North Africa's Spain: peripheral national identities and the nation‐state as neo‐empire

When ethno‐cultural heterogeneity exists and thrives within a nation‐state, social tension and ethno‐nationalist sentiments are not considered surprising. Yet in many nation‐states, various native‐born communities have diverse and potentially contradictory national identities without the desire for self‐determination. In this paper, I explore the circumstances in which ethno‐culturally distinct, peripheral communities may develop variants of the dominant national identity – ensuring that they remain excluded from the national narrative – yet remain part of the nation‐state. To do so, I conduct a comparative analysis of the native‐born Muslim communities in Spain's two North African exclaves. I find that most Muslims are Spanish citizens yet understandings of ‘Spanish‐ness’ appear to vary between the exclaves. I use these findings to propose further steps for refining current conceptualisations of the nation‐state, in an effort to better understand cases in which variations in the dominant national identity exist, but without ethno‐nationalist sentiments.     

Turkish nationalism and ethno‐symbolic analysis: the rules of exception

This article examines the applicability of the ethno‐symbolic approach to the study of patriotic Turkish nationalism. In this venue, first it addresses the issue of why many of the existing theoretical models are difficult to use for attending to the case of Turkish nationalism in a comparative framework. Capitalising on the ethno‐symbolic understanding of ideological and ethno‐cultural continuities in the formation of modern nationalisms, this study provides an analysis of points of contestation regarding the history of modern, patriotic Turkish nationalism. It then discusses the demographic and socio‐cultural background of the bonding of exiled masses of Ottoman Muslims with the native Muslims of Anatolia under the banner of a revived, independent Turkish nation. The debate offered here is based on a critical evaluation of the myths and symbols of Turkish national identity within the larger context and time frame of Ottoman/Turkish history.     

Ethno‐traditional nationalism and the challenge of immigration

The rise of the populist right in the West is emerging as the most discussed manifestation of nationalism in the world today. In this paper, I argue that this ‘new nationalism’ is largely driven by immigration, which affects ethnic majorities within nation‐states. This in turn alters the ethnic character of the nation, challenging what I term the ethno‐traditions of nationhood. Our inherited concepts of ethnic and civic nationalism were developed in an earlier period when immigration was limited and territorial revisionism animated nationalist movements. Only on the furthest reaches of the extreme right is the worldview one of ethnic nationalism. In our demographically churning yet territorially static western world, we need a new term to describe the cultural nationalism of the anti‐immigration right. I characterise this as ethno‐traditional nationalism, a variety of nationalism which seeks to protect the traditional preponderance of ethnic majorities through slower immigration and assimilation but which does not seek to close the door entirely to migration or exclude minorities from national membership.     

Burning Images: A Critical Review of Rock Art Conservation in Zimbabwe

Rock art is the most easily accessible of archaeological material. In Zimbabwe, there are thousands of sites, mostly in open-air environments which can be accessed and enjoyed by many people without any restrictions. Yet, rock art is also easily damaged and therefore requires conservation. Social, political and economic challenges in the last two decades have had profound effects on the conservation status of this particular cultural heritage. This paper examines the state of conservation of rock art, conservation approaches and challenges in Zimbabwe. It also discusses possible solutions especially as the country is making frantic efforts at international re-engagement. The story of rock art conservation in Zimbabwe is similar to what is happening in many neighbouring developing countries such as Kenya, Uganda and South Africa. Therefore, the discussion in this paper also informs on general issues in rock art management and conservation in Africa.     

Consociationalism under examination: Is consociationalism the optimal multiculturalist approach for Turkey?

Some scholars maintain that the Republic of Turkey should construct a consociational model to manage its ethno‐cultural diversity. This article suggests consociationalism is not the optimal multiculturalist approach for Turkey, where there is some degree of interethnic moderation between ethnic Kurds and Turks at the grassroots level. In the presence of this mass‐based moderation, a consociational formula is unlikely to provide Turkish political leaders with political incentives that urge them to cooperate and enter into consociational power‐sharing arrangements with their Kurdish counterparts. This renders consociational power‐sharing arrangements difficult to promote or enforce in Turkey. In the absence of such incentives, any multicultural reform of the consociational formula would not be sustainable in Turkey. There would simply not be enough popular support for such reforms. There are some electoral strategies that offer both majority and minority leaders political incentives to move toward the moderate middle, form interethnic coalitions, foster interculturalism, and increase the number of intercultural citizens. These strategies are offered by centripetalism, another multiculturalist approach to managing ethno‐cultural diversity.     

