Im Blickwinkel der Technik: Neue Verhältnisse von Wissenschaftstheorie und Wissenschaftsgeschichte

Changing Perspectives – From the Experimental to the Technological Turn in History and Philosophy of Science. In the 1960s the philosophy of science was transformed through the encounter with the history of science, resulting in a collaborative venture by the name of “History and Philosophy of Science” (HPS). Philosophy of science adopted ever more regularly the format of the case study to reconstruct certain episodes from the history of science, and historians were mostly interested in the production of scientific knowledge. The so‐called “experimental turn” of the 1980s owed to this interaction between philosophy and history. Its guiding question remained quite traditional, however, namely “How do the sciences achieve an agreement between representation and reality?” Only the answers to this question broke with tradition by focusing not on theory but on the role of instruments and experiments. – Roughly 30 years after the experimental turn, another transformative encounter appears to be taking place. HPS is being transformed in the encounter with philosophy of technology. From the point of view of philosophy of technology, the question does not arise whether and how the agreement of mind and world, representation and reality can be achieved. When things are constructed, built or made, human thinking and physical materiality are inseparably intertwined. Instead of seeking to describe a mind‐independent reality, technoscientific researchers are working to acquire and demonstrate capabilities of experimental or predictive control. When science is regarded as a kind of technology, a program of study opens up for epistemology and so do avenues for the historiography of science. History of science might now show how the problems and procedures of the sciences arise from and impinge back upon a world that is itself a product of science and technology. It thereby abandons its traditional HPS niche existence and joins forces with environmental history, history of technology, social, labor, and consumer history.     

What Is Religion?

Abstract

This essay considers the question: “What is religion and is it essentially violent?” Rather than answer the question directly, Martin suggests that it is a loaded question and reflects on what might motivate it. Through a comparison of the concepts of “religion” and “child abuse”–as analyzed in Ian Hacking’s work on social constructionism–Martin points to the social or political stakes of defining terms tied to normative discourses and which could be designed to pathologize certain behaviors.     

The Statistical Style of Reasoning and the Invention of Bose‐Einstein Statistics

This paper is a preliminary exploration of the connections between the statistical style of reasoning and the research practices of statistical mechanics in the early period of the long quantum revolution. It suggests that before 1925 the instantiations of the statistical style in physics went through two phases. The first phase consisted of the formulation of the Maxwell‐Boltzmann statistics on the basis of the population‐gas analogy. The second phase was characterized by the generalization of the Maxwell‐Boltzmann statistics through analogies between ideal gas molecules and other microphysical entities, analogies that shaped and were shaped by the rise of quantum theory. Einstein's invention of the Bose‐Einstein statistics started a third phase and created the conditions of possibility for a new classification of microphysical entities according to their different statistics.     

Time After Time

Summary

This essay is an analysis of a series of writings by the Australian intellectual historian Ian Hunter on the subject of ‘theory’. It examines the methodological issues raised by attempting to write a history of theory. The essay particularly seeks to analyse the various aporias at stake in Hunter's project: between the empirical and the transcendental, between history and the event, and between theory and ‘empirical’ history.     

Critique of Science as Critique of Society: Literary Figurations of Techno-scientific Fetishism (Introduction)

