THE SYNTAX OF OBJECTS AND THE REPRESENTATION OF HISTORY: SPEAKING OF SLAVERY IN NEW YORK

The representation of history continues to evolve in the domain of museum exhibitions. This evolution is informed in part by the creation of new display methods—many of which depart from the traditional conventions used to achieve the "museum effect"—in part by an increased attention to the museum-visitor relationship. In this context the ethical force of bearing witness, at times a crucial aspect of the museum experience, has emerged as a particularly compelling issue. In seeking to represent and address atrocity, injustice, and the abrogation of human rights, museums have the potential to become "sites of conscience" and to encourage "historical consciousness." Through a series of three exhibitions devoted to slavery, the New-York Historical Society demonstrated how such sites can be constructed and how objects can be deployed to represent extreme or "limit cases." In this review/essay I investigate and interrogate these exhibitions, looking closely at the use of objects as a source of "indirect testimony" (Marc Bloch) and at the "dialogical situation" (Paul Ricoeur) that might arise in an encounter among objects, exhibit narratives, and visitors. Thinking in terms of point of view, I look at the variety of rhetorical platforms from which objects speak in these exhibitions; thinking in terms of syntax, I look at the effects of ordering and of the radical juxtaposition of objects; thinking in terms of irony, I look at the provocations of double-voiced narratives and at how objects are used to support those historical sentences.     

In defence of utopian urbanism: imagining cities after the 'end of utopia'

What is the role of utopian visions of the city today? What is their use at a time when, for many people, the very concept of utopia has come to an end? Taking a wide perspective on contemporary debates, this paper addresses the general retreat from utopian urbanism in recent years. It connects it with the so–called crisis of modernist urbanism in the capitalist West as well as forms of 'utopic degeneration', and assesses some of its implications. Arguing against the abandonment of utopian perspectives, it advocates a rethinking of utopianism through considering its potential function in developing critical approaches to urban questions. The authoritarianism of much utopian urbanism certainly needs acknowledging and criticising, but this need not entail a retreat from imagining alternatives and dreaming of better worlds. Instead, it is necessary to reconceptualise utopia, and to open up the field of utopian urbanism that for too long has been understood in an overly narrow way. The paper suggests the potential value of developing, in particular, modes of critical and transformative utopianism that are open, dynamic and that, far from being compensatory, aim to estrange the taken–for–granted, to interrupt space and time, and to open up perspectives on what might be.     

A Principle of Hope: Recorded Music, Listening Practices and the Immanence of Utopia

In this paper I draw a set of partial connections between ways of using recorded music and utopia. The first half of the paper draws upon the process philosophy of Ernst Bloch to argue that utopia is not located else–where or else–when in a transcendent realm separate from the present but is paradoxically immanent to 'everyday life'. This argument revolves around the novel 'open' experimental ontology that Bloch elaborates through the operator the 'not–yet'. Bloch's work enables the beginnings of an immanent utopianism that is able to discern, rather than critique, the dimly vibrating figures of hope that exist within rather than outside 'everyday life'. The second half of the paper sets this thought in motion by connecting two of Bloch's concepts, the 'trace' and 'novum', to the logic of one particularly common way of using recorded music: the use of music to 'feel better'. Drawing on in–depth case study research with seventeen lower–middle–class households I describe how this practice enables people to momentarily enact two forms of hope that are both based around the geographies of affect and affection: how something better might feel and an ability to forget. I conclude by speculatively describing the practice of a Blochian 'immanent utopianism' that itself embodies 'a principle of hope'.     

