GOLD AND SILVER ALLOY COATINGS OVER COPPER: AN EXAMINATION OF SOME ARTEFACTS FROM ECUADOR AND COLOMBIA

An examination, by metallography, atomic absorption spectrophotometry, and electron probe microanalysis of some decorative metalwork and small items such as needles and fish-hooks from Ecuador and Colombia revealed that ‘fusion-gilding’ or ‘wash-gilding’ was employed in the manufacture of many artefacts. The coatings found included silver alloy coatings over copper and gold alloys over copper. The coatings are often themselves superficially enriched at the surface; they are thick, and completely different from the surfaces found on depletion gilded objects which are far more common in ancient Colombia. The evidence from Ecuador is piecemeal and a considerable number of additional analyses must be carried out to clarify the extent of use of this surface treatment technology.     

Assemblage,Structure and Meaning in Bronze Metalwork Studies: an Analysis of the British Penard Assemblage

Multi‐object metalwork deposits provide the foundation block for many branches of enquiry, yet surprisingly little attention has been paid to the methodological issues that underlie their analysis and interpretation. The framework outlined here aims to circumvent some of the dangers of circular argument inherent in the concepts of metalwork ‘stages’, ‘phases’ or ‘traditions’, as well as in assumptions of pan‐regional synchronizations in metalwork developments. The term ‘Assemblage’ is defined to provide a carefully circumscribed but interpretatively neutral framework for the study of metalwork groups linked by association. Assemblage subdivisions allow significant internal variations to be explored for temporal, social and cultural meanings. These analytical devices used in conjunction with ‘bubble chronologies’ allow flexibility in detailed interpretation whilst holding on to a consensually agreed near‐empirical structure. Consideration is also given to the problem of regional phase groups of metalwork that lack associations and thus preclude Assemblage definition. The case of the Penard Assemblage is salient owing to the debate about whether the ‘Wallington complex’ should be considered an integral part of it. Although the ‘Assemblage/Aspect/Group’ structure applied here can accommodate some divergence in views, available evidence supports typo‐chronological coherence between Penard and Wallington material. Occasional associations used recently to justify a ‘Limehouse phase’ between Penard to Wilburton metalwork are just as easily understood as representing a transition towards 1100 bc . The lack of associations for the Limehouse family of swords, largely contemporary with late Penard, is argued to be an accentuation of the already rare occurrence of swords in earlier associations. The depositional phenomena of the Penard Assemblage are instead centred on an array of palstaves, rapiers, spearheads, shields and gold ornaments.     

Excavations of ironware of the third–fifth century from Marvele necropolis (Lithuania)

This study presents the overview of ironware excavations of the third–fifth century demolished tombs from Marvele necropolis. Three axes, four spearheads, two knives and a clasp were excavated in 2006. Afterwards, a metallographic and chemical analysis as well as mechanical properties of artefacts, also metallurgical slag, clinkers and iron concretions found in the surroundings of tombs were tested and presented in this article. General tests were executed in order to compare results with other archaeological and scientific researches. Metallographic analysis and hardness tests’ results revealed that axes were forged from two separate billets of iron, whilst spearheads and knives from one. The results of chemical analysis have affirmed earlier results of other Lithuanian archaeological sites. Although some differences in chemical composition were observed, this fact shows possible not local origin of some ironware.     

On the Metal‐Leaf Decorations of Post‐Byzantine Greek Icons

Metal leaves were widely used as decorative materials in post‐Byzantine ritual painting. Fifty‐two icons (mid‐15th to mid‐19th centuries) were studied by means of analytical techniques in order to reveal the materials and techniques encountered in their metal‐leaf decorations. High‐purity gold leaf was used throughout the studied period. Silver was employed rarely and mostly during the latter part of the period in consideration, while metal powders were mostly used from the mid‐18th century onwards. The identification of a gold–silver powder mixture and an ‘electrum’‐type alloy are among the reported findings, which are novel for post‐Byzantine icons. Three micromorphologically distinct highlighting techniques were also documented.     