Rock Art Conservation and Tourism

Rock art conservation has developed hand-in-hand with the increased pace of tourism, yet the two activities tend to remain in opposing camps. Policies and guidelines have been developed for cultural heritage and cultural tourism and there is a widely accepted range of principles in place, but a theory of sustainable rock art tourism is only in its infancy. To mature, the discipline needs research into the interaction of key elements that affect the long-term conservation of frequently visited rock paintings and engravings in their original setting, as well as consideration of social and economic factors that drive tourism and the public interest in rock art.     

High‐resolution geospatial surveying techniques provide new insights into rock‐art landscapes at Shuwaymis,Saudi Arabia

Many parts of the Arabian Peninsula contain rock art that has received minimal archaeological attention or has not yet been thoroughly surveyed. In 2001 an extensive rock‐art complex called Shuwaymis, Ha'il Province, Saudi Arabia was brought to the attention of the Saudi General Commission for Tourism and Antiquities. This paper sets out the results of the first high‐resolution geospatial mapping and recording of rock art at this remote site. The research saw the innovative use of a differential GPS to record rock‐art panels to within 5 mm of accuracy at the site of Shuwaymis‐2, the first time that such technology has been used to record rock art in the Arabian Peninsula. With such technology it was possible to show which of eighty‐three late prehistoric rock‐art panels surveyed were in their original position and which had fallen, and to demonstrate that there was spatial homogeneity of rock‐art styles and composition across the site. The mapping recorded multiple panels of cattle, ibex, equid, large cat and other animals. The depictions of lions and cattle in particular indicate that the rock art must have been engraved no later than the early Holocene humid phase (c.10–6 ka BP).     

Incorporating the time and space of the ethnic ‘other’: nationalism and space in Southeast Turkey in the nineteenth and twentieth centuries*

Abstract. This paper aims to develop a model for the ethno‐nationalist incorporation of the space and time – that is of the geography and history – of ethnies considered as ‘others’ by the ethno‐nationalist core of an emerging nation‐state. It contends that one of the reasons for the recurring power and emotive force of nationalist discourse and practice stems from the disjunction between the complex history of a locality – exemplified in its material culture – and the homogenised present, which various strategies of ethno‐nationalist incorporation have brought about. Based on the analysis of the empirical evidence of the case of the city of (Sanli) Urfa in Southeast Turkey, it argues that a ‘spatial perspective’ focusing on the locale might facilitate unveiling hitherto understudied aspects of local nationalisms, as well as the rather dark sides of most nation‐building projects such as large‐scale population exchanges or ethnic cleansing.     

Social Values and Rock Art Tourism: An Ethnographic Study of the Huashan Rock Art Area (China)

The rapid expansion of cultural tourism has led to increased numbers of visitors to rock art sites throughout the world. The rise of rock art tourism has affected not only the preservation of rock art sites, but also the social values attributed to the sites by communities in the immediate vicinity. Social values refer to the social and cultural meanings that a place of heritage holds for a particular community. This article aims to discuss the influence of tourism on the social values that uphold local communities’ emotional attachment to rock art heritage, using the Huashan rock art area in China as a case study. Zuojiang Huashan Rock Art Cultural Landscape is the first rock art heritage in China proposed to be inscribed on the UNESCO World Heritage List and officially obtained World Heritage Status in July 2016. This article argues that many of the changes generated by the endeavour towards tourism promotion by the authorities in their pursuit of World Heritage designation have contributed to the reinforcement of the social values under discussion. However, negative feelings among the communities in response to the undesired consequences of the designation campaign might have resulted in the attenuation of such values. The ultimate goal of the research is to prompt further reflection on existing rock art heritage management mechanisms both in China and worldwide.     

Rock art as an archaeological and social indicator: The neolithisation of the Iberian Peninsula

Rock art has been regarded as a second class archaeological data source. In this paper we use Levantine rock art as a case study, to show how this situation can be reversed. This rock art, found along the Mediterranean region of the Iberian Peninsula, has been considered to be typically Mesolithic due to its distinctive hunting scenes. A review of certain archaeological indicators provides new arguments about its chronology, its socio-cultural attribution, and its significance. We first deal with the chronological issue, presenting the evidence that led to the recent consideration of the Levantine style as Early Neolithic, in synchrony with two other rock art styles (Schematic and Macroschematic). We will further propose that rock art itself is a central and independent source of information to explore the historical context of the Neolithisation of Mediterranean Iberia. Its wide geographical distribution allows us to study different and complementary territories as a single entity. This contrasts with the limitations posed by the study of settlements, whose differences, at a regional scale, are usually interpreted in terms of cultural variability. If we consider rock art as a key aspect in the constitution of social landscapes, it must not be treated just as an ideological by-product of the Neolithisation, but as a key factor in understanding this historical process.     

