Maps,Mapping, Modernity: Art and Cartography in the Twentieth Century

While the history of cartography has freed itself from debilitating debates over the scientific and artistic status of maps, considerations of the relationship between art and cartography have continued to focus largely on pre‐modern maps, avoiding critical examination of twentieth‐century art and science in cartography and leaving intact the impression that these followed distinct paths in the modern period. In this paper, however, I have drawn on theoretical work in Science Studies and taken account of modern art's separation from aesthetics to suggest that an examination of art and cartography in the twentieth century should focus on mapping practices rather than on maps as such. A summary overview of modern‐art movements and selected works indicates a continued, if critical, engagement of avant‐garde artists with cartography, and the examination of more popular newspaper artwork produced in the context of the intensely modern visual culture of mid‐twentieth century Los Angeles indicates a similarly close connection between modernity, art and cartography.     

A Life in Maps: Leo Bagrow,Imago Mundi,and the History of Cartography in the Early Twentieth Century

ABSTRACT:

This essay provides a critical commentary on the life of Leo Bagrow (1881–1957), the founding editor of Imago Mundi, drawing on previously unused correspondence from the journal’s archive, recently catalogued by the British Library in London. Bagrow’s experiences in the three European cities in which he lived and worked (St Petersburg, Berlin and Stockholm) are examined afresh and new insights are provided about the complex intellectual and sometimes political objectives and motivations of Bagrow and his fellow map dealers, map collectors and map historians. Particular attention is paid to the productive but often strained relationships between Bagrow and the expanding global network of map historians with whom he collaborated while establishing and editing Imago Mundi between 1935 and his death. This network was divided into four distinct and to some extent rival constituencies (university academics, map librarians, map collectors and map dealers). The essay examines how Imago Mundi, under Bagrow’s often confrontational editorship, emerged as the central co-ordinating forum through which these constituencies communicated with each other and within which the foundations for the modern discipline of map history were established.     

20世纪中美两国专家政治的缘起与演变--科学介入政治的一个历史比较

20世纪30年代专家政治的浪潮在美国达到一个峰巅。技术统治论的思潮与运动以物理学原理深刻反思资本主义制度,罗斯福新政时期也大量吸收专家参与政权。在此前后。《东方杂志》、《国闻周报》等将技术统治论作为新的思潮与运动加以介绍,一些参政知识分子则更多地从美国政府的政策调整中吸取经验。南京政府一定程度地吸收专家参政,在行政技术化、立法科学化等方面有一定改进,但未改变蒋介石专制政权的性质。美国的技术统治论经历复杂的转变,其中一部分为主流社会所吸收,一部分则趋向偏激,进一步产生对美国社会的深刻怀疑,成为当今美国社会的另类选择。美中两国历史发展说明,科学进入政治领域,有利于技术层面的科学化;科学主宰政治。却是技术乌托邦之梦。