What's Next? Michael Crichtons und Mikhail Bulgakovs Kritik der Fetischisierung in den Lebenswissenschaften . Dieser Beitrag wurde angeregt durch den Thriller Next (2006) von Michael Crichton. Im Gegensatz zu dessen State of Fear (2004), wo die Behandlung eines aktuellen wissenschaftspolitischen Problems – des Klimawandels – mit einer harschen Kritik am Umgang politischer Aktivisten mit wissenschaftlichen Ergebnissen einhergeht, setzt Next Hoffnungen und Ängste ins Zentrum, die im Zusammenhang mit dem ‚Human Genome Project‘ verhandelt wurden. Crichton stellt hier wissenschaftlich-ökonomische Verflechtungen dar, vor denen er schon in seinen Romanen zu Jurassic Park (1990) warnte. Hier wird auf die Gefahr der Fetischisierung im Zusammenhang mit utopisch untermalten wissenschaftlich-technischen Großprojekten und der Phantasie ‚Leben zu machen‘ hingewiesen, und es werden entsprechende Motive und Narrative der ,longue-durée‘ aufgegriffen, z.B. künstliche Menschen, menschliche Hybris und das Außer-Kontrolle-Geraten wissenschaftlich-technischer Großprojekte. Unter der Fragestellung, wie kritische Wissenschaftsreflexion im Medium von Literatur erfolgen kann und was der spezifische Beitrag aus der Wissenschaftsgeschichte wäre, behandelt dieser Essay neben Werken von Michael Crichton (vor allem Next und Lost World, 1997) auch die satirischen Novellen Die verhängnisvollen Eier (1924/1925) und Hundeherz (1926/1968) von Mikhail Bulgakov, da bereits dort die (mögliche) künstliche Hervorbringung von Lebewesen unter der Bedingung eines (versuchten) direkten Zugriffs auf deren Reproduktionsmechanismen fokussiert wurde. Wissenschaftskritik als Gesellschaftskritik zeigt sich hier als Reflexion auf die Grenzen zwischen Wissenschaft und Gesellschaft und auf die Verantwortung der entlang dieser Grenzen agierenden Menschen, aber auch auf strukturelle Gewalt und deren Auswirkungen auf die Verhältnisse zwischen Menschen und Naturdingen sowie unter Menschen. Summary: What's Next? Michael Crichton's and Mikhail Bulgakov's Criticism of Fetishism in the Life Sciences . This paper was first inspired by Michael Crichton's last thriller, Next (2006), which staged hopes and fears triggered by the completion of the Human Genome Project and by the perfection of Polymerase chain reaction techniques, enabling the replication of DNA on a large scale. These developments nourished fantasies about the artificial (re)construction of living beings from DNA. Crichton had already warned of the fetishization of artificially produced living beings in Jurassic Park and in the novels on which the film was based inventing a futuristic scenario where this was happening on a large scale. Here, the topics of hubris and hybrids were center stage. In Next, the fetishization of life is an effect of the growing encroachment of economic actors upon the life sciences. This paper compares Crichton's criticism of techno-scientific fetishism with Mikhail Bulgakov's critical account of human tinkering with the reproductive organs of humans and non-humans in his two satirical novels The Fateful Eggs and Dog's Heart. The works of both authors link criticism of science with criticism of society. They focus the borders between science and society and analyze the responsibilities of humans who are acting along those borders. The thrillers and satirical novels illustrate the – often violent – power relations between humans and nature and also among humans. Comparing two authors who wrote nearly a century apart from each other and focussing different social systems will help compare longue-durée and more specific forms of techno-scientific fetishism.     

HISTORIOGRAPHY: A FIELD IN SEARCH OF A HISTORIAN?

Richard Kirkendall's collection of essays, The Organization of American Historians and the Writing and Teaching of American History, examines the history of the Organization of American Historians (OAH) from its founding to the present, using that history to illuminate how the writing of American history has changed over the last hundred years. The book provides coverage of all the major dimensions of the Mississippi Valley Historical Association's (MVHA) and the OAH's activities, ranging from the work of its scholarly publications, the Mississippi Historical Valley Review and the Journal of American History, to its role in promoting the teaching of American history. Overall, the essays in the volume tell a story of the organization's progress toward greater inclusion and democracy, falling prey to a Whig interpretation of historiography. In doing so, the book is part of a larger tendency in the way that historians have approached historiography, which in turn reflects their ambivalence about their relationship to the historical process. Thus, even as the very enterprise of historiography is premised on the recognition of how historians are themselves the products of the historical process, historians have revealed the limits to that recognition in their approach to the subject. This essay shows how deeply rooted this duality has been in the study of American historiography and illuminates some of its sources by placing Kirkendall's book in the context of how the MVHA and the OAH have treated historiography over the course of the organization's history.     