Exploring the Coroplasts’ ‘Techne’ in Greek Architectural Terracottas from Sicily: an Archaeometric Approach

The study intends to support the archaeological questions about the technological choices related to the manufacturing of an important class of archaic artefacts—the fictile roof revetments of the temples—in the Greek colonies of Sicily, unveiling the possible relations among raw materials, decorative and firing techniques and functionality of the architectural terracottas. By applying a multidisciplinary and a multimethodological archaeometric approach, the aforementioned questions have been addressed, explaining the technological expedients employed by the coroplasts in the manufacturing of the roof revetments, and suggesting interesting mobility schemes of both raw materials and ‘techne’ (know‐how) throughout the island.     

Artefacts,archaeologists and American Indians

Abstract

Archaeologists traditionally have observed the style and technology of artefacts and used this to classify archaeological assemblages, describing the repeated association of artefact groups as a ‘Culture’. We continue to place overwhelming reliance on our ability to derive meaningful information about past culture from artefacts, yet the importance these objects had for the members of the cultural group (past and present) is not adequately considered. The typological approach sidelines the creative role of the artisans, we find out a little about their economy, gain momentary glimpses of their religion, but learn almost nothing about their humanity. Archaeologists tend to focus on the physical, technological or esoteric attributes of an artefact, while indigenous populations tend to focus on the object's ritual or social importance. This is most apparent in the treatment of funerary artefacts. Until recently, many American Indian tribal groups have seen no distinction between ‘grave robbing’ and ‘archaeological excavation’ it made no difference to them whether the dead were disturbed by looters or by qualified archaeologists. By involving indigenous populations in the design, practice and dissemination of archaeological research, we can add humanity to our study of the human past, and take a step toward a truly worldwide archaeology.     

Technical Studies on the Bronze Age Metal Artefacts from the Graveyard of Deh Dumen,South‐Western Iran (Third Millennium BC)

During the excavations of the graveyard at the site of Deh Dumen in south‐western Iran, 15 graves from the Early/Middle Bronze Age were uncovered that contained a variety of metallic artefacts. This paper reports on the analysis of nine metal artefacts, including eight broken vessels and a decorative strip that covered the handle of a dagger. The ICP–MS results showed that the bodies of the vessels are made of tin bronze alloy with variable amounts of tin, while the internal piece of the base of one vessel is made from an arsenical copper alloy. Further, the metallic strip is a thin sheet manufactured with partially pure silver. Microanalytical and microstructural information yielded by SEM–EDS revealed elongated Cu–S inclusions and lead globules as various phases formed in bronze solid solution. This study presents some information about the transition from arsenical copper to bronze metallurgy in the third millennium bc in south‐western Iran.     

THE COMPLEMENTARY USE OF NEUTRONS AND X‐RAYS FOR THE NON‐DESTRUCTIVE INVESTIGATION OF ARCHAEOLOGICAL OBJECTS FROM SWISS COLLECTIONS*

This paper shows the possibilities offered by the combined use of non‐destructive neutron and X‐ray beams in archaeological research on metallic finds. The following five artefacts from Swiss excavations were submitted to investigation, each with dedicated aims: a Roman sword, a Roman dagger, an Iron Age bucket, Iron Age spearheads and a Roman finger ring. The images obtained with both methods—neutrons and X‐rays—are discussed in length in this paper. The investigations took place at the Paul Scherrer Institute and the archaeologists who studied the objects come from the Universities of Lausanne and Zurich.     

Dreaming as a critical discourse of national belonging: China Dream,American Dream and world dream

This article explores the normative politics of national belonging through an analysis of the ‘China Dream’ and the ‘American Dream’. It traces how politicians and public intellectuals employ such slogans to highlight how national dreams emerge in times of crisis and involve a combination of aspirations and anxieties. It compares parallel rhetorical strategies – ‘patriotic worrying’ in China and the American Jeremiad in the US – to examine how belonging to these two nations involves a nostalgic longing for the past as a model for the future. Debates about the meaning of these national dreams highlight the tension between freedom and equality in the US, between the individual and the collective in China, and between longing for the true nation, and belonging in the actual nation for both countries. It concludes that while this quest for redemption through past models limits opportunities for critical discourse in China, the American Dream still contains much ‘promise’. The China Dream and the American Dream thus are, at the same time, 1) familiar expressions of nationalism and national belonging, and 2) ongoing self/Other coherence‐producing performances that help us to question received notions of nationalism and national belonging.     