In defence of utopian urbanism: imagining cities after the 'end of utopia'

What is the role of utopian visions of the city today? What is their use at a time when, for many people, the very concept of utopia has come to an end? Taking a wide perspective on contemporary debates, this paper addresses the general retreat from utopian urbanism in recent years. It connects it with the so–called crisis of modernist urbanism in the capitalist West as well as forms of 'utopic degeneration', and assesses some of its implications. Arguing against the abandonment of utopian perspectives, it advocates a rethinking of utopianism through considering its potential function in developing critical approaches to urban questions. The authoritarianism of much utopian urbanism certainly needs acknowledging and criticising, but this need not entail a retreat from imagining alternatives and dreaming of better worlds. Instead, it is necessary to reconceptualise utopia, and to open up the field of utopian urbanism that for too long has been understood in an overly narrow way. The paper suggests the potential value of developing, in particular, modes of critical and transformative utopianism that are open, dynamic and that, far from being compensatory, aim to estrange the taken–for–granted, to interrupt space and time, and to open up perspectives on what might be.     

A Principle of Hope: Recorded Music, Listening Practices and the Immanence of Utopia

In this paper I draw a set of partial connections between ways of using recorded music and utopia. The first half of the paper draws upon the process philosophy of Ernst Bloch to argue that utopia is not located else–where or else–when in a transcendent realm separate from the present but is paradoxically immanent to 'everyday life'. This argument revolves around the novel 'open' experimental ontology that Bloch elaborates through the operator the 'not–yet'. Bloch's work enables the beginnings of an immanent utopianism that is able to discern, rather than critique, the dimly vibrating figures of hope that exist within rather than outside 'everyday life'. The second half of the paper sets this thought in motion by connecting two of Bloch's concepts, the 'trace' and 'novum', to the logic of one particularly common way of using recorded music: the use of music to 'feel better'. Drawing on in–depth case study research with seventeen lower–middle–class households I describe how this practice enables people to momentarily enact two forms of hope that are both based around the geographies of affect and affection: how something better might feel and an ability to forget. I conclude by speculatively describing the practice of a Blochian 'immanent utopianism' that itself embodies 'a principle of hope'.     

Wahnsinnige Bilder – Zu einer medialen Wissensgeschichte des Psychischen um 1900

Mental Images: Towards a Media History of the Psyche around 1900. Presupposing that visual practices are inherent to the social constitution of knowledge, this article suggests juxtaposing photographs and films produced in a psychiatric environment to popular films run in theaters around 1900, thus identifying cinema’s particular “Denkstil” (Fleck). Rejecting science’s dominating paradigm of visual objectivity (Daston/Galison), the visual apparatus [dispositif] of early cinema facilitates subjective experience of unreason and irrationality and thus initiates a different epistemological approach to knowledge as self-knowledge of a modern, self-reflexive subject. This is particularly evident in early cinema’s depiction of the psyche, which does not solely focus on the physical manifestation of the ‘mad’, ‘insane’ body, but also visualizes the subject’s inner life: technical means like montage, multiple exposure or stop motion can be employed to illustrate subjective visions, fantasies or dreams. Thus, the invisible mind becomes visible as the “unthinkable within thinking” (Deleuze), while the subject is invited to participate in cinema’s “gay science” (Nietzsche).     

Liberalism and Revivalism. A Comparative Case Study of Liberal Ideology,Individualism, and Revivalism in Schleswig-Holstein and Värmland,ca. 1860–1920

Only rarely have the non-secular roots of modern political individualism been subject to study. In this article I forward the hypothesis that modern political individualism, as expressed by 19th-century liberalism, was a result of individualistic, low Church and nonconformist revivals to the same extent that it was a product of secular rationalism. The hypothesis is probed in a comparative case study of rural liberalism in two north European regions, Schleswig-Holstein (Germany) and Värmland (Sweden). I address three key requirements of the hypothesis: that the nonconformist revival movements in 18th and 19th-century northern Europe promoted an individualistic outlook among their followers; that individuality rooted in religious awakenings was congenial to liberal ideology; and that traits of non-secular individualism were incorporated with everyday liberal political discourse and practice.     

Svalbardia (Chonetidina,Brachiopoda) from the Kungurian (Permian) of Western Australia

The rugosochonetid genus Svalbardia is recorded for the first time from the Western Australian Permian. The new species Svalbardia thomasi is described from the Nalbia Greywacke and the Baker Formation of the Carnarvon Basin, Western Australia. The relationship of Svalbardia to allied genera of the Rugosochonetidae Muir-Wood is discussed. The disjunct distribution of the genus in the Permian is documented.     

