The importance of location and scale in rural and small town tourism product development: The case of the Canadian Fossil Discovery Centre,Manitoba, Canada

This paper begins with a review of the literature on tourism in rural economies, to establish a framework for analyzing large‐scale tourism products in rural and small town regions. The review is followed by the development of a typology of large‐scale attractions in rural and small town regions, including parks, casinos, events, heritage, and cultural products. The typology leads into the example of the Canadian Fossil Discovery Centre (CFDC) in Manitoba, Canada. Located in an agricultural region of south‐central Manitoba, the community of Morden is located 125 km from the provincial capital city, Winnipeg, which had a population of 811,900 in 2016. Morden is also located 35 km north of the border with North Dakota. Thus, while a small town in a traditionally rural region still dependent upon an agricultural economic base, Morden has been recently successful in diversifying its economy, including through manufacturing, services, hospitality, and tourism. In part, this success is due to a south‐central Manitoba location; however, it is also the result of innovative local leadership, including the prioritization of hospitality and tourism related to the CFDC. This paper describes the case study as an example of successful tourism development within an already economically and socially diversifying region.     

Fostering and planning urban regeneration: the governance of cultural districts in Copenhagen

Policy-makers and urban planners struggle to find the right formula to implement urban regeneration processes based on cultural assets, often focusing on the desired outcomes, but rarely questioning how the policy process can shape them. This paper examines different governance models for the implementation and organization of cultural districts, and evaluates how they can affect their actual realization by investigating three cases in Copenhagen, Denmark. The deindustrialization of Copenhagen left many of the city’s harbour areas disused and in turn provided the opportunity to develop three new cultural districts in the city centre. The paper contributes to the literature on cultural districts by matching specificities and contingencies attached to a particular urban area with the governance model adopted for its development. The paper claims that temporal experimentation has to be included in cultural planning and a mix of bottom-up and top-down approaches is more desirable than both a totally unregulated initiative and a real estate-driven development and a totally unregulated initiative, as it ensures that initiatives remain financially viable and that the creative workers and companies retain a certain control of the area development, and in turn counteracts gentrification.     

Changing places: investigating the cultural terrain of village pubs in south Northamptonshire

The village pub has traditionally held an important ‘place’ in British economy and society and as such is an interesting site for social and cultural analysis. At one level, it is a site with pronounced mythic qualities. Yet on another level, the place of the village pub is highly unstable and contested, with many reportedly facing closure. Adopting an avowedly ‘production-centred’ approach, this paper presents exploratory survey findings from two case study villages in south Northamptonshire. This includes an examination of each pub's input supply network, including links with brewers and other suppliers. The paper attempts to move beyond viewing the village pub simply as a declining rural service and focuses in particular on the ways in which pubs commodify ‘local culture’ as an economic resource. It concludes by introducing the concept of ‘cultural terrain’ and its application to the study of village pubs and rural services more generally.

Changement de décor: examiner le champ culturel des pubs de village dans le sud du Northamptonshire

Le pub de village a conservé depuis longtemps une «place» importante dans l'économie et la société de l'Angleterre. Il est un lieu qui présente un grand intérêt pour analyser les dimensions sociales et culturelles. Le pub de village est d'emblée un lieu ayant acquis d'importantes qualités mythiques, mais occupe à un autre niveau une place très instable et contestée. Selon les informations disponibles, plusieurs auraient déclaré faillite. Partant d'une approche ouvertement «centrée sur la production», cet article présente des conclusions d'une étude de cas exploratoire réalisée sur deux villages dans le sud du Northamptonshire. Il est proposé un examen du réseau d'approvisionnement de chaque pub, y compris les partenariats avec les brasseurs et fournisseurs. L'article tente de dépasser l'idée que le pub de village est un service rural en voie de disparition. Il porte principalement sur les façons dont les pubs commercialise la «culture locale» pour en faire une ressource économique. L'article se termine par un survol de la notion de «champ culturel» et de son application dans la présente étude sur les pubs de village et les services ruraux en général.

Cambiar de lugar: una investigación del terreno cultural de los bares de pueblos en el sur de Northamptonshire

Tradicionalmente el bar de un pueblo ha ocupado un lugar importante en la economía y la sociedad británicas y por eso es un sitio interesante donde hacer análisis social y cultural. A un nivel es un sitio de cualidades míticas pero a otro nivel el lugar del bar del pueblo es muy inestable, ya que muchos corren el peligro de que los cierren. Con un enfoque centrado en la producción, este papel presenta los resultados de estudios preliminares realizados en dos pueblos del sur de Northamptonshire. Incluye un examen de la red de proveedores de cada bar, incluyendo los vínculos con cervecerías y otros proveedores. El papel pretende ir más allá de la idea que hay del bar del pueblo como un servicio rural en declive y se centra en particular en las maneras en que los bares hacen mercancía de ‘la cultura local’ como recurso económico. Concluye por introducir el concepto de ‘terreno cultural’ y la aplicación de ello al estudio de los bares de pueblos y servicios en zonas rurales en general.     