Grave‐goods from the long chamber tomb “Dibba 76/1” (Fujairah,UAE): a first inventory

The aim of this paper is to present the rich set of finds collected inside the grave Dibba 76/1, in the Emirate of Fujairah, during a season of rescue excavation conducted under the direction of S. Ali Hassan in 1994. The recovered grave‐goods include pottery, soft‐stone vessels, metal finds, personal ornaments, coins, and other items. Although comparable with other corpuses of material excavated in south‐eastern Arabia, the material of Dibba 76/1 stands out for the inner variety of the different artefacts’ classes and their remarkable chronological heterogeneity. The study of the grave‐goods suggests that Dibba 76/1 was reused over several centuries, showing a strong continuity in the funerary destination of this specific place from the end of the Wadi Suq period (2000–1600 BC) to the first phases of the late pre‐Islamic period (250 BC–AD 400), and the full integration of the area of Dibba in the succession of the various cultural facies known during this long time span.     

Encounters with Iron: An Archaeometallurgical Reassessment of Early Anglo-Saxon Spearheads and Knives

Studies of early medieval weapon burials make surprisingly little mention of the material properties of the deposited weapons. How did these artefacts’ metallurgical properties, and people’s experiences making and shaping the materials from which they were made, relate to the social and ‘magical’ potential these weapons were ascribed? This article reassesses metallurgical data from fifty-two early Anglo-Saxon spearheads discovered in cemetery contexts, and 118 knives from cemeteries and settlements, and reinterprets their technological properties as a glimpse into the social experiences of their makers and users. The choices smiths made when forging these blades are visible in their surviving metallurgy, and reveal their makers’ desired outcomes — and their mixed results. The difficulties smiths negotiated while forging iron shaped the social biographies that blades accumulated after leaving the workshop. By studying the materials from which these artefacts were made, and the practices of the makers who struggled to shape and control them, we may better appreciate the social agency and value ascribed to material objects in the early medieval period.     

CONTRASTING SUBSISTENCE STRATEGIES IN THE EARLY IRON AGE? – NEW RESULTS FROM THE ALFÖLD PLAIN,HUNGARY, AND THE THRACIAN PLAIN,BULGARIA

Summary. What can students of the past do to establish the predominant land‐use and settlement practices of populations who leave little or no artefactual discard as a testament to their lifeways? The traditional answer, especially in Eastern Europe, is to invoke often exogenous nomadic pastoralists whose dwelling in perpetuo mobile was based on yurts, minimal local ceramic production and high curation levels of wooden and metal containers. Such a lacuna of understanding settlement structure and environmental impacts typifies Early Iron Age (henceforth ‘EIA’) settlements in both Bulgaria and eastern Hungary – a period when the inception of the use of iron in Central and South‐East Europe has a profound effect on the flourishing regional bronze industries of the Late Bronze Age (henceforth ‘LBA’). The methodological proposal in this paper is the high value of palynological research for subsistence strategies and human impacts in any area with a poor settlement record. This proposal is illustrated by two new lowland pollen diagrams – Ezero, south‐east Bulgaria, and Sarló‐hát, north‐east Hungary – which provide new insights into this research question. In the Thracian valley, there is a disjunction between an area of high arable potential, the small size and short‐lived nature of most LBA and EIA settlements and the strong human impact from the LBA and EIA periods in the Ezero diagram. In the Hungarian Plain, the pollen record suggests that, during the LBA–EIA, extensive grazing meadows were established in the alluvial plain, with the inception of woodland clearance on a massive scale from c.800 cal BC, that contradicts the apparent decline in human population in this area. An attempted explanation of these results comprises the exploration of three general positions – the indigenist thesis, the exogenous thesis and the interactionist thesis. Neither of these results fits well with the traditional view of EIA populations as incoming steppe nomadic pastoralists. Instead, this study seeks to explore the tensions between local productivity and the wider exchange networks in which they are entangled.     

