共查询到20条相似文献,搜索用时 125 毫秒
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马王堆三号汉墓出土遣策所列"男子明童"中可见"马竖"称谓。"马竖"身份应与服务于墓主的以养马驯马的僮仆有关。"竖"则作为指称未成年人称谓用字,在秦汉社会比较普及。"竖"又用作成年人贬称。相关现象,有益于说明当时未成年人的社会地位。 相似文献
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媵在先秦秦汉时期就已经出现,是原始婚姻形态的遗存。随着社会的发展,媵逐渐消失,妾取媵而代之。妾由女奴的地位逐渐上升到庶妻的地位,并长期存在于古代社会中。从先秦秦汉时期的媵妾,我们看出古代社会是男尊女卑的男权社会,妇女地位低下且依附于男性。 相似文献
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战国秦汉农官制度研究 总被引:2,自引:0,他引:2
伴随着经济与社会的巨变,战国秦汉时期的农官制度也发生了相应的变化,呈现出显著的时代特征:在官吏择任上,传统的世卿世禄制渐次被官僚制度取代;在体制方面,国家重农体制确立并逐步消;在体系构建上,则形成了卓有成效的农业管理体系。农官制度的发展与完善,既是秦汉时期农业经济发展的产物,同时又与秦汉农业经济的繁荣密切相关。 相似文献
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中国秦汉史研究会第八届年会暨国际学术讨论会于1999年8月20日至25日在昆明市云南大学举行,来自全国高等院校、科研、博、出版单位及日本、韩国等学共130余人参加了本次大会。大会收到学术论80余篇。代表们就秦汉时期西南地区的经济与化,秦汉时期的政治、经济、军事、思想化、社会状况、民族关系、秦汉简牍等诸多方面的问题,进行了广泛而深入地探讨。 相似文献
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20世纪初是法国汉学研究发展至鼎盛的时期,这一时期法国汉学家发表了较多关于广西历史地理研究的成果,包括裴安奎《兴安渠考》、马伯乐《秦汉象郡考》、鄂卢梭《秦代初平南越考》等论著,代表了当时法国汉学家对广西历史地理研究的水平。 相似文献
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齐慎 《中国文物科学研究》2012,(4):33-37
文震亨的《长物志》与李渔的《闲情偶寄》同为明清的著名文人笔记,在园林艺术和文化方面都有着卓越的成就,在关于园林陈设艺术的阐述方面,两者贡献巨大而差异明显,本文以文本分析为主,从物生活、身生活和心生活三个层面切入,探讨两者的区别和相通点,以期拓展对于明清江南园林陈设艺术理论范式的研究和思考。 相似文献
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Timothy W. Burns 《Perspectives on Political Science》2013,42(4):222-225
Abstract What liberal arts and science faculty's regalia must and must not represent, and why liberal education should endure. 相似文献
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"一代儒宗"马一浮先生的主要学术贡献在于创立了以"六艺论"为主体的新儒学理论体系,在这个"六艺论"的学术思想体系之中,《论语》、《孝经》犹如两大柱石,占有基础性地位;《诗》《书》《礼》《易》《乐》《春秋》则成为"六艺之教"学理体系得以发挥阐释的主要内涵。马一浮的新经学的方法论意义在于提倡六艺之学两两涵摄、相互融通、总别不二、圆融无碍,从而在当代新儒学思潮建构之中开创了一种特色鲜明的经典诠释学新范式。 相似文献
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论“不改变原状原则”的本质意义——兼论文物保护科学的文理交叉性 总被引:3,自引:1,他引:2
郭宏 《文物保护与考古科学》2004,16(1):60-64
物保护是一门新兴的理交叉并重的综合性学科,其内容是多方面的,对物进行保护时的方法也不是唯一的,可以有多种选择,这就需要对物保护原则有深入的理解。本从考古学、博物馆学的本质出发,论述了不改变原状原则的本质意义,也只有从本质上认识和理解不改变原状原则,才能在具体的物保护实践中自觉、灵活地运用。 相似文献
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留学生与中国美术教育的现代转型 总被引:1,自引:0,他引:1
中国美术教育的现代转型始于辛亥革命时期,一批从日本和欧美回国的留学生为中国传统的美术教育过渡到现代美术教育作出了重要的贡献,蔡元培、徐悲鸿、林凤眠等就是其代表人物。他们不仅是西方现代美术教育思想在中国的主要提倡者,而且是中国现代美术院校的主要创办人和主要师资,还是中国现代美术社团的主要发起者和主要成员。在他们的身体力行下,中国美术教育的现代转型于20世纪30年代初得以完成。 相似文献
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Anna Upchurch 《International Journal of Cultural Policy》2013,19(2):203-217
The article examines the origins of the arts council movement in the ideas of the Bloomsbury Group and John Maynard Keynes. The Bloomsbury Groups' sense of experimentation and flexibility, their willingness to take action to create new institutions, and their distrust of bureaucracy, influenced Keynes's development of a new model for state patronage of the arts in 1946. He took an organization established during the Second World War to employ artists and organize morale‐boosting tours of the performing and visual arts, and oversaw its development into the Arts Council of Great Britain, the first such arts council. His model – making grants of public funds through semi‐autonomous government bodies to private individuals and privately operated arts institutions – became a standard form of public funding for the arts by the end of the twentieth century in many countries around the world. 相似文献
