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1.
Filipe Castro Richard Fontanez Gustavo Garcia Raymond Tubby Wayne R. Lusardi 《International Journal of Nautical Archaeology》2010,39(1):156-164
The waters of Puerto Rico harbour the remains of thousands of years of human occupation. The island played a key role in the first decades of European exploration of the New World, and its coasts and estuaries have preserved an extensive record of the island's maritime history, before and after the arrival of the Europeans. The objective of this project is to study Puerto Rico's seafaring history through the investigation of its submerged cultural heritage, with a particular focus on the history of European shipbuilding. In 2008 the authors started with survey on the north coast.
© 2009 The Authors 相似文献
© 2009 The Authors 相似文献
2.
《The American review of Canadian studies》2012,42(3):449-463
ABSTRACTIt is common in discourse surrounding Québécois and Puerto Rican nationalism to discuss both regions in terms of their linguistic marginality to Anglo-majorities found in Canada and the USA, respectively. As two areas faced with the common American task of inventing a national identity in displaced settings in the New World, English becomes an easy “other” against which the French Quebecker and Spanish Puerto Rican may define themselves. However, language becomes a problematic means of definition when considered in relation to its intrinsically Old World origins. This paper reexamines Quebec and Puerto Rican nationalism from a larger New World perspective that focuses on the role of American landscapes and settings in conjunction with the traditional linguistic approach. 相似文献
3.
Bone collagen is a well-characterized and generally robust protein that plays a key role in both radiometric dating and stable isotopic reconstruction of paleodiet. To be useful for such purposes, however, analyzed collagen must be relatively taphonomically unaltered. To date, little research has been conducted to document the taphonomic fate of bone collagen from archaeological sites in the tropics. In the present work, a large (n = 298) dataset of archaeological bone samples from sites on the island of Puerto Rico is examined by means of radiometric, chemical, and elemental analyses. The ultimate conclusion of this work is that while collagen loss may be accelerated in the tropics versus that seen in samples from higher latitudes, what collagen remains is typically sufficiently well-preserved and taphonomically unaltered as to make radiocarbon dating and/or stable isotopic analysis worthwhile. 相似文献
4.
After Maria, “el desastre es la colonia” became a popular hashtag in social media and was observed in graffiti and art in different parts of the country, and abroad. Yarimar Bonilla's paper continues emerging conversations amongst scholars and activists on how the colonial matrix of power is linked to the social production of disasters, and indeed, is itself a disaster. Engaging with these conversations, in this commentary I want to highlight six aspects that I consider central to a coloniality of disasters research project: necropolis and permanent war and exception; development as biocidal disaster; differential colonial vulnerabilities; climate colonialism and debt; disaster capitalism; and decolonial disaster subjectivities. 相似文献
5.
More than providing simply nutritive value, food in human societies can be endowed with great social weight. Aspects of any given food system inform, and are informed by, a variety of social, economic, religious, historical, ecological, cultural, and political processes. Moreover, food systems are often intentionally designed and executed to communicate key aspects of a consumer’s identity including class or social status. The manipulation of food systems on the part of socio-political elites or high status individuals is but one example of this phenomenon, the appearance of which is a correlate of increased socio-political hierarchy. As food can come to be used by elites as a socio-political tool in stratified societies, the temptation to use archeologically recognizable differences in foodways as a means of understanding the origin, nature, and functioning of processes of stratification is strong. The obvious difficulty lies in developing theoretically informed methods that reckon food system differences in ways that enable scholars to identify those foods that may have been particularly imbued with social meaning. In this paper, we propose a metric for the identification of elite foods (or, indeed, socially valued foods) using the types of data typically available to archeologists. Based on these proposed criteria, we attempt to unravel the complex and politically charged food system of the stratified societies of the pre-Columbian Greater Antilles with an eye towards refining our understanding of the development and maintenance of prestige and institutionalized power therein. 相似文献
6.
This essay uses the case of Hurricane Maria in Puerto Rico to discuss “the coloniality of disaster”: how catastrophic events like hurricanes, earthquakes, but also other forms political and economic crisis deepen the fault lines of long-existing racial and colonial histories. It argues that disaster capitalism needs to be understood as a form of racio-colonial capitalism and that this in turn requires us to question our understandings of both “resilience” and “recovery.” The article focuses on the “wait of disaster” as a temporal logic of state subjugation and on how Puerto Ricans responded to state abandonment through modes of autogestión, or autonomous organizing. It concludes that while resiliency can be coopted in service of a neoliberal recovery, it can also be the site for gestating new forms of sovereignty and new visions of postcolonial recovery. 相似文献
7.