PAST ‘DISTURBANCES’ OF GRAVES AS A SOURCE: TAPHONOMY AND INTERPRETATION OF REOPENED EARLY MEDIEVAL INHUMATION GRAVES AT BRUNN AM GEBIRGE (AUSTRIA) AND WINNALL II (ENGLAND)

Early medieval graves that were reopened in the past are usually considered ‘disturbed’ and hence an unreliable source for traditional cemetery analysis. This paper aims to highlight how the analysis of these ‘disturbances’ can contribute to our understanding of early medieval mortuary rites and attitudes towards the buried human body. Two case studies of cemeteries with high proportions of reopened graves are presented. Thorough archaeological analysis, with careful consideration of the taphonomy of reopened graves, is the key to an understanding of the reopening practices. At Brunn am Gebirge (Austria) most graves were reopened for ‘grave‐robbery’– to remove grave goods – at a time when the bodies were already fully disarticulated. The graves at Winnall II (England) were reopened very soon after burial to manipulate the still largely intact corpses.     

A NEW SETTING FOR THE NORTHERN BORDER OF THE VENETI: METALLIC FINDS FROM THE VENETIC SITE OF MONTE CALVARIO,AURONZO DI CADORE*

In 2000 several bronze and lead objects were discovered at the Venetic‐Roman site (200 bc –ad 200) of Monte Calvario di Auronzo, in the Italian eastern Alps. They were mostly finished artefacts plus semi‐worked products. Analysis included SEM–EDS, EMPA, XRPD, TMS and AMS spectrometry. The compositional results of the finished artefacts suggest that the choice of the alloy had been made according to the decorative techniques to be used. A semi‐worked high‐leaded bronze object indicates the existence of a metallurgical production of cast artefacts at the site. TMS analyses of a lead ingot exclude local provenance, proving the existence of important trade routes.     

Caring for Country: History and Alchemy in the Making and Management of Indigenous Australian Land

This paper traces the history of ‘caring for country’ tropes in writing about indigenous Australian land and land management. While ‘caring for country’ initially referred to dynamic land use and ownership practices, it progressively became a less historical, more primordial, conception of indigenous land ownership, use, and management. In reviewing constructions of ‘land’ in scholarly literatures and policy debates, I seek to explain how they interact with local indigenous practices and idioms. Drawing on examples from the cultural and linguistic fields of A?angu, speakers of Pitjantjatjara and Yankunytjatjara, I examine a variety of concurrent uses of ‘country’, ‘caring’, or ‘nurturance’ and ‘caring for country’. A cross‐linguistic perspective on these objectifications – in English, Aboriginal English, and central Australian indigenous languages – shows how they may attend selectively to the historical specificity of indigenous experience. But this, I argue, may be the key to their efficacy in intercultural projects. Coded messages in bilingual documents reflect a kind of agency whereby A?angu choose to leave equivocal histories unstated and thereby reconstitute government projects in terms that work for them. The referential flexibility around idioms of land and nurturance is a kind of alchemy in language and social life that is the condition of the success of actual land management activities. Terms including ‘country’ and ‘caring for country’ elide the socio‐political dynamics that otherwise complicate actual rights and uses of land. That is why they can form the social basis of common activities, the production of ‘congeniality’ both within A?angu social life and at the interface with outsiders, in land management and other fields.     

French Decorative Ceramics Mass‐Produced During and After the 17th Century: Chemical Analyses of the Glazes

Chemical analyses of a group of Pb silicate–glazed decorative objets d'art showing scenes of the French royal family (Louis XIII and Henri IV), and biblical and classical figures, have been analysed and compared with other similar heritage ceramics and with the rustiques figulines of Bernard Palissy (1510–90) and his followers and imitators. In particular, non‐destructive ion‐beam chemical analyses (PIXE and PIGE) have been performed on 11 ceramic artefacts from the Cleveland Museum of Art (CMA) and a like number from several French museums; results for 13 objects are described in detail in this paper. SEM–EDX has been performed on chips (‘microsamples’) taken from small unobtrusive defective regions on the CMA ceramics. The results of the ion‐beam and SEM–EDX techniques are in good agreement. All the decorative ceramics included uniform non‐opacified glazes. None of these objects can be of 16th century production; all must date from the 17th to the 19th centuries.     

