatán (1633)

Although long considered a minor work, Franciscan friar Bernardo de Lizana's Devocionario de nuestra Señora de Izamal y Conquista espiritual de Yucatán (1633) is key for understanding what the author himself termed the ‘spiritual conquest’ of colonial Yucatan. Deploying José Rabasa's concept of ‘writing violence,’ this essay shows how this text works to promote a culture of forceful spiritual conquest, reminiscent of the culture of spiritual conquest of the primitive Yucatecan church (1545–1562), in order to complete the conquest of the last independent Maya on the peninsula.     

The role of arsenic in Chalcolithic copper artefacts – insights from Vila Nova de São Pedro (Portugal)

The Castro of Vila Nova de São Pedro (VNSP) is an emblematic settlement located at Azambuja, Portuguese Estremadura. It was occupied during the third and second millennia BC, predominantly during the Chalcolithic period. A diversified collection of 53 copper-based artefacts (most part in a fragmentary condition), belonging to an extensive metallic collection recovered during excavations carried out in VNSP, was studied using micro-EDXRF spectrometry, optical microscopy and SEM-EDS. Additionally, Vickers microhardness measurements were performed to establish the effectiveness of the thermomechanical treatment in the hardness of the artefacts. Results show that the Largo do Carmo, artefact collection is mainly composed of copper or arsenical copper, being 37% of the artefacts made of copper alloyed with arsenic (As > 2%). A statistically significant association was found between copper alloyed with arsenic and artefacts classified as tools/weapons (arrowheads, daggers and knives). In several cases, the presence of arsenic rich phases in the microstructure, resulting from an inverse segregation phenomenon, shows no evidence of chemical homogeneity control during the artefact manufacture. Microstructural analyses also show that the majority of this group (73%) was shaped with forging plus annealing operation cycles and 23% of the artefacts received a final cold hammering after the forging and annealing. An association between the presence of a final forging treatment and artefacts presenting higher arsenic contents was also identified. Nevertheless, no direct correlation was found between the arsenic content of the alloy and its hardness. Also no direct correlation was found between the hardness and a final forging operation. However, it was observed that a harder forging was applied to the cutting edge of the artefacts and consequently a high hardness in this area was obtained despite the arsenic content of the alloy. Concerning arsenical copper alloys, all evidences point out that the potential for obtaining a harder material was not recognized by the ancient metallurgists and the selection of the alloy was possibly made based on colour.     

Guada-narco-lupe,Maquilarañas and the Discursive Construction of Gender and Difference on the US–Mexico Border in Mexican Media Re-presentations

This article explores the ways in which Mexican media works to construct gender and difference in relation to the US–Mexico border. Through a discourse analysis of one Mexican newspaper, I argue that discursive violence, ‘narratives of eviction’ and silences are implicated in the construction of women as weak, sexualized objects, and Mexicans as raced, backward ‘others’. In so doing, I elaborate several discursive moments, specifically, ‘woman as anonymous, replaceable body’; ‘woman as victim of the border city’; ‘Guada-narco-lupe’; ‘woman as dependent appendage’; and ‘othered Mexican’; to illustrate that the production of knowledge about gendered subjects is a political and discursive practice embedded in national ideologies. Mexican media representations present a rich palette for thinking about constructions of gender and difference along a raced, sexed border. An investigation of the unequal and essentialist elements present in specific newspaper articles offers a fresh perspective on the socio-spatial aspects of particular discursive strategies and their role in underpinning dominant textual images.

Guada-narco-lupe, Maquilarañas y la construccíon Discursiva de Género y Diferencia en la frontera entre los Estados Unidos y México através de representaciones en la media Mexicana. A través de un análisis de tres artículos este ensayo investiga las maneras en que la prensa mexicana funciona para construir la diferencia y el género en relación a la frontera México-Estados Unidos. Yo discuto que la violencia discursiva, las narrativas de evicción, tanto que los silencios están involucrados en la construcción de mujeres como objetos sexualizados y débiles, y la construcción de Mexicanos como ‘racializados’, atrasados, y diferenciados a través del método de análisis de discurso de un periódico mexicano. Para llevar a cabo este análisis, yo elaboro varios momentos discursivos, específicamente, ‘la mujer como cuerpo reemplazable y anónima’; ‘la mujer como victima de la ciudad fronteriza’; ‘Guada-narco-lupe’; ‘la mujer como apéndice dependiente’; y‘el mexicano diferenciado’, para ilustrar que la producción de conocimiento sobre los sujetos géneros es una practica política tanto que discursiva arraigado en las ideologías nacionales. Las representaciones de los medios mexicanos presentan una pallete amplia par reflexionar sobre las construcciones de diferencia y géneros por la frontera norte, la cuál es a frontera ‘racializada’, y sexualizada'. La investigación de los elementos desiguales y esencialcitas colocados en varios artículos de la prensa mexicana provee una nueva perspectiva sobre los aspectos socio-espaciales de estrategias discursivas específicas y el papel que juegan estos aspectos en sostener imágenes dominantes textuales.