Doxographical or Philosophical History of Philosophy: On Michael Frede's Precepts for Writing the History of Philosophy

Summary

In a series of articles from the 1980s and 1990s, Michael Frede analysed the history of histories of philosophy written over the last three hundred years. According to Frede, modern scholars have degenerated into what he calls a ‘doxographical’ mode of writing the history of philosophy. Instead, he argued, these scholars should write what he called ‘philosophical’ history of philosophy, first established in the last decades of the seventeenth century but since abandoned. In the present article it is argued that Frede's reconstruction of the history of histories of philosophy is historically problematic.     

Lightening Europe: Establishing the European Synchrotron Radiation Facility (ESRF)

The European Synchrotron Radiation Facility (ESRF) was the first collaborative synchrotron radiation facility in Europe. This article chronicles and analyzes decisive events during ESRF’s foundation phase from the late 1970s to the mid-1980s and sheds light on the politics that mattered for its realization as a scientific collaboration in Europe. As part of a broader effort to chronicle the history of the ESRF, this article contributes to an enriched understanding of intergovernmental scientific cooperation in Europe in the second half of the twentieth century by drawing on so far unexplored material from the French National Archives and the German National Archive.     

Cultures of Incomprehension?: The Legacy of the Two Cultures Debate at the End of the Twentieth Century

This paper considers the impact of Snow's Two Culture's thesis on debates about the place of science and scientists in society in the latter part of the twentieth century. Debates concerned with the public understanding of science and the ‘science wars’, both of which relied to some extent on the dividing of society into ‘two cultures’, are contextualised within longer efforts by scientists to popularise definitions of science and society and their relationship with other epistemic communities. This paper argues that we should think about all these episodes as part of ongoing rhetorical boundary work, reflective of strains and stressors on science as an institution. The two cultures debate has provided one powerful rhetorical device, amongst many, for ongoing boundary work to establish or question science as the dominant form of knowledge in society and delineate who is allowed to speak for it, and wield its power.     

The secret life of Ian Fleming: spies,lies and social ties

This article explores the fascinating interactions and experiences of James Bond creator, Ian Fleming, with the real world of intelligence. It has long been known that Fleming worked in Naval Intelligence during the Second World War. However, accounts of his time there tend to portray him as a lowly and slightly eccentric administrator. Drawing on newly discovered archival materials, plus memoirs and histories, it is argued here that Fleming was a respected and influential figure in the great game of espionage for some three decades. During the war, he was a central cog in the machinery of naval intelligence, planning operations, working with partners in American intelligence and liaising with secret Whitehall departments, including the Government Code and Cypher School at Bletchley Park. Before and after the war, he was involved in a range of intelligence networks, often using journalistic cover to hide his clandestine connections. Throughout his life, his social circle was a ‘who’s who’ of spies and saboteurs, including CIA Director Allen Dulles. In short, he straddled the state-private divide. Taken together, these dealings with real intelligence paved the way for and gave veracity to his fiction, which continues to shape public perceptions of intelligence to this day.     

南京政府初期文科与实科比例失衡的社会政治效应

南京政府所谓的“青年问题”实质上反映了它们对1920年代和1930年代中国政治继续动荡的恐惧与抵制。民初以来的高等教育,其文科与实科的比例结构与社会需求之间严重失衡倾向的日益积累,导致了越来越多游离于社会生产结构之外的文科学生成为批判现实的社会科学最为热情的接受群体。当他们的切身遭遇在学理上被引向对社会制度的道德质问时,社会科学表现为20世纪30年代具有颠覆性的一种时尚。这些学生也由此为抗议南京政府的政治组织所吸纳,从而掀起了此起彼伏的让南京当局头痛的政治风浪。     

Neostoicism and the early modern state

Jacob Talmon and Michael Oakeshott represent two opposite tendencies in the anti-totalitarian world view. Both thinkers share many central features of this broad intellectual trend, such as the equation between the Soviet and Nazi regimes, Anglophilia and the rejection of the utopian quest. Yet this basic agreement should not distract us from significant differences in attitude and temperament. Talmon, like most other critics of totalitarianism, was strongly affected by the atmosphere of a profound intellectual and political crisis in Europe, and he regarded the danger of totalitarianism to be an inherent aspect of modernity itself. His liberalism was that of ‘fear’. By contrast, for Oakeshott, who believed in the strength of liberal, and specifically British, civilisation, totalitarianism was merely a child of resentment, a parasitic force with no positive message of its own. He thus displayed a greater measure of confidence in the fortunes of liberal modernity.     