First Geochemical ‘Fingerprinting’ of Balkan and Prut Flint from Palaeolithic Romania: Potentials,Limitations and Future Directions

Long‐distance raw material transfers across Romania prior to the Last Glacial Maximum have previously been inferred from either visual and/or petrographic observations of East Carpathian sites. We investigated the potential to ‘fingerprint’ flint from archaeological sites at Mitoc‐Malu Galben and Bistricioara–Lut?rie III in Eastern Romania, using in situ high‐precision analyses of 28 major, minor and trace elements determined by laser ablation – inductively coupled plasma – mass spectrometry (LA–ICP–MS) in combination with multivariate statistical analysis. Our results suggest that geochemical analyses have the ability to distinguish between different geographical sources but are unable to positively associate flint artefacts from archaeological contexts to these geochemical groups. The mismatches of signatures between artefacts and geological materials, however, raise new questions and open unforeseen perspectives.     

THE CIRCULAR MATRIX FROM THE ROBINSON COLLECTION

Summary. The bronze matrix, now in the collection of the Fogg Art Museum, is said to have been found in southern Thessaly close to Larissa Kremaste. As comparanda for the Scylla on the matrix the silver gilt plaque from the third century BC necropolis of Dyrrhachion in Illyria is discussed, as well as the matrix in the Antikensammlungen of Berlin and silver plaques decorating a belt from a late-fourth-century BC grave at Laos, Lucania. Discussing the Thetis emblem on the other side of the matrix the author analyses the motive in Classical art of the fifth/fourth century BC, paying special attention to the stamped fourth-century BC gold and silver plaques with similar design coming from the Cimmerian Bosporus, Thessaly and Macedonia. Conclusions are drawn about the authenticity of the matrix in the Fogg Art Museum, and the close interconnections between toreutic centres in the late fourth century BC.     

A SCULPTURAL MARBLE OF PRIME QUALITY IN ANTIQUITY—THE DOLOMITIC MARBLE OF THE SIVEC MOUNTAINS IN MACEDONIA

This paper presents analytical data on a major occurrence of fine‐grained dolomitic marble in the Sivec Mountains, close to the city of Prilep in today's former Yugoslavian Republic of Macedonia. This is the first presentation of an analytical database of a large‐scale source of fine‐grained dolomitic marble, whose ancient use can be demonstrated by tool marks and archaeological evidence. Many traces of ancient mining have fallen victim to a big modern quarrying operation in this area, which for decades has produced high‐quality blocks of marble (‘Macedonian Carrara’) and exported them all over the world. A combination of different analytical methods is used to characterize the marbles and to present a database for investigating ancient artefacts made of fine‐grained dolomites. Petrographic investigations revealed the very homogeneous micro‐fabric of this marble, which is of high purity with very low silicate contamination and has a maximum grain‐size of 1 mm. In addition to analysis of the stable isotopes, trace element analyses of carbonate lattice elements (Mg, Fe, Mn and Sr) were performed. An alternative method, the analysis of the chemical composition of the inclusion fluids, was also employed. On the basis of these techniques, a multivariate discrimination analysis was performed, and a clear separation of the different dolomitic marbles (Thasos, Ephesos, Proconnesos and Karacasu) was obtained. Finds of artefacts of high artistic quality made from this dolomite prove the existence of a significant workshop in the neighbourhood of the Sivec quarries. Because of its vulnerability to weathering, this fine‐grained dolomitic marble was used preferentially for indoor applications. Sculptures of prime artistic quality made of Sivec marble have so far been found in several locations of the Republic of Macedonia.     

Memory and Non-Place: Visual Testimonies of Japanese American Internment During World War II

This article addresses the little-known history of Japanese Latin American internment during WWII. Classified as ‘illegal aliens’ and ‘enemy aliens’, 2,264 Japanese Latin Americans were stripped of citizenship from their home countries, denied rights in the United States, and ultimately deprived reconciliation due to their undocumented status. Using the traces of this history as a case study, I explore the strategic memories Japanese Latin Americans create about non-place – spaces of statelessness or states of exception – that allow them to make claims about state violence committed against them under these conditions, and, second, argue that demands for justice against political violence entail not only bringing light to erased histories but also developing engaged acts of reception that account for survivors’ claims to the memories of non-place. Visual testimonies, such as the Denshō Digital Archive and the short documentary Hidden Internment: The Art Shibayama Story (2004), affectively connect a viewer/listener to the memory of trauma, to an inexpressible haunting, and thus are critical platforms for creating a collective memory between survivors and the digital generation of postmemory.