Creating the cultures of the future: cultural strategy,policy and institutions in Gramsci

Gramsci’s writings have rarely been discussed and used systematically by scholars in cultural policy studies, despite the fact that in cultural studies, from which the field emerged, Gramsci had been a major source of theoretical concepts. Cultural policy studies were, in fact, theorised as an anti-Gramscian project between the late 1980s and the early 1990s, when a group of scholars based in Australia advocated a major political and theoretical reorientation of cultural studies away from hegemony theory and radical politicisation, and towards reformist–technocratic engagement with the policy concerns of contemporary government and business. Their criticism of the ‘Gramscian tradition’ as inadequate for the study of cultural policy and institutions has remained largely unexamined in any detail for almost 20 years and seems to have had a significant role in the subsequent neglect of Gramsci’s contribution in this area of study. This essay, consisting of three parts, is an attempt to challenge such criticism and provide an analysis of Gramsci’s writings, with the aim of proposing a more systematic contribution of Gramsci’s work to the theoretical development of cultural policy studies. In Part I, I question the use of the notion of ‘Gramscian tradition’ made by its critics, and challenge the claim that it was inadequate for the study of cultural policy and institutions. In Parts II and III, I consider Gramsci’s specific writings on questions of cultural strategy, policy and institutions, which have so far been overlooked by scholars, arguing that they provide further analytical insights to those offered by his more general concepts. More specifically, in Part II, I consider Gramsci’s pre-prison writings and political practice in relation to questions of cultural strategy and institutions. I argue that the analysis of these early texts, which were written in the years in which Gramsci was active in party organisation and leadership, is fundamental not only for understanding the nature of Gramsci’s early and continued involvement with questions of cultural strategy and institutions, but also as a key for deciphering and interpreting cultural policy themes that he later developed in the prison notebooks, and which originated in earlier debates. Finally, in Part III, I carry out a detailed analysis of Gramsci’s prison notes on questions of cultural strategy, policy and institutions, which enrich the theoretical underpinnings for critical frameworks of analysis as well as for radical practices of cultural strategy, cultural policy-making and cultural organisation. I then answer the question of whether Gramsci’s insights amount to a theory of cultural policy.     

The process of privatisation of cultural heritage and the arts in Italy: analysis and perspectives

During the last decade, institutional changes in the cultural heritage sector triggered some fierce debate in Europe. This paper analyses the complex process of privatising cultural heritage and the arts in Italy, showing how the relationship between this process and urban regeneration policies is tacitly legitimising it, despite the harsh controversies it previously provoked. From a perspective of ‘territorialisation’ discussed in this paper, this policy process could enhance the involvement of the private sector, bringing to light new fields of research and application in the international heritage debate.     

The Hopi,the katsinam,and the French courts: looking outside the law in the repatriation of Indigenous cultural heritage

Katsinam (plural of katsina) are effigies central to the religion of the Hopi people of northern Arizona in the United States. Since 2013 the Hopi have sought the return of katsinam being sold in French auction houses. The Hopi have employed a series of legal actions to stop the auctions. All such actions, however, have been consistently denied by French courts. This paper uses social science analysis to understand why the legal actions of the Hopi failed. This paper treats the case of the katsinam as a cautionary lesson in cultural heritage studies, with the goal of drawing insights that can inform other situations involving the repatriation of Indigenous cultural heritage.     

Heritage management at the local level: rhetoric and results in the case of Gaziantep,Turkey

Following international trends, Turkey has recently introduced decentralisation reforms to its highly centralised public administration system. These reforms have also applied to the cultural heritage sector, where innovative laws since 2004 have allowed local administrations and private actors to play new entrepreneurial roles. The Gaziantep Metropolitan Municipality has been a pioneer in this process, promoting policies that promote cultural tourism as an engine of economic growth. Under its leadership, hundreds of historic buildings have been restored, nine new museums and heritage sites opened, and museum visitors increased tenfold. These positive results make Gaziantep an interesting case of successful decentralisation in heritage management. Despite these successes, however, the disconnection between rhetoric and results, and the fragmentation and ambiguity of responsibilities emerging from the decentralisation process raises serious questions about its sustainability and replicability.     

Re-thinking festivals: a comparative study of the integration/marginalization of arts festivals in the urban regimes of Manchester,Copenhagen and Vienna

Arts festivals have been on the ascendant since the 1980s. However, while these are proliferating, it remains unclear as to whether they are also flourishing. The present narrow construction of festivals for marketing and economic purposes tends to disregard the festivals’ social and cultural potential, i.e. in terms of functioning as urban laboratories where new and alternative urban and cultural strategies can be tested and developed. In order to address these imbalanced conceptualizations of arts festivals within urban policy frameworks, the article is based on a comparative case study of festivals that try to function as urban laboratories. By examining how these festivals are integrated in or marginalized by the urban regime, and how this influences their operational conditions, the research elucidates the need to create new and more holistic policy frameworks to chart an equitable path for the future development of arts festivals.     

Cold-worked and annealed bronze objects and relevant motif techniques in the Chinese Bronze Age: Analysis of bronze sheets found at Songjia cemetery in Shaanxi,China

Six thin Chinese bronze chariot accessory sheets from Songjia cemetery in Shaanxi province were dated to the late Western Zhou dynasty (ninth to eighth centuries bce ) and analysed for their elemental composition and motif techniques. The objects were cold worked and annealed with embossed motifs and carved lines. This is the only case of cold working and annealing with embossed motifs and carved lines in China; these techniques may have come from or been influenced by other cultures. These findings are important for revealing the development of the cold-working, annealing techniques and relevant motif techniques in China.