Shaping childhood risk in post‐conflict rural Northern Ireland

The realities of the ethno‐sectarian conflict have dominated the analysis of social problems within the context of Northern Ireland (NI). As a result of this, issues such as non‐conflict related childhood risk have received less attention than in the remainder of the UK. However, with the rapidly changing agenda of the Peace Process there is now the momentum to take a broader approach to examining Northern Irish society. This paper examines children's own experiences of growing up in rural NI and explores their own and adults' perceptions of the risks that they encounter and the resulting constraints placed on children's activity outside the home. It is evident that the legacy and reproduction of ethno‐sectarian conflict still influences notions of fear and mistrust of ‘an ethno‐sectarian other’. However, as shown within this paper these fears run in parallel with other fears that are constructed around concerns over ‘everyday’ risks that are evident in the range of outdoor play practices reported by the children involved in the study.     

Comments on Jörn Staecker: The Concepts of imitatio and translatio: Perceptions of a Viking‐Age Past.

Three groups of motifs – cervids, boats and human figures – dominate North European hunter‐gatherer rock art. The scarcity of explicit narrative scenes makes the interpretation of this art a very difficult task, but important clues can be found in a group of ‘ambiguous’ images, where the said three categories are combined in ‘unrealistic’ ways. In this paper, the prospect of an ethnographically informed approach to their interpretation is explored, using as a case study the rock painting of Pyhänpää (Central Finland) and ethnographic material drawn chiefly from Saami religion and traditional Finnish epic poetry. It is argued that the ambiguous imagery of rock art has a clear counterpart in the pre‐Christian religious tradition, where cervids and boats have a similarly ambiguous nature. The painting, which shows an elk, a boat and a human figure merged together, is interpreted as representing the shamanic flight and the sense of co‐essence between the shaman and his spirit helper beings. The making of the painting is associated with the belief that such beings lived inside specific rock cliffs and that their power could be obtained through visits to rock art sites.     

Ethno‐nationalism and the global ‘modernising’ project

This article analyses the features and problems of ethno‐nationalism in the global context. The existing bodies of theories and literature on ethno‐nationalism mainly reflect the views and interests of the colonising ethno‐nations and their states at the cost of the dominated ethno‐nations. This preliminary study shows the inadequacy of information, knowledge and theory in the study of nationalism by questioning the validity of the global ‘modernising’ projects of modernisation theorists and some Marxists and by addressing the question of ethno‐nationalism from the perspective of the colonised ethno‐nations. By providing the reference cases of the Oromos and the Southern Sudanese, this study explains the challenge ethno‐nationalism poses to the nature and role of the state.     

The ethno‐religious ambitions of the Roman Catholic Church and the ascendancy of communism in post‐war Poland (1945–50)

ABSTRACT. This paper differentiates between centrifugal and centripetal aspects of ethno‐nationalism to help account for the ascendancy of communism in the immediate aftermath of World War II in Poland. It argues that the directing of social antipathy to defined out‐groups allowed the Polish Workers' Party (PPR) to manage social anger and that the Roman Catholic Church's ethno‐religious agenda was aligned with the PPR's ethno‐nationalist policy. Furthermore, it is contended that the Church's toleration of hostile actions directed at minority communities supported the PPR's management of social anger. The paper concludes that the Church, despite its manifest intentions and contrary to contemporary perceptions, played a role in the PPR's achievement of hegemony.     

The necessity of Britishness: ethno‐cultural roots of Australian nationalism*

ABSTRACT. Until the last third of the twentieth century, Britishness figured prominently in the national identity of Australians. Many scholars of Australian nationalism have assumed an inherent antipathy between British and Australian solidarities; others have appreciated that there was a degree of mutuality between the two; few have explained why. This article offers such an explanation. It focuses on the crucial nation‐building period twenty years on either side of the federation of the Australian colonies in 1901. Drawing on ethno‐symbolist approaches to nationalism, it argues that Britishness provided the necessary ethno‐cultural foundations for Australian nationhood, the only available repertoire of myth and symbol that could fulfil the nationalist aspiration for unity. Yet Britishness in the antipodes was significantly different to that of the British Isles, as were the civic/territorial components of Australian conceptions of nationhood, giving rise to a distinctive British‐Australian composite nationalism.     