Kevin V. Mulcahy 《International Journal of Cultural Policy》2017,23(3):237-253
The distinguishing characteristic of cultural policy in countries characterized by a legacy of coloniality is the importance of the identity formation and the politics that are involved in formulating its definition. At root, coloniality is an experience involving dominating influence by a stronger power over a subject state. However, this is not just a matter of external governance or economic dependency, but of a cultural dominance that creates an asymmetrical relationship between the ‘center’ and the ‘periphery,’ between the ruling ‘hegemon’ and the marginalized ‘other.’ In these circumstances, what constitutes an “authentic” culture, and how this informs national identity, is a central political and social concern. 相似文献
8.
Carole Rosenstein 《International Journal of Cultural Policy》2021,27(1):16-29
ABSTRACT Cultural policy archetypes have been fundamental to comparative cultural policy study and continue to be influential in both everyday and scholarly characterizations of national cultural policy systems. This paper explores the proposition that cultural policy archetypes reflect what people believe to be true about culture – their cultural ideologies. Cultural ideologies are integral to the formation of cultural policy and, thus, must be considered in any theory that hopes to measure the extent to which and explain why cultural policies differ. Cultural ideologies embody ideas about why culture is important and how it should be governed. Those ideologies spotlight certain administrative mechanisms, overemphasizing their role in systems that actually are deeply administratively hybrid. This makes archetypes poor tools for analyzing the mechanisms of cultural policy; however, because archetypes tell us about cultural ideologies in straightforward and powerful ways, it is essential that they continue to be a part of comparative cultural policy study. 相似文献
9.
《International Journal of Cultural Policy》2012,18(3):340-355
This study reviews the evolution of the cultural and creative industries (CCI) policy in Taiwan. Beginning with the early 1990s, when the ‘culturalization of industries, industrialization of culture’ represented the central theme of Taiwanese ‘cultural policy’, it traces the shift to the present day, in which Taiwan’s ‘CCI policy’ has been driven by the broader economic rationale of pursuing international competitiveness. By examining the recent discourse and development of Taiwan’s CCI policy, the paper reveals that Taiwan’s CCI policy has served to widen, rather than bridge the gaps between ‘localization and globalization’, ‘culture and creativity’, and ‘network system’ of the CCI development and more importantly, has overshadowed cultural issues. Consequently, tensions are emerging which are challenging to future CCI policy development, especially at a time when Taiwan is becoming increasingly incorporated into the fastest growing economy – mainland China, which brings threats and opportunities to the CCI development in Taiwan. 相似文献
10.
Paola Merli 《International Journal of Cultural Policy》2013,19(4):399-420
Gramsci’s writings have rarely been discussed and used systematically by scholars in cultural policy studies, despite the fact that in cultural studies, from which the field emerged, Gramsci had been a major source of theoretical concepts. Cultural policy studies were, in fact, theorised as an anti-Gramscian project between the late 1980s and the early 1990s, when a group of scholars based in Australia advocated a major political and theoretical reorientation of cultural studies away from hegemony theory and radical politicisation, and towards reformist–technocratic engagement with the policy concerns of contemporary government and business. Their criticism of the ‘Gramscian tradition’ as inadequate for the study of cultural policy and institutions has remained largely unexamined in any detail for almost 20 years and seems to have had a significant role in the subsequent neglect of Gramsci’s contribution in this area of study. This essay, consisting of three parts, is an attempt to challenge such criticism and provide an analysis of Gramsci’s writings, with the aim of proposing a more systematic contribution of Gramsci’s work to the theoretical development of cultural policy studies. In Part I, I question the use of the notion of ‘Gramscian tradition’ made by its critics, and challenge the claim that it was inadequate for the study of cultural policy and institutions. In Parts II and III, I consider Gramsci’s specific writings on questions of cultural strategy, policy and institutions, which have so far been overlooked by scholars, arguing that they provide further analytical insights to those offered by his more general concepts. More specifically, in Part II, I consider Gramsci’s pre-prison writings and political practice in relation to questions of cultural strategy and institutions. I argue that the analysis of these early texts, which were written in the years in which Gramsci was active in party organisation and leadership, is fundamental not only for understanding the nature of Gramsci’s early and continued involvement with questions of cultural strategy and institutions, but also as a key for deciphering and interpreting cultural policy themes that he later developed in the prison notebooks, and which originated in earlier debates. Finally, in Part III, I carry out a detailed analysis of Gramsci’s prison notes on questions of cultural strategy, policy and institutions, which enrich the theoretical underpinnings for critical frameworks of analysis as well as for radical practices of cultural strategy, cultural policy-making and cultural organisation. I then answer the question of whether Gramsci’s insights amount to a theory of cultural policy. 相似文献
11.
