邓友梅小说的语言风格

从题材上划分,邓友梅的小说可以为二类:一是描写老北京的民俗民风的市井小说,其语言风格为:幽默、通俗;二是描写战争、社会上凡人琐事和域外生活的非市井小说,其语言风格为:朴实、明快,我们探导了构成二类小说的语言风格手段。     

胡适的语言观

胡适倡导的以白话代替文言的语言变革最终导致了新文学运动和新文化运动的发生,胡适进行的语言研究和他对语言研究方法的探索对中国现代语言学的发展产生了深刻的影响.因此,对胡适的语言观进行考察具有重要的意义.本文主要从语言的性质、语言的变革、语言的研究等三个方面对胡适的基本语言观进行全面考察和重新审视,并通过对其语言观的考察来重新解读他的新文学和新文化运动理论,重新评价他在现代语言学研究中的历史功绩.     

《胡适思想与现代中国》序言

《胡适思想与现代中国》序言沈寂由皖人撰著、并由安徽出版机构出版的研究胡适的专集，这本由胡适同志著《胡适思想与现代中国》，恐怕还是第一部，有其特殊的意义。胡晓同志要我凑趣作序，借此对今天研究胡适谈几点意见：首先是资料缺乏。胡适在生前一贯注意让自身资料留...     

浅谈汪曾祺《受戒》中的恋水情结

现代小说的创作中流贯着一脉散文化小说的创作传统,这一风格的小说清新舒缓,意境唯美,带给读者一种“水性”的感受。作为散文化小说的代表人物汪曾祺,其小说中的水性体现在作者对水的特殊依恋,被称为“恋水情结”。《受戒》是其“恋水情结”体现较为明显的一部作品,本文对此展开分析。     

浅谈汪曾祺《受戒》中的恋水情结

现代小说的创作中流贯着一脉散文化小说的创作传统,这一风格的小说清新舒缓,意境唯美,带给读者一种"水性"的感受。作为散文化小说的代表人物汪曾祺,其小说中的水性体现在作者对水的特殊依恋,被称为"恋水情结"。《受戒》是其"恋水情结"体现较为明显的一部作品,本文对此展开分析。     

徜徉在胡适墓前

胡适是中国近代史上的旗手人物,因提倡文学革命而成为＂五四＂新文化运动的巨擘之一,一生治学从政,著书立说,大名赫赫,也褒贬多多。胡适还是＂中央研究院＂一个如雷贯耳的名字。因为他做过院长,其贡献不可磨灭。早就听说台北市有为纪念胡适而建的胡适公园,这里有他的墓地,是其生命的终点。此次赴台,当然就很想近距离了解这位＂中国自由主义先驱＂的人生最后岁月。     

沈从文乡土小说中修辞手法的妙用

沈从文乡土小说的语言风格在同类作品中独具特色,作者通过多种修辞手法的巧妙运用,把湘西语言浓郁的地方色彩和富有音乐美的特征表现的更加淋漓尽致。     

民俗乡情中的文人世界——浅析汪曾祺后期小说的艺术风格

汪曾祺后期小说风格之一是在以民俗乡情为描绘对象的同时体现出浓郁的文化氛围。本文通过对小说中的字词的精炼和选用、不同语言形式的运用两个方面来分析这一艺术风格。     

沈从文乡土小说中修辞手法的妙用

沈从文乡土小说的语言风格在同类作品中独具特色，作者通过多种修辞手法的巧妙运用，把湘西语言浓郁的地方色彩和富有音乐美的特征表现的更加淋漓尽致。     

微观鲁迅王小波小说语言风格同异

鲁迅和王小波是不同时代的文学创作的领军人物,两人的作品在很大程度上存在着共性,比如都是苦难文学的践行者,特别是在语言的风格和叙事的手段的运用上,他们熟练穿越历史,穿越空间,形成了各自的特点。但是他们在语言风格上他们除了保持相互接近、通融的艺术手法之外,各自又存在着自身的特点。本文就鲁迅与王小波小说语言风格的差异做一个简单的探索。     

從出土“算”、“事”簡看兩漢三國吴時期的賦役結構——“算賦”非單一税目辨

兩漢三國吴時期,以"算"爲單位向15歲至免老年齡的成年男女徵發賦税和徭役。"算"不僅意味着有交納賦税而且有服徭役的義務。算賦"意爲"以算課徵賦税",而非單一税目。算賦不僅包括每年120錢的人頭税,還包括吏俸、轉輸、繕兵等各種雜税。賦役場合的"事"爲動詞,意爲"服事"。長沙吴簡"口●事●"的"口"指户内家庭人口總數,"事"指有賦役義務的口數,包括7—14歲交納口錢的口數和有"算"義務的口數,相當於後代的"課口"數;"算●事●"的"算"指有"算"義務的口數,"事"和天長漢簡的"事算"一樣,,指實際服"算"的口數。"算"、"事"簿籍按月統計、製作。     

After Geopolitics? From the Geopolitical Social to Geoeconomics

Abstract:  This paper makes two central arguments. First, the popular language of geopolitics needs to be understood as historically emerging from and helping create a "geopolitical social", which both crosses and crafts traditional borders of internal and external to the national state. Second, we suggest that geoeconomic social forms are gradually supplanting this geopolitical social. After establishing the geopolitical social associated with traditional geopolitics, from Ratzel to Bismarck, we examine the erosion of geopolitical calculation and the rise of the geoeconomic. We trace emerging geoeconomic social forms in three domains: the reframing of territorial security to accommodate supranational flows; the recasting of social forms of security through the market; and the reframing of the state as geoeconomic agent. Neither an exercise in "critical geopolitics" nor an endorsement of Luttwakian style geoeconomics, this paper assumes no straightforward historical succession from geopolitical to geoeconomic logics, but argues that geoeconomics is nonetheless crucial to the spatial reconfiguration of contemporary political geography.     

