Sorcery at court and manor: Margery Jourdemayne, the witch of Eye next Westminster

Margery Jourdemayne, the ‘witch of Eye next Westminster’, Eleanor, duchess of Gloucester, and three scholars of the ducal household were foremost amongst those accused of treasonable witchcraft in 1441. The paper explores Margery's part in this episode, and then examines her background: her husband William came from a prosperous Middlesex yeoman family living at Acton, and he himself was a manorial official on Westminster Abbey's Ebury (Eye) estate.     

‘Child sacrifice’ in Uganda? The BBC, ‘witch doctors’ and anthropologists (Respond to this article at http://www.therai.org.uk/at/debate)

This article discusses both several recent BBC broadcasts on allegations of ‘child sacrifice’ in Uganda and criticisms of the programmes by a number of British anthropologists. It pursues the idea that both the broadcasts and the criticisms raise two sets of crucial questions: the first is in regard to the interpretation of alleged ritual killings in contemporary Africa and the effects of their representation on lay audiences, both non‐African and African; the second concerns media representations of Africa and public anthropology. Anthropologists (and indeed scholars from other disciplines such as history) have a lot of expertise to offer in terms of understanding the occult in many societies, including contextualising this realm in terms of historical processes and material concerns and suggesting links between apparently disparate issues. In this way, they can they can sometimes go beyond surface manifestations, offer alternative explanations and show that things are not always the way they first seem. However, in order to play an effective public role in this regard, anthropologists need to be willing to grapple pro‐actively with such matters of public concern, not least by engaging constructively with the media.     

荒野大爱,撼动心灵——藏民肉保夫妇与野生动物的不解情缘

<正>作为一名野生动物摄影师,用影像的力量唤起公众对自然环境和野生动物的保护,是我坚持生态摄影的初心和动力,特别是去青藏高原拍摄野生动物更是我多年的夙愿。2018年7月12日,为了观察和拍摄这一区域的野生动物,我从山东烟台乘飞机经西安中转到了西宁,然后与朋友驱车530多公里到达都兰县沟里乡。单程3000多公里的路途劳顿和最高     

The Concept of Corruption in J.G.A. Pocock's The Machiavellian Moment

SUMMARY

In the scholarship on the concept of political corruption, one frequently encounters the lamentation that the manner in which the concept is deployed in liberal modernity is insufficiently attuned to the richer sense in which the term was employed in the ‘civic humanist’ tradition. In these lamentations, the usual point of reference is J.G.A. Pocock's The Machiavellian Moment, a work that made corruption the central term of art in a political language stretching from the Renaissance to the eighteenth century and beyond. Certainly there is something quite attractive today about the ‘Machiavellian’ inflection of the term—our era is replete with the very things the protagonists of Pocock's story decried: debt, dependency, oligarchy, standing armies and the diminution of civic duties. But to what extent is Pocock's classic text a reliable guide for those studying the concept of corruption? This article suggests that Pocock uses the term in an excessively capacious manner, which both weakens his book's utility for understanding eighteenth-century political thought and undermines its power as a foundation for political critique by civic-minded anti-corruption reformers.     

The Baimoral Bridge of I. K. Brunel

Abstract

A considerable number of I. K. Bruner's railway bridges are still operational, varying in size from the great Royal Albert Bridge over the Tamar to a host of small masonry bridges for accommodation roads over or under his broad-gauge main lines and subsidiary routes like the Taff Vale Railway. There were, however, few bridges built by him apart from his railway works, and it could have been safely assumed that all such bridges which survive would have been clearly recognized as having been built by him. Yet this has not been so with one particular road bridge, for which Bruners responsibility has been either doubted or ignored, even though it survives in excellent working order. The bridge in question is that over the River Dee at Balmoral.     

The maintenance of the night-time ionosphere at mid-latitudes. II. The ionosphere above St. Santin

The total rate of recombination in the night-time ionosphere above St. Santin (at L = 1.8) was estimated using a model atmosphere and the results were compared with the observed rate of change of total electron content to determine the net influx of plasma. Horizontal transport under the influence of electric fields was measured but at the latitude of St. Santin this was always small and averaged over the night as a whole the contribution was negligible. Downward diffusion provided the main source of plasma and the flux predicted was compared with the flux measured at 450 km. The comparison was good provided the model atmosphere was modified to use exospheric temperatures based on actual measurements by the incoherent scatter radar. A comparison with the results obtained at Malvern (Paper I) confirmed that the saturation time for the protonosphere at L = 1.8 is far less than at L = 2.6 and that the downward flux from the saturated protonosphere was also less.     

The Continuity of Victorian Traces: A.S. Byatt's The Children's Book

Both King Solomon's Mines (1885) and Allan Quatermain (1887) pursue a quest to regenerate the authority of the English gentleman as ‘the highest rank that a man can reach upon this earth’. The present essay focuses upon Haggard's construction of this ideal of masculinity through the combination of the qualities of the gentleman with those of the barbarian. The discussion follows both Laura Chrisman and Bradley Deane in attending to the relationship between the ideological structures of metropole and colony. This article, however, situates Haggard's masculinist ideology in relation to the wider cultural poetics of late-Victorian material culture, particularly as manifested in the imperial souvenir – a complicated category of thing that comprises artefacts, hunting trophies and human relics. Attention to their thingness entails reflection upon the complexity of textual representations of objects and practical encounters with them as constituent elements of late-Victorian material culture. In addition to examining the significance of hunting and battle trophies in Haggard's fiction, close attention is also paid to the keynote spectacle of the Colonial and Indian Exhibition at the South Kensington Museum in 1886, Rowland Ward's habitat diorama, ‘The Jungle’, and to Ward's subsequent forays into ‘animal furniture’. Through reflection on such formations of objects, the thingness of the imperial souvenir illuminates the ideological formations within which hegemonic masculinity and imperialism were articulated at this key moment in the mid-1880s.