This article is an examination of the cultural and economic tensions that arise in the formulation and implementation of media policy in the European Union. Through an analysis of the MEDIA 2007 program, the authors investigate how the priorities of cultural policy and media policy interact and conflict. EU policy goals from the mid‐2000s onwards have emphasized attention to the economic potential of the creative and cultural industries, which complicates the cultural potential of audiovisual media. MEDIA 2007 in particular demonstrates these tensions, as the design of this policy mechanism emphasized audiovisual media’s potential for European economic growth as a precondition for achieving cultural objectives. 相似文献
12.
David Stevenson Gitte Balling Nanna Kann-Rasmussen 《International Journal of Cultural Policy》2017,23(1):89-106
Europe has a ‘problem’; it is becoming a ‘less cultural continent’ as fewer Europeans are ‘engaging in cultural activities’. This conclusion has been reached due to the findings of the latest cross national cultural participation survey. This paper questions the existence of this ‘problem’ and instead suggests that there is a shared problematisation across Europe sustained by common discursive archaeology that employs various discursive strands in relation to a dominant institutional discourse. The argument is that the ‘problem’ of ‘non-participation’ legitimates a ‘solution’ that predates its emergence: the state subsidy of arts organisations. The paper recaps the comparable problematisations that the researchers have previously identified in the policy texts of their respective countries. It progresses to consider three distinct but interwoven discursive strands upon which the problem representation in both countries, and potentially across Europe, appears to rely. 相似文献
13.
Per Mangset 《International Journal of Cultural Policy》2020,26(3):398-411
ABSTRACTThe article discusses whether we are approaching the end of public cultural policy in Western democracies, because contemporary cultural policy is not adapted to major transformation processes in contemporary societies. I discuss seven different challenges/scenarios that public cultural policy has to confront today: (1) It appears to be very difficult to democratise culture. (2) Public authorities consistently continue to support cultural institutions that may be obsolete. (3) Professional artists are still poor, despite public support schemes. (4) Public cultural policy is still predominantly national, despite the globalisation of cultural production and distribution. (5) Public authorities increasingly justify subsidies to culture with reference to the beneficial effects that art and culture could have outside the cultural field. Therefore, one might argue that other public bodies could take better care of cultural affairs. (6) A specific public cultural sector may appear to ‘imprison’ culture in a bureaucratic ‘iron cage’. (7) Finally, one might argue that a public cultural policy has no sense in a period of stagnating public finances. In addition, I discuss several counterarguments to these challenges, without coming to a definite conclusion. I have based the analysis on available comparative research about the public cultural policies of Western democracies, predominantly Norwegian cultural policy. 相似文献
14.
Hyungseok Kang 《International Journal of Cultural Policy》2015,21(4):433-447
This paper argues that in the case of Korea, cultural diplomacy (CD) has been explicitly implemented in a top-down and unilateral approach by government to enhance national prestige abroad, underpinned by the institutional legacy of a ‘developmental state’ model of governance. Yet, an implicit approach has also emerged, associated with capacity building of the domestic cultural industries through promoting ‘international cultural exchange’. Whilst the top-down unilateral approach has persisted, a disarray of policy rhetoric and institutional fragmentation surrounding CD, as well as the blurring of cultural industries development policy with the CD agenda has led to gradual convergence of both explicit and implicit approaches. 相似文献
15.