贺兰山岩画博物馆选址分析

以文物遗址为依托的博物馆建设,一直是考古、历史、建筑、规划等专业人事关心和研究的课题之一。本文以贺兰山岩画博物馆选址为研究对象,在分析贺兰口岩画和聚落遗址空间分布特点的基础上,论述岩画、聚落遗址、生态环境与博物馆选址的关系,并着重从地段环境、生态环境、空间格局和视觉景观4个方面对拟选的3个方案进行综合比较分析,确定贺兰山岩画博物馆选址的最终方案,最后还为其他文物遗址博物馆选址提出了5条建设性原则。     

Rock Art Between Preservation,Research and Sustainable Development—a Perspective from Southern Ethiopia

This paper focuses on southern Ethiopia, along the outer rim of the Rift Valley and not far from the Kenyan border, in an area forming part of a larger region known as a cradle of humankind. However, it also hosts a diverse Holocene rock art heritage, which is still underestimated and underdocumented. Paintings and engravings are widespread in the region, both in rock shelters and open-air sites, often located in remote areas currently inhabited by communities belonging to different ethnic groups. The aim of this paper is to present the first results of a new project in the area around Yabelo, within the broader framework of rock art research in East Africa, integrating archaeological research, preservation and heritage management with a relevant involvement of local communities. The outstanding cultural importance of these contexts offers new prospects for both scholarly research and sustainable development. The recording and study of the artworks is underway, using digital technologies that guarantee a high standard of accuracy of the documentation and non-invasive recording methods. This provides important insights for reconstructing cultural dynamics in the area between the final Pleistocene and onset of the Holocene. Moreover, the focus on rock art makes it possible to enhance local knowledge, increasing the awareness of local communities, with a significant impact on the preservation of this fragile heritage and the development of local, sustainable tourism projects. Differently from other archaeological features, rock art can have a more immediate attractiveness for contemporary observers, in terms of the apparent immediacy of the images and their emotional impact, raising awareness of cultural heritage and fostering major involvement in its preservation.     

Landscape Construction and Long-Term Economic Practices: an Example from the Spanish Mediterranean Uplands Through Rock Art Archaeology

We argue in this paper that Levantine rock art in the Spanish Mediterranean basin allows us to ‘map’ the economic landscape of its makers. Rock art would be the ‘monumental’ side of a dual process of landscape construction: on the one hand, rock art is the first ‘cultural’ action on the landscape beginning in the Early Neolithic; on the other hand, the first evidence of active modification of the Mediterranean vegetation comes from this period. But this evidence as well as other kinds of archaeological remains are still relatively scarce in the uplands; rock art is therefore the most complete type of evidence we can use to support an early use of the Mediterranean upland environment. We use statistical and geographical analysis, together with archaeological, ethnohistorical, and ethnographic sources and pollen data, in order to support the idea of early use and exploitation of the Mediterranean uplands since the Neolithic, and into contemporary times.     

Secularization of immigration policy vs. religion's influence on integration: Israel's non‐Jewish Jews' immigration in a comparative perspective

This article deals with the complex relationship between religion and immigration in Western countries, with an emphasis on Israel. The main argument it presents is that the legal procedures of immigration, i.e. laws relating to the acquisition of civil status, have undergone dramatic secularization, while religion's influence is expressed in the social and cultural aspects of the integration of immigrants belonging to religious minorities. This division reinforces the classical theory of secularization, as the formal boundaries of nations are not subject to religious affiliations, but it also supports the theories of competition and complementation between religion and secularism in the social sphere. The tension in the Israeli case between the immigration, naturalization and integration of non‐Jewish Jews, who are part of the extended Jewish population that is not defined by religious parameters, confirms this thesis. The immigration of hundreds of thousands of non‐Jewish Jews' under the Law of Return based on ethno‐national‐secular parameters is an ultimate expression of the secularization of Jewish nationality. On the other hand, the state's encouragement of non‐Jewish immigrants to convert to Judaism so that they can better assimilate into Jewish society signifies the importance of religion in the social integration aspect.     

‘We don't do dots ‐ ours is lines’ — Asserting a Barkindji Style

ABSTRACT This paper offers an ethnographic exploration of the assertion of a ‘Barkindji style’ art: why this matters and to whom it matters. Focusing particularly on the Darling River area of Wilcannia and on the period from the 1980s to the present, the increasing interest in art‐making by local Aboriginal people is considered. Through a dialogue with artists, artworks, and others, the work examines the changing form, design and content of art and the role of art in defining ideas of Barkindji Aboriginal culture and tradition. Invocations by key cultural brokers to produce work that is seen to ‘belong to us’ is explored in terms of the cultural, political, and personal work that this involves; particularly as this intersects with ideas of artistic freedoms versus artistic direction by cultural brokers. The paper discusses the personal considerations and tensions that come to bear in the processes connected with production of art and its making. In so doing, this paper engages with, and extends, the work of Tacon et al. (2003), Cooper (1994), Kleinert (1994) and Morphy (2001) as this pertains to art ‘styles’ and material culture from what is widely referred to as south‐eastern Australia.