A new arthropod from the Chengjiang Lagerstätte,Early Cambrian,southern China

A new genus and species of lightly sclerotized arthropod with an Aglaspis-like tagmosis, Kwanyinaspis maotianshanensis, is described from the well-known Chengjiang Lagerstätte, Early Cambrian, Yunnan, South China, on the basis of a single exquisitely preserved specimen. The dorsal exoskeleton, showing a poorly defined axial region but lacking axial furrows, is composed of a cephalic shield, 12 trunk tergites with well-developed pleural spines and a tail spine. A pair of ventral eyes is present beneath the first quarter of the cephalic shield. Appendages are preserved in remarkable detail; the basis is a large, flat plate, and bears gnathobases ventrally; the endopod is articulated with the abaxial edge of the basis and comprises seven articles; the exopod is flap-like and articulated along the entire length of the dorsal margin of the basis. Kwanyinaspis is provisionally assigned to Aglaspidida due to its overall resemblance to Aglaspis.     

Holocaust Narratives: Second-Generation “Perpetrators” and the Problem of Liminality

Taking “second-generation perpetrators” to refer to the tension between the guilt of the parents who were actively involved in carrying out Nazi atrocities, and the innocence of their offspring, I posit the oscillation between these positions as a form of liminality. Underpinned by the work of Jacques Derrida and Marianne Hirsch, I discuss this form of liminality in relation to concepts of the ghostly, examining the ways in which Holocaust narratives, literary and cinematic, are haunted by the past. I argue that the family conflicts such second-generation narratives present run the risk of displacing the real victims of the Holocaust.     

‘Green cities’ going greener? Local environmental policy-making and place branding in the ‘Greenest City in Europe’

A growing number of cities around the world have taken advantage of their green image of the purpose of place branding. In the research literature, it is suggested that these practices are motivated by place-based competition over financial and social capital, combined with more holistic motives of sustainable urban development. However, although an increasing number of green cities are engaged in place branding, few studies have researched the impact of place branding on environmental policy-making in a city, building up to the question: how is local environmental policy-making affected by green place branding? Addressing this issue, this paper critically investigates how the continuity of local environmental policy-making is affected by place-branding practices. To tackle this task, the paper firstly develops an analytical framework aiming to understand how green cities emerge and become famous based on their policy-making. Secondly, using that framework, this paper present an in-depth case study of a city branding itself as the ‘Greenest City in Europe’. Drawing on the growing body of work on green cities, this paper investigates the ‘understudied’ practice of using policy for the purpose of place branding as well as the impact of place branding ‘on the environment’.     

First soft-bodied fossil from the Ordovician of Peru

Konservat-Lagerstätten are a source of insurmountable information on the diversity of fossil assemblages during the lower Palaeozoic. Soft-bodied fossils are especially rare in South America, but a new locality has been discovered from the Middle Ordovician of Peru that has produced the fairly well-preserved possible palaeoscolecidan Juninscolex ingemmetianum gen. et sp. nov. The distinctive characteristics of this worm make it similar to European taxa within the group.     

How Beneficial is a Knowledge-based Development Strategy for Peripheral Regions? A Case Study

This paper aims to contribute to the debate on the success factors of peripheral regions in the knowledge economy. It explores the viability of the knowledge-based development model for peripheral regions by examining the experiences of a follower region in Finland. The empirical case is Seinäjoki region in Western Finland which adopted a determined knowledge, research and innovation-driven development strategy in the 1980s. The article analyses the evolution of this strategy and assesses the progress and results that have been achieved until 2012. The results show that the strategy has improved the preconditions and structures for innovation, but there have been difficulties in turning these into real innovation outcomes. Peripheral regions may benefit from a knowledge-based development strategy but the development is slow and only takes place through building base capacity in the region.