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JULIA ANWAR MCHENRY 《Geographical Research》2011,49(1):37-46
The role of the arts in the revitalisation and strengthening of Australia's rural, remote, and Indigenous communities has been of particular interest to Australian State and Federal Governments, as reflected through various policy and positioning documents. In order to understand the relationship between the arts and communities, it is important to explore why people engage in the arts and what might be some of the barriers to that engagement. For the rural, remote and Indigenous communities of the Murchison Region, the arts has been a useful way of reaching and engaging with residents to build a stronger sense of community, provide light relief and entertainment, and facilitate communication among community members, government, and industry. However, there are several barriers that impact on the viability of arts projects. These barriers are amplified in rural and remote areas, and particularly for the three case study communities of the Murchison Region for a number of reasons. These include the transient nature of the population, a lack of resources, isolation and remoteness, and local politics, culture and history. The arts can provide a context in which other non‐arts related outcomes, such as health, capacity building, income generation, and so on, are facilitated and achieved. It is important for policy makers to recognise and address the barriers which hinder activity and serve to lessen the impact of the arts on communities. 相似文献
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装饰,是人类赋予美的行为,是使事物更新、增益和美化的手段。装饰是人类共有的天性,无论东方还是西方,人们都会用装饰艺术的手段来赋予生活用品更多的文化含义,这种文化含义以审美的视觉形象为载体,折射出人们的世界观、哲学和信仰。 相似文献
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旅游演艺产品质量测量量表开发的实证研究 总被引:4,自引:0,他引:4
随着旅游业的快速发展,旅游演艺逐渐从旅游目的地的附属产品发展成为重要的旅游吸引物.依据服务营销理论,旅游演艺产品质量对旅游目的地形象以及游客的态度和行为产生显著的影响,因此,本文以旅游演艺为研究对象,从游客感知视角设计开发了旅游演艺产品质量测量量表.研究发现,旅游演艺产品质量包含7个维度,31个测量项目;实证研究结果也表明,旅游演艺产品质量测量量表具有较好的信度和效度,可以用来测量游客对旅游演艺产品质量的感知和评价. 相似文献
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Carl Grodach 《International Journal of Cultural Policy》2016,22(3):353-375
This paper studies arts industries in all 366 US metropolitan statistical areas between 1980 and 2010. Our analysis provides evidence that the arts are an important component of many regional economies, but also highlights their volatility. After radical growth and diffusion between 1980 and 2000, in the last decade, the arts industries are defined more by shrinkage and reconcentration in fewer metropolitan areas. Further, we find that the vast majority of metros have strengths in particular sets of arts industries. As we discuss in the conclusion, these conditions present challenges and opportunities for urban cultural policy that goes beyond the current focus on the arts as consumption amenities. 相似文献