Arturo Rodríguez Morató Mariano Martín Zamorano 《International Journal of Cultural Policy》2018,24(5):565-576
ABSTRACTThis editorial introduction presents the aims and contents of a special issue devoted to cultural policies in Ibero-America. The issue provides a wide-ranging overview about the subject. In addition to papers focused on the development of cultural policy in specific countries, it also includes articles analyzing particular cultural policies in a transnational perspective, paying attention to their multiple programmatic transferences. It also includes articles centred on the development of cultural diplomacy and institutional networks within this area. In this way, it intends to highlight the commonalities among countries and the relations between them, so offering a new and deeper vision of the development of cultural policies in the Ibero American region. In this introduction we offer some theoretical keys for analyzing this development, in particular the notion of family of nations proposed by Castle (1993) and we evaluate its applicability to the case and beyond. 相似文献
16.
David Throsby 《International Journal of Cultural Policy》2013,19(3):217-232
Alternative definitions of the cultural industries lead to the construction of different models of the cultural production sector of the economy and hence to a different array of specific industries which are contained within the sector. In turn this implies not just differing estimates of the contribution of the cultural industries to output and employment in the economy but also significant differences in the way economic analysis can be applied to the cultural sector as a whole. This paper begins by discussing the way in which an economic approach to interpreting the scope of the creative and cultural industries can lead to a reasonable basis for defining them. It then goes on to examine the content of six distinct models of these industries, asking the question: is it possible to find a common core group of industries on which all of the models agree? The paper then considers the implications of the models for economic analysis of the cultural sector, and finishes with some conclusions for cultural policy. 相似文献
17.
Simo Häyrynen 《International Journal of Cultural Policy》2013,19(5):623-640
This article examines the reactions of Finnish cultural policy to the neoliberal turn in its societal environment. The analysis of cultural policy documents in 1990–2010 concentrates on three particular elements of societal change: the reforms in public management, the reorientations in international relations and the paradigm of immaterial production. It is argued here that besides the mythical democratic pluralism of the Nordic welfare states, cultural policy treats newcomers to the political arena selectively. Consequently, the system, constructed originally for protecting free artistic expression and equal distribution of cultural possibilities, has been in the front line of political market orientation in Finland. The orientation is modelled rhetorically after the ideas of cultural pluralism and economic efficiency; in practice, the fight has been a technocratic one between different notions of governmental responsibilities. This mechanism stresses formal procedures at the expense of ad hoc negotiations, leading to a centralised market orientation. 相似文献
18.
Kathleen Deagan 《Journal of World Prehistory》1988,2(2):187-233
The arrival of Spanish conquistadors and colonists to the Caribbean in the late fifteenth century set in motion the processes that produced the post-1500 New World. The sixteenth-century cultural and ecological exchanges among Europe, Africa, and the Americas that took place during the early contact period greatly affected the social and economic patterns of life in both the Old and the New Worlds. Nowhere was this change manifest as profoundly and dramatically as in the sixteenth-century Caribbean. This essay explores the archaeological insights into the processes of encounter between the Amerindian peoples of the Caribbean region and the first permanent Europeans in the Americas and the responses of each to contact with the other. Archaeological research has informed our understanding of this seminal era in New World cultural development in important ways. It had also allowed the documentation of both the cultural and demographic disintegration of the Caribbean Indians and the formation of Euro-American culture. 相似文献
19.
In this paper, we analyze the evolution of Russian cultural policy from the end of the Soviet era through the current against the framework of welfare state regimes. The end of the Soviet Union 25 years ago ushered in a decade of liberalization marked by a withdrawal of the state from cultural responsibility and hopes that market demand and private support would emerge to fill in the void. With the latter hampered by the economic hardships of the transition and the loss of philanthropic traditions after more than 70 years of communism, a liberal policy regime did not take firmly hold and has gradually been replaced by a new cultural policy consensus more akin to a conservative welfare regime, marked by a return of the state to a more dominant role with the support of core cultural policy constituencies. 相似文献
20.
As a reaction to emerging regional imbalances, discussions regarding growth centre policy began in the Nordic countries during the latter part of the 1960s. At this time, a working group within the European Free Trade Association (EFTA) provided a policy option based on international theories from urban and agglomeration economics. Within the actual growth centre policies in Norway, Sweden and Finland, central elements from the EFTA concept related to the scale of the centres were, however, not adopted. Instead, growth centres were located to places that had a smaller population than the 30,000 inhabitants recommended by the EFTA concept. This outcome was related to the fact that the EFTA concept was adapted to the existing regional policy institutions. As these institutions were egalitarian and redistributive in character, the Nordic growth centre policies favoured a more dispersed settlement structure than suggested by the EFTA concept. 相似文献