Visual and aural intellectual histories: an introduction

ABSTRACT

If the subject matter of intellectual history is the study of past thoughts, the intellectual history of the visual arts and music may be characterised as the study of past thoughts as they were expressed visually and aurally. Yet this is not always how an intellectual history of art and music has been practiced. More attention is often paid to verbal texts about art or music, rather than to the visual or the aural per se. If we accept that ideas can have visual and aural, as much as verbal form, then the histories of art and music are significant repositories of thoughts of individuals and networks of individuals (creative artists, patrons, institutions) within a given culture and period. But the ways in which those thoughts are articulated as aural or visual “texts”, and the ways in which they can be accessed by those who seek to understand them, will be specific to each art form, and represent a distinctive kind of intellectual activity in each field.     

On Authority and Political Destination: Michael Polanyi and the Threshold of Postmodernism

ABSTRACT

This study challenges a prevalent view that Aquinas's political thought develops over time on the question of legitimate resistance to tyranny. Many scholars argue that Aquinas gradually restricts the scope of legitimate political resistance and morally permissible tyrannicide. On this view Aquinas defends tyrannicide in his early Commentary on the Sentences, adds strong qualifications in the Summa Theologiae, and finally repudiates tyrannicide in De Regno. This study finds the evidence for such a development lacking and seeks to rehabilitate a long and diverse Thomistic tradition of legitimate resistance including tyrannicide. Indeed, a close reading of De Regno shows that Aquinas upholds a doctrine of political resistance and defends the legitimacy of tyrannicide under certain circumstances. Moreover, Aquinas's doctrine of political resistance is wide open and underdeveloped. Later attempts to clarify and qualify Aquinas's doctrine of political resistance, therefore, are appropriate and even necessary.     

西方“学者传统”的科学观述评

西方科学发展史上学者传统的科学观把对知识和真理的追求视为科学的目标和动力,认为科学是与经济利益无关的一种纯学术活动。这种科学观一方面激发了科学家投身科学、献身真理的勇气,倡导了一种纯洁的学术风气;另一方面,它又忽视了科学与社会生产之间的联系,对科学本身的发展和人类文化的丰富性、多样化是不利的。     

Introduction: Some Significances of the Two Cultures Debate

The notion of the existence of two opposed cultures, one literary and one scientific, has a long pedigree going back to nineteenth century. However, it was C.P. Snow's formulation of the idea in 1959 and F.R. Leavis's 1962 critique, which brought it to the fore in cultural discourse, where it has more or less remained ever since. The papers in this special double issue of Interdisciplinary Science Reviews examine the debate and its legacies from a variety of perspectives, while this introduction seeks to contextualise the issues raised and draw some contemporary lessons.     

An angel’s power in a bishop’s body: the making of the cult of Aubert of Avranches at Mont-Saint-Michel

In the eleventh and twelfth centuries, the Benedictine monks of Mont-Saint Michel promoted the cult of Aubert of Avranches, the abbey’s legendary co-founder, and used his newly rediscovered relics as a means of accessing the patronage and power of the elusive, incorporeal archangel Michael, the community’s other founder. Texts, images, the strategic placement of Aubert’s relics throughout the abbey church reinforced the association between these two saints, rendering Aubert more powerful and Michael more accessible. This local study of the interaction between these two cults at the abbey of Mont-Saint-Michel suggests that medieval monastic uses of relics were more creative and varied than is generally recognized and that relationships between saints within a single cultic environment could be extremely complex and unstable.