明马绍荣《楷书归荣诗》册考略

《楷书归荣诗》册,书法精湛,台阁书体明显,是马氏书法传世的孤本,可称为明代台阁体书法的殿军之作。其书法之师承、艺术风格,对我们全面了解明代台阁体书法的兴衰发展,有着典型意义——其字体的偏旁笔划虽有明显的宋克或钱溥的影响,甚至习气,但结态却不同于宋氏的方扁,而更接近虞世南的颀长蕴藉。此外,作品的史料价值也是不容忽视的。     

1. PRETEXTURES OF TIME

Textures of Time is a rich and challenging book that raises a host of important and hard questions about historical narrative, form, and style; the sociology of texts; and the core problem of ascertaining historical truth. Two that pertain to the book's main claims are of special interest to nonspecialist readers: Is register or style—“texture”—necessarily and everywhere diagnostic of “history”? Does a new kind of “historical consciousness” emerge in south India beginning in the sixteenth century, indeed as a sign of an Indian early modernity?Textures is not the first book to argue that historical discourse is constitutively marked by a peculiar style, but the claim is beset by difficulties that scholars since Barthes have detailed. Rather than textures of time—accounts of what really happened in history—what these works offer us may be only pretextures of time, textualized forms of a human experience that make claims about its degrees and types of truth through representations of various states of temporality. Instead of assessing, then, whether these works are history or something else like “myth,” we might ask whether they invite us to transcend this very dichotomy, to try, that is, to make sense of historical forms of consciousness rather than to identify forms of historical consciousness. As for modernity, nothing in south Indian historiography from 1500–1800 remotely compares to the conceptual revolution of Europe. But why should we expect the newness of the early modern world to have been experienced the same way everywhere? Modernity across Asia may have shown simultaneity without symmetry. Should this asymmetry turn out to reveal continuity and not rupture, however, no need to lament the fact. There is no shame in premodernity.     

历史文化因素对广州市商业业态空间的影响

论文通过考察历史区位和社会文化对广州市商业业态空间的影响,分析了城市商业区对商业文化的继承和创新方式,并总结出其在地域空间上的表现特征。     

谌湛溪先生名、字、号考证

根据胡适先生日记,对近代贵州籍著名学者谌湛溪先生的名、字、号进行了考证。考证为谌湛溪先生名立,字祖恩,号湛溪。     

《四库全书总目》虚实论的辩证结构

中国古代的学术批评,往往以"虚""实"作为评价尺度,但是,何为虚,何为实,往往依批评者的主观认识而定。在《总目》的批评视野中,虚实概念存在不同层次,且呈现辩证结构关系。在学术内容层面,《总目》所谓之虚实,主要就内容状态充实与否,与内容性质切近人事与否而言;在学术方法层面,则主要就方法是否征实可据而言。内容与方法是一体两面关系,如二者均被认定为实,便可称为"实学"。但对《总目》而言,"实学"只是相对的实,其上仍有"致用"的进径。在学术致用层面,《总目》的虚实论仍存在三层辩证结构:就目的论,"实学"如无经世目的亦仅为"虚文";就效用论,有经世目的而无实效亦为"虚文";就实行论,有实效如不施诸实行,亦仍为"虚文"。由"虚实"这种变动不居的概念特征,以及《总目》虚实论的复杂性可见,近年兴起的"实学"研究,其"实学"概念的确当性值得商榷。     

“县古槐根出，官清马骨高”出处之谜

欧阳修《六一诗话》引用“县古槐根出,官清马骨高”却未说明作,有学遂对其出处提出疑问。有《同官志》的记载,加上《诗缉》的旁证,此二句当是杜甫的佚诗。     

基于网络知名度分析的我国优秀旅游城市的形象口号设计研究

综述了旅游形象口号设计的研究进展,并以我国第一批54个优秀旅游城市为例,对旅游城市形象口号的发展现状进行了评述。以网络知名度作为评价依据,遴选出排名居于前15位的优秀旅游口号,对口号的语词内容、句式特征、语言风格、诉求主题等设计特征进行了分析。研究提出,我国优秀旅游城市应该在推动形象设计与口号设计的一体整合、控制口号数量与质量、发挥形象口号的管理作用、注重口号的优化设计、提升口号的想象空间等方面进行改进。     

Theology and Democratic Futures

Abstract

The essays in this special issue of Political Theology engage in a vigorous and wide-ranging conversation between theology and theologically inspired forms of critical thought and the possible futures of democracy as an idea(l) and as a political practice. This collection seeks to provide some key coordinates for thinking through the linkages and disjunctures between the theological and the political in formulating new conceptual frameworks that obtain a critical purchase for understanding the multiple meanings of democracy in the (post)modern world. By posing the question, "What is the fate of theology in a post-theological moment?" this introductory essay focuses our attention on the contemporary configurations of intellectual and political power that animates so much of our discourse on the interrelationships between theology and politics and proceeds to provide a brief rehearsal of